{"id":7204,"date":"2022-01-05T18:34:41","date_gmt":"2022-01-05T10:34:41","guid":{"rendered":"https:\/\/minikino.org\/articles\/?p=7204"},"modified":"2022-10-04T16:10:31","modified_gmt":"2022-10-04T08:10:31","slug":"the-unsung-has-spoken","status":"publish","type":"post","link":"https:\/\/minikino.org\/articles\/the-unsung-has-spoken\/","title":{"rendered":"The Unsung has Spoken!"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">Every person in this world, every person you see, has their own unique stories. The store clerk next door who\u2019s been waiting for his son\u2019s return, the construction worker across the street who just got his heartbroken, and the mailman who has been a victim of discrimination for his whole life. Stories that were unheard of, due to the lack of representation <\/span><span style=\"font-weight: 400;\">in the media<\/span><span style=\"font-weight: 400;\">. Now imagine if every one of them has the opportunity to share their stories through support and platform, to see what things they have to say to the world. Things that we might not catch with a mere glance.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Enter Unsung Voices, a series of workshops that aims to voice out unheard stories of young Asian Canadians. Unsung Voices is a part of Toronto Reel Asian\u2019s lineup of programs. Unsung Voices supports young filmmakers through funding and mentoring from professionals in the field to create a distinctly Asian Canadian story on screen. This program is a big step for underrepresented filmmakers to emerge in the industry, hone their skills as artists, and reach new opportunities through networking. This progressive program is something that other countries in the world may want to consider initiating or prioritizing. Their voices must be heard, as they are the future. A selection of films from numerous editions of Unsung Voices also got shown in Minikino Film Week 7, representing Toronto Reel Asian as a guest program.<\/span><\/p>\n<figure id=\"attachment_7253\" aria-describedby=\"caption-attachment-7253\" style=\"width: 1080px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/minikino.org\/articles\/wp-content\/uploads\/sites\/10\/2022\/01\/Homewater_5.webp\"><img fetchpriority=\"high\" decoding=\"async\" class=\"wp-image-7253 size-full\" src=\"https:\/\/minikino.org\/articles\/wp-content\/uploads\/sites\/10\/2022\/01\/Homewater_5.webp\" alt=\"\" width=\"1080\" height=\"608\" srcset=\"https:\/\/minikino.org\/articles\/wp-content\/uploads\/sites\/10\/2022\/01\/Homewater_5.webp 1080w, https:\/\/minikino.org\/articles\/wp-content\/uploads\/sites\/10\/2022\/01\/Homewater_5-300x169.webp 300w, https:\/\/minikino.org\/articles\/wp-content\/uploads\/sites\/10\/2022\/01\/Homewater_5-1024x576.webp 1024w, https:\/\/minikino.org\/articles\/wp-content\/uploads\/sites\/10\/2022\/01\/Homewater_5-768x432.webp 768w\" sizes=\"(max-width: 1080px) 100vw, 1080px\" \/><\/a><figcaption id=\"caption-attachment-7253\" class=\"wp-caption-text\">Still film of Homewater (Aidan Chan, 2020)<\/figcaption><\/figure>\n<p><span style=\"font-weight: 400;\">The films in the program were certainly diverse<\/span><span style=\"font-weight: 400;\">\u2014<\/span><span style=\"font-weight: 400;\">in their genre, story, form, style, and also quality<\/span><span style=\"font-weight: 400;\">\u2014<\/span><span style=\"font-weight: 400;\">yet pertaining to the roots of the Asian Canadian diaspora. The lineup consists of <\/span><i><span style=\"font-weight: 400;\">Sunday <\/span><\/i><span style=\"font-weight: 400;\">(2020) by Kim Hayung, <\/span><i><span style=\"font-weight: 400;\">Homewater<\/span><\/i><span style=\"font-weight: 400;\"> (2020) by Aidan Chan, <\/span><i><span style=\"font-weight: 400;\">Kar <\/span><\/i><span style=\"font-weight: 400;\">(2019) by Sahar Golshan, <\/span><i><span style=\"font-weight: 400;\">Little Red <\/span><\/i><span style=\"font-weight: 400;\">(2019) by Jacqueline Shi, <\/span><i><span style=\"font-weight: 400;\">Bollysingh <\/span><\/i><span style=\"font-weight: 400;\">(2017) by Prajjwal Rajawat, <\/span><i><span style=\"font-weight: 400;\">36 Questions<\/span><\/i><span style=\"font-weight: 400;\"> (2016) by Jennifer Su, <\/span><i><span style=\"font-weight: 400;\">Cello in the Subway <\/span><\/i><span style=\"font-weight: 400;\">(2016) by Iven Tu, <\/span><i><span style=\"font-weight: 400;\">Liquid Beings <\/span><\/i><span style=\"font-weight: 400;\">(2015) by Seden Lai, <\/span><i><span style=\"font-weight: 400;\">Door to Door <\/span><\/i><span style=\"font-weight: 400;\">(2015) by Bruce Ravichandran, <\/span><i><span style=\"font-weight: 400;\">On the Other Hand <\/span><\/i><span style=\"font-weight: 400;\">(2014) by Nathaniel Wong, <\/span><i><span style=\"font-weight: 400;\">Open Gym <\/span><\/i><span style=\"font-weight: 400;\">(2013) by Simu Liu, and <\/span><i><span style=\"font-weight: 400;\">Suman Ladies <\/span><\/i><span style=\"font-weight: 400;\">(2013) by Althea Balmes. I concluded several points that were present in some, if not all, of the films in this program.