![\"\"](\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2022\/07\/Lion-bleu-copy.webp\")
<\/strong><\/p>\nLION BLEU<\/strong> \/\/ Zoia Trofimoa \/ France \/ 2021 \/ Animation \/ 18:11 \/\/ A lonely farmer takes in a kitten in distress. But the next day it turns into a big blue lion.<\/p>\n![\"\"](\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2022\/07\/Little-ox-copy.webp\")
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LITTLE OX<\/strong> \/\/ Raf Wathion, Patrick Vandebroeck \/ Belgium \/ 2021 \/ Animation, Documentary \/ 10:33 \/\/ A young muskox migrates with a small herd through the cold barren tundra. During their journey the herd gets attacked by a pack of wolves.<\/p>\n![\"\"](\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2022\/07\/Luna-llena-copy.webp\")
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LUNA LLENA<\/strong> \/\/ Isabel Garcia Moya \/ Belgium \/ 2020 \/ Animation \/ 03:58 \/\/ Burger and Tortilla are walking around in the moonlight. In their imaginary world, they meet fantastic creatures…<\/p>\n![\"\"](\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2022\/07\/Saka-sy-vorona-copy.webp\")
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SAKA SY VORONA<\/strong> \/\/ Franka Sachse \/ Germany \/ 2021 \/ Animation \/ 07:32 \/\/ A white bird living in a black world encounters a black cat living in a white world. The moment they meet, their backgrounds literally collide.<\/p>\n![\"\"](\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2022\/07\/Spacapufi-copy.webp\")
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SPACAPUFI<\/strong> \/\/ Jaka Ivanc \/ Slovenia \/ 2021 \/ Animation \/ 11:08 \/\/ When they have eaten the last delicious fruit and hunger is about to strike, they head to a distant jubee grove. First, they must cross a murky forest where a strange presence is lurking…<\/p>\n![\"\"](\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2022\/07\/Stars-on-the-Sea-copy.webp\")
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STARS ON THE SEA<\/strong> \/\/ Seung-Wook Jang \/ South Korea \/ 2021 \/ Animation \/ 06:06 \/\/ It is just another ordinary day. The house is filling up with water.<\/p>\n![\"\"](\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2022\/07\/Ursa_nordlysets-sang-copy.webp\")
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URSA-NORDLYSETS SANG<\/strong> \/\/ Natalia Malykhina \/ Norway \/ 2021 \/ Animation \/ 10:20 \/\/ A little polar bear, Ursa, is alone in the cold dark Arctic and looking for his mum.<\/p><\/div><\/div>\n
\nSeoul Yeongdeugpo International Extreme-Short Image & Film Festival, Korea<\/strong><\/h2>\n<\/div>\nSHORT FILM PROGRAM FROM SESIFF
\n<\/strong>Duration: 80:20<\/p>\n![](\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2022\/07\/SON-Kwangsoo-Programmer-2022.webp\"\/)
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This section consists of seven films, three documentaries produced by SESIFF in 2021, and four fictions featuring the reality of Korea. \u201cWalking Through Words\u201d, \u201cMullae-dong Medley\u201d, \u201cFries Encounter\u201d, based and shot in Yeongdeungpo, show us the past, the present, and the future of Yeongdeungpo. And \u201cSummer Grass\u201d, \u201cGas, Right\u201d, \u201c202 201\u201d, \u201cInterview\u201d focus on the feature of our reality where people inevitably have misunderstandings in their communication. These films would allow audiences to think of the Korean reality in a different way.<\/div>
SON Kwangsoo<\/div>
Programmer | program@sesiff.org<\/div><\/div><\/div>\n
\n\n\n| DATE<\/th>\n | SHOW TIME<\/th>\n | VENUE<\/strong><\/th>\n<\/tr>\n\n| SEL\/TUE 6<\/td>\n | 13:00<\/td>\n | MASH Denpasar<\/td>\n<\/tr>\n | \n| SEL\/TUE 6<\/td>\n | 19:00<\/td>\n | Rumah Belajar Komunitas Mahima<\/td>\n<\/tr>\n | \nNote<\/strong>:<\/td>\nWITA (+8 GMT)<\/em><\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div> ![\"\"](\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2022\/07\/Walking-Through-Words_Still-copy.webp\") <\/p>\n