<\/span><\/p>\n<p><b>Alienation and Discrimination<\/b><\/p>\n<p><span style=\"font-weight: 400;\">One of the most prominent themes in the films of the Unsung Voices program is alienation. I define alienation as the result of loss of identity. Themes of alienation often relate to an existential conflict where the subject feels like they live in a hostile world. As all of the filmmakers of Unsung Voices are of Asian immigrants, somehow alienation plays a big part in their films.<\/span><\/p>\n<figure id=\"attachment_7252\" aria-describedby=\"caption-attachment-7252\" style=\"width: 720px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" class=\"wp-image-7252 size-full\" src=\"https:\/\/minikino.org\/articles\/wp-content\/uploads\/sites\/10\/2022\/01\/bollysingh-small-size.webp\" alt=\"\" width=\"720\" height=\"480\" srcset=\"https:\/\/minikino.org\/articles\/wp-content\/uploads\/sites\/10\/2022\/01\/bollysingh-small-size.webp 720w, https:\/\/minikino.org\/articles\/wp-content\/uploads\/sites\/10\/2022\/01\/bollysingh-small-size-300x200.webp 300w\" sizes=\"(max-width: 720px) 100vw, 720px\" \/><figcaption id=\"caption-attachment-7252\" class=\"wp-caption-text\">Still film of Bollysingh (Prajwal Rajawat, 2017)<\/figcaption><\/figure>\n<p><span style=\"font-weight: 400;\">One film that shines a comedic light on alienation is <\/span><i><span style=\"font-weight: 400;\">Bollysingh <\/span><\/i><span style=\"font-weight: 400;\">(2017). The film follows an Indian teenage boy trying to avoid being made fun of for wearing his turban, a headdress that symbolizes his cultural identity. He wears a beanie over his turban to fit in the conventional beauty standard and win his crush\u2019s heart. From the get-go, we see the boy being the only teenager with a turban in an urban school setting. We almost always see him alone, looking down, and feeling different. <\/span><i><span style=\"font-weight: 400;\">Bollysingh <\/span><\/i><span style=\"font-weight: 400;\">(2017) portrays alienation that derives from race and cultural discrimination. The film ends on a light-hearted note, with the protagonist losing his crush to a similar guy with a turban. Even though he lost the girl, he accepts his identity by taking off his beanie.<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Cello in the Subway <\/span><\/i><span style=\"font-weight: 400;\">(2016), <\/span><i><span style=\"font-weight: 400;\">Suman Ladies <\/span><\/i><span style=\"font-weight: 400;\">(2013), and <\/span><i><span style=\"font-weight: 400;\">Kar<\/span><\/i><span style=\"font-weight: 400;\"> (2019) are short documentaries that touch on alienation and discrimination on a much deeper and personal narrative. With <\/span><i><span style=\"font-weight: 400;\">Kar <\/span><\/i><span style=\"font-weight: 400;\">(2019) having the director\u2019s father as the subject; a former taxi driver and driving instructor who faced discrimination and racial terror. While <\/span><i><span style=\"font-weight: 400;\">Suman Ladies <\/span><\/i><span style=\"font-weight: 400;\">(2013) and <\/span><i><span style=\"font-weight: 400;\">Cello in the Subway <\/span><\/i><span style=\"font-weight: 400;\">(2016) follow around subjects of Asian immigrants making a living on the streets and subways of Toronto. Each of the subjects of the three documentaries was shown to address the result of racial and cultural discrimination by showing the subject\u2019s inner thoughts and struggles as a minority. The other films I didn\u2019t mention also have some hints of alienation and discrimination. This leads me to think that racial and cultural discrimination is a widespread problem in the Canadian community. The young filmmakers managed to touch on the issue confidently.<\/span><\/p>\n<p><b>Experimentation<\/b><\/p>\n<p><span style=\"font-weight: 400;\">\u201cShow, don\u2019t tell is\u201d, the golden phrase that\u2019s been said countless times by filmmakers and critics. How the filmmaker \u2018shows\u2019 the story, could elevate a simple story to a beautiful film. The films in the program mostly tell their story through guided exposition and the usual cinematic conventions. However, some films experimented with its cinematic form. Achieving an artistic value that I\u2019ve come to appreciate from these young filmmakers.<\/span><\/p>\n<figure id=\"attachment_7258\" aria-describedby=\"caption-attachment-7258\" style=\"width: 1080px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" class=\"wp-image-7258 size-full\" src=\"https:\/\/minikino.org\/articles\/wp-content\/uploads\/sites\/10\/2022\/01\/Sunday_01.webp\" alt=\"\" width=\"1080\" height=\"608\" srcset=\"https:\/\/minikino.org\/articles\/wp-content\/uploads\/sites\/10\/2022\/01\/Sunday_01.webp 1080w, https:\/\/minikino.org\/articles\/wp-content\/uploads\/sites\/10\/2022\/01\/Sunday_01-300x169.webp 300w, https:\/\/minikino.org\/articles\/wp-content\/uploads\/sites\/10\/2022\/01\/Sunday_01-1024x576.webp 1024w, https:\/\/minikino.org\/articles\/wp-content\/uploads\/sites\/10\/2022\/01\/Sunday_01-768x432.webp 768w\" sizes=\"(max-width: 1080px) 100vw, 1080px\" \/><figcaption id=\"caption-attachment-7258\" class=\"wp-caption-text\">Still film of Sunday (Kim Hayung, 2020)<\/figcaption><\/figure>\n<p><span style=\"font-weight: 400;\">With hints of Jodorowsky in its visuals, <\/span><i><span style=\"font-weight: 400;\">Liquid Beings <\/span><\/i><span style=\"font-weight: 400;\">(2015) questions the origin of man through surrealism. <\/span><i><span style=\"font-weight: 400;\">Sunday<\/span><\/i><span style=\"font-weight: 400;\"> (2020), an animated documentary on the filmmaker\u2019s memories of growing up within her father\u2019s church. Through its archival yet stylized animation of old family photos, I felt a sense of nostalgic yet dreadful feeling of reminiscing childhood in a conservative family. In terms of cinematography, <\/span><i><span style=\"font-weight: 400;\">Little Red <\/span><\/i><span style=\"font-weight: 400;\">(2019) tells the story of a Chinese family in one single shot. The camera explores the family\u2019s house, changing its interior from time to time adjusting to the family\u2019s offscreen dialogue. Lastly, <\/span><i><span style=\"font-weight: 400;\">On the Other Hand <\/span><\/i><span style=\"font-weight: 400;\">(2014) chooses ping-pong as a unique way to illustrate a father\u2019s advice on growing a business.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Each film I mentioned beforehand has different themes and stories that they explore in ways that feel free-spirited and confident. Experimentation and innovation in cinematic form and language are the things that I really appreciate from short films, but not the things I expect from funding or film workshop programs. The reason being some of them have a tendency to stick to the wide-established cinematic rules. It\u2019s nice to see the mentors have encouraged the young filmmakers to experiment freely in their films, providing them a safe space to explore their style.<\/span><\/p>\n<p><b>A Place to Grow<\/b><\/p>\n<p><span style=\"font-weight: 400;\">One of the most interesting things in this program is seeing Simu Liu, one of the cast in the hit Canadian sitcom <\/span><i><span style=\"font-weight: 400;\">Kim\u2019s Convenience <\/span><\/i><span style=\"font-weight: 400;\">(2016-2021) and the main star in Marvel Studios\u2019 <\/span><i><span style=\"font-weight: 400;\">Shang-Chi and the Legend of the Ten Rings <\/span><\/i><span style=\"font-weight: 400;\">(2021), as one of the filmmakers in the Unsung Voices program. He directed and starred in his own short film, <\/span><i><span style=\"font-weight: 400;\">Open Gym <\/span><\/i><span style=\"font-weight: 400;\">(2013). A simple film about a man fighting his insecurities in a boxing gym. While the film wasn\u2019t really the best in the program, it was nice to see his early work and how he has grown to be an international actor.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">From Simu Liu, I see that Unsung Voices exists as a stepping stone for emerging filmmakers to grow and develop their skills. I imagine the journey of creating a film from scratch with the guidance from professional mentors has given them valuable lessons in filmmaking and life in general. I can\u2019t help but feel inspired reading their process and seeing the result.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Toronto Reel Asian\u2019s Unsung Voices could be seen as a stepping stone for other countries in the world to spotlight their own \u2018Unsung Voices\u2019. The most interesting thing to see in this program is what hidden stories are there to see. In Reel Asian\u2019s case, the diverse issues and humans of the Asian Canadian diaspora. While other countries have developed their own funding and workshop programs, I feel that some of them guided the participants to make films that follow their agenda; whether political or nationalist. More film grants should listen to what the marginalized youth has to say and support their art\u2019s vision. As the future belongs to the youth, and who knows what they have to say?