WALKING THROUGH WORDS (\uc601\ub4f1\ud3ec, \uae00\uc790 \uc704\ub97c \uac77\ub2e4 )<\/strong> \/\/ PARK Hyemin \/ South Korea \/ 2021 \/ Documentary \/ 06:36 \/\/ Some signs, inscriptions, symbols stand out from the ordinary routine. I think of whom put up these signs, who made these inscriptions.<\/p>\n![\"\"](\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2022\/07\/Mullae-dong-Medley_Still-copy.webp\") <\/p>\n
MULLAE-DONG MEDLEY (\ubb38\ub798\ub3d9 \uba54\ub4e4\ub9ac)<\/strong> \/\/ AN Jaeyoung \/ South Korea \/ 2021 \/ Documentary \/ 10:25 \/\/ Mullae-dong, Yeongdeungpo-gu, is like an island where manufacturing, ironwork, and bearing factories share and cooperate in one place. This is where sweat and consideration created sadness and joy.<\/p>\n![\"\"](\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2022\/07\/Fries-Encounter_still-copy.webp\") <\/p>\n
FRIES ENCOUNTER<\/strong> \/\/ KIM Jiyeon, Didier Yoo \/ South Korea \/ 2021 \/ Documentary \/ 07:46 \/\/ Fries, which are considered just a fast food side dish, actually are Belgian soul food. Koreans and Belgians encounter through fries.<\/p>\n![\"\"](\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2022\/07\/Summer-Grass_Still-Main-copy.webp\") <\/p>\n
SUMMER GRASS (\uc78e\uc758 \uc5ec\ub984)<\/strong> \/\/ CHUNG Rachel Eunbea \/ South Korea \/ 2021 \/ Fiction \/ 14:45 \/\/ Choyeop suspects that Kangii and Doa like each other, but she becomes surprised as the afternoon unfolds.<\/p>\n![\"\"](\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2022\/07\/Gasright_Still-3-copy.webp\") <\/p>\n
GAS, RIGHT (\uac00\uc2a4, \ub77c\uc774\ud2b8)<\/strong> \/\/ WON Yu \/ South Korea \/ 2020 \/ Fiction \/ 15:28 \/\/ A man smells gas in a cafe while waiting for an important guest, but the cafe owner and the waitress make a fool of him and ignore his words.<\/p>\n![\"\"](\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2022\/07\/202-201_Still_04-copy.webp\") <\/p>\n
202 201<\/strong> \/\/ CHO Youngmyoung \/ South Korea \/ 2021 \/ Fiction \/ 14:41 \/\/ Someone next door connects to my bluetooth speaker. Who the hell are you?\/\/ Awards\/Screenings: The 25th Bucheon International Fantastic Film Festival (2021)<\/p>\n![\"\"](\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2022\/07\/Interview_Still_02-copy.webp\") <\/p>\n
INTERVIEW (\uba74\ub2f4)<\/strong> \/\/ PARK Suhyoung \/ South Korea \/ 2021 \/ Fiction \/ 10:39 \/\/ Eun-sun, a new homeroom teacher, learns through a video that Jeong-hwa and her group harassed their classmate Mina, and tries to solve this internally through an interview. \/\/ Awards\/Screenings: The 9th Seoul Guro International Kids Film Festival (2021)<\/p><\/div><\/div>\n
\nTORONTO REEL ASIAN, CANADA<\/strong><\/h2>\n<\/div>\nA STARTING POINT
\n<\/strong>Duration: 61:20<\/p>\n![](\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2021\/02\/Kelly-Lui-150px.jpg\"\/) <\/div> Where does a filmmaker\u2019s journey begin? And, can we revisit this moment? A Starting Point recognizes the value of beginnings and wonders how we might return to \u201cfirst films\u201d as a place for regrowth. This program places short films from the four cohort members of Unsung Voices 10 (2021), Reel Asian\u2019s free summer production workshop for first-time or emerging filmmakers, in conversation with the retrospective \u201cfirst films\u201d by Unsung Voice\u2019s founder, Aram Collier, and program coordinators, Haaris Qadri and Jennifer Su.<\/div> Kelly Lui<\/div> Programmer | programming@reelasian.com<\/div><\/div><\/div>\n \n\n\n| DATE<\/th>\n | SHOW TIME<\/th>\n | VENUE<\/strong><\/th>\n<\/tr>\n\n| SEN\/MON 5<\/td>\n | 17:45<\/td>\n | SKA (Rumah Film Sang Karsa)<\/td>\n<\/tr>\n | \n| SEL\/TUE 6<\/td>\n | 20:15<\/td>\n | UMA SEMINYAK<\/td>\n<\/tr>\n | \nNote<\/strong>:<\/td>\nWITA (+8 GMT)<\/em><\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div> ![\"\"](\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2022\/07\/The-Orchid-and-the-Tree-dir.-Ganesh-Thava-Still-copy.webp\") <\/p>\n