<\/span><\/p>\n<p>&nbsp;<\/p>\n<blockquote><p>About the Program: <a href=\"https:\/\/www.reelasian.com\/about\/staff\/\" target=\"_blank\" rel=\"noopener\">Aram Collier<\/a> (Head of Programming Toronto Reel Asian International Film Festival) is the guest programmer of Minikino Film Week 7, Bali International Short Film Festival. He selected ten short films produced in <a href=\"https:\/\/www.reelasian.com\/announcing-the-2021-unsung-voices-participants\/\" target=\"_blank\" rel=\"noopener\">Unsung Voices<\/a> filmmaking workshops (2013-2020). The program was screened on Saturday, 4 September 2021 at Rumah Film Sang Karsa (Buleleng) and Tuesday, 7 September 2021 (Irama Indah Minihall, Denpasar).<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>Every person in this world, every person you see, has their own unique stories. The store clerk next door who\u2019s been waiting for his son\u2019s return, the construction worker across the street who just got his heartbroken, and the mailman who has been a victim of discrimination for his whole life. Stories that were unheard [&hellip;]<\/p>\n","protected":false},"author":22,"featured_media":7254,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jnews-multi-image_gallery":[],"jnews_single_post":{"source_name":"","source_url":"","via_name":"","via_url":"","override_template":"0","override":[{"template":"1","single_blog_custom":"","parallax":"1","fullscreen":"1","layout":"right-sidebar","sidebar":"default-sidebar","second_sidebar":"default-sidebar","sticky_sidebar":"1","share_position":"top","share_float_style":"share-monocrhome","show_share_counter":"1","show_view_counter":"1","show_featured":"1","show_post_meta":"1","show_post_author":"1","show_post_author_image":"1","show_post_date":"1","post_date_format":"default","post_date_format_custom":"Y\/m\/d","show_post_category":"1","show_post_reading_time":"0","post_reading_time_wpm":"300","show_zoom_button":"0","zoom_button_out_step":"2","zoom_button_in_step":"3","show_post_tag":"1","show_prev_next_post":"1","show_popup_post":"1","number_popup_post":"1","show_author_box":"0","show_post_related":"0","show_inline_post_related":"0"}],"override_image_size":"0","image_override":[{"single_post_thumbnail_size":"crop-500","single_post_gallery_size":"crop-500"}],"trending_post":"0","trending_post_position":"meta","trending_post_label":"Trending","sponsored_post":"0","sponsored_post_label":"Sponsored by","sponsored_post_name":"","sponsored_post_url":"","sponsored_post_logo_enable":"0","sponsored_post_logo":"","sponsored_post_desc":""},"jnews_primary_category":{"id":""},"jnews_social_meta":{"fb_title":"","fb_description":"","fb_image":"","twitter_title":"","twitter_description":"","twitter_image":""},"jnews_review":[],"enable_review":"0","type":"percentage","name":"","summary":"","brand":"","sku":"","good":[{"good_text":""}],"bad":[{"bad_text":""}],"score_override":"","override_value":"","rating":[{"rating_text":"","rating_number":"10"}],"price":[{"shop":"","price":"","link":"","icon":""}],"jnews_override_counter":{"override_view_counter":"0","view_counter_number":"0","override_share_counter":"0","share_counter_number":"0","override_like_counter":"0","like_counter_number":"0","override_dislike_counter":"0","dislike_counter_number":"0"},"jnews_podcast_option":{"enable_podcast":"0","podcast_duration":"","upload":""},"jnews_podcast_series":null,"footnotes":""},"categories":[2],"tags":[55,158,177,130,161,160],"jnews-series":[],"class_list":["post-7204","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-short-films","tag-english","tag-festival-writers","tag-hybrid-internship","tag-mfw7","tag-reel-asian-canada","tag-toronto-reel-asian"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The Unsung has Spoken! - Minikino Articles<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/minikino.org\/articles\/the-unsung-has-spoken\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Unsung has Spoken! - Minikino Articles\" \/>\n<meta property=\"og:description\" content=\"Every person in this world, every person you see, has their own unique stories. The store clerk next door who\u2019s been waiting for his son\u2019s return, the construction worker across the street who just got his heartbroken, and the mailman who has been a victim of discrimination for his whole life. Stories that were unheard [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/minikino.org\/articles\/the-unsung-has-spoken\/\" \/>\n<meta property=\"og:site_name\" content=\"Minikino Articles\" \/>\n<meta property=\"article:published_time\" content=\"2022-01-05T10:34:41+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-10-04T08:10:31+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/minikino.org\/articles\/wp-content\/uploads\/sites\/10\/2022\/01\/Suman-Ladies_Short-film60.webp\" \/>\n\t<meta property=\"og:image:width\" content=\"1080\" \/>\n\t<meta property=\"og:image:height\" content=\"604\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/webp\" \/>\n<meta name=\"author\" content=\"Rayhan Dharmawan\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@minikinosuperadmin\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Rayhan Dharmawan\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"7 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/minikino.org\/articles\/the-unsung-has-spoken\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/minikino.org\/articles\/the-unsung-has-spoken\/\"},\"author\":{\"name\":\"Rayhan Dharmawan\",\"@id\":\"https:\/\/minikino.org\/articles\/#\/schema\/person\/9333347b59c8fc02bb8d4adb155f97bf\"},\"headline\":\"The Unsung has Spoken!\",\"datePublished\":\"2022-01-05T10:34:41+00:00\",\"dateModified\":\"2022-10-04T08:10:31+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/minikino.org\/articles\/the-unsung-has-spoken\/\"},\"wordCount\":1374,\"commentCount\":0,\"image\":{\"@id\":\"https:\/\/minikino.org\/articles\/the-unsung-has-spoken\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/minikino.org\/articles\/wp-content\/uploads\/sites\/10\/2022\/01\/Suman-Ladies_Short-film60.webp\",\"keywords\":[\"English\",\"Festival Writers\",\"Hybrid Internship\",\"MFW7\",\"Reel Asian Canada\",\"Toronto Reel Asian\"],\"articleSection\":[\"SHORT FILMS\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/minikino.org\/articles\/the-unsung-has-spoken\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/minikino.org\/articles\/the-unsung-has-spoken\/\",\"url\":\"https:\/\/minikino.org\/articles\/the-unsung-has-spoken\/\",\"name\":\"The Unsung has Spoken! 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RD is a film student in Universitas Multimedia Nusantara, a freelance screenwriter for feature-length films, and currently the creative director of a small production house, Poolside Studios. Occasionally watch and discuss films with his friends at Popsicle UMN. RD\u2019s adolescent habit of capturing moments everywhere he goes with his DSLR would later evolve to a passion for art, cinema, and culture. He believes culture is an essential part of understanding each other, and understanding life itself. His works often reflect the intricacy and intimacy of life and human relationships. Right now, RD is focusing on honing his craft in directing and screenwriting. Other than that, he is constantly practicing his critical thinking by reading and writing on topics that resonate with him.\",\"sameAs\":[\"https:\/\/x.com\/minikinosuperadmin\"],\"url\":\"https:\/\/minikino.org\/articles\/author\/rayhan\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"The Unsung has Spoken! - Minikino Articles","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/minikino.org\/articles\/the-unsung-has-spoken\/","og_locale":"en_US","og_type":"article","og_title":"The Unsung has Spoken! - Minikino Articles","og_description":"Every person in this world, every person you see, has their own unique stories. The store clerk next door who\u2019s been waiting for his son\u2019s return, the construction worker across the street who just got his heartbroken, and the mailman who has been a victim of discrimination for his whole life. 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RD is a film student in Universitas Multimedia Nusantara, a freelance screenwriter for feature-length films, and currently the creative director of a small production house, Poolside Studios. Occasionally watch and discuss films with his friends at Popsicle UMN. RD\u2019s adolescent habit of capturing moments everywhere he goes with his DSLR would later evolve to a passion for art, cinema, and culture. He believes culture is an essential part of understanding each other, and understanding life itself. His works often reflect the intricacy and intimacy of life and human relationships. Right now, RD is focusing on honing his craft in directing and screenwriting. 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