THE ORCHID AND THE TREE<\/strong> \/\/ Ganesh Thava \/ Canada \/ 2021 \/ Fiction \/ 10:42 \/\/ The echoes of grief linger decades after in a South Asian family that did not, could not, get around to talking about it.<\/p>\n![\"\"](\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2022\/07\/WAVE-HANDS-LIKE-CLOUDS-Still-Jennifer-Su-copy.webp\") <\/p>\n
WAVE HANDS LIKE CLOUDS<\/strong> \/\/ Jennifer Su \/ Canada \/ 2018 \/ Fiction \/ 06:26 \/\/ Tai Chi practitioners explore their connection to the martial art in this hybrid documentary music video set in Toronto\u2019s Grange Park and Scarborough.<\/p>\n![\"\"](\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2022\/07\/Chakar-dir.-Harman-Kang-Still-copy.webp\") <\/p>\n
CHAKAR (\u0a1a\u0a71\u0a15\u0a30)<\/strong> \/\/ Harman Kang \/ Canada \/ 2021 \/ Fiction \/ 06:34 \/\/ A young woman is stopped by a middle-aged Punjabi woman. Things take a turn for the uncanny, as the young woman is presented with a choice that will change the course of her life.<\/p>\n![\"\"](\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2022\/07\/GOREE-Still-Haaris-Qadri-copy.webp\") <\/p>\n
GOREE<\/strong> \/\/ Haaris Qadri \/ Canada \/ 2016 \/ Fiction \/ 09:08 \/\/ A 9-year-old Pakistani-Canadian girl struggles to understand her mother\u2019s cultural expectations of beauty.<\/p>\n![\"\"](\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2022\/07\/watering-dir.-James-Legaspi-Still-copy.webp\") <\/p>\n
WATERING<\/strong> \/\/ James Legaspi \/ Canada \/ 2021 \/ Fiction \/ 07:55 \/\/ Watering is a semi-autobiographical short film through which the filmmaker reflects on the passing of their childhood dog, and how it continues to inform their navigation of daily life.<\/p>\n![\"\"](\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2022\/07\/EXPRESS-LANE-Still-Aram-Collier-Rudy-Chong-copy.webp\") <\/p>\n
EXPRESS LANE<\/strong> \/\/ Aram Siu Wai Collier, Rudy Chong \/ Canada \/ 1997 \/ Fiction \/ 13:02 \/\/ Express Lane is an adrenaline-laced, technically virtuosic thrilling chase throughout urban San Francisco, somewhere between a pedestrian Bullitt and an under-21 Pulp Fiction.<\/p>\n![\"\"](\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2022\/07\/Ahus-Journal-dir.-Weeda-Azim-Still-copy.webp\") <\/p>\n
AHU\u2019S JOURNAL<\/strong> \/\/ Weeda Azim \/ Canada \/ 2021 \/ Fiction \/ 07:33 \/\/ Eager for an escape from her family, Safiya moves out to a sublet of an acquaintance, Ahu. She soon comes across a journal with entries that take her on a reflective journey\u2014Ahu\u2019s journal.<\/p><\/div><\/div>\n
\nIMAGE FORUM, JAPAN<\/strong><\/h2>\n<\/div>\nIMAGE FORUM: Film in Shelter, Cinema as Shelter<\/strong><\/p>\nDuration: 67:54 | 13+<\/p>\n ![](\") <\/div> For its 35th edition in 2021, Image Forum Festival questioned whether the existence of \u201cfilm\u201d is under threat for various reasons, including natural disasters and political strife. Material to be screened, disappears or is damaged\/degrades. Screening sites and programming itself may also be exposed to crises. Also at the same time, cinema can provide an escape from the harshness (of natural and social conditions) of the outside world. The films selected in this program reflect these questions.<\/div> Koyo Yamashita<\/div> Programmer | info@imageforum.co.jp<\/div><\/div><\/div>\n \n\n\n| DATE<\/th>\n | SHOW TIME<\/th>\n | VENUE<\/strong><\/th>\n<\/tr>\n\n| SAB\/SAT 3<\/td>\n | 10:30<\/td>\n | Irama Indah Minihall<\/td>\n<\/tr>\n | \n| SEL\/TUE 6<\/td>\n | 17:45<\/td>\n | MASH Denpasar<\/td>\n<\/tr>\n | \nNote<\/strong>:<\/td>\nWITA (+8 GMT)<\/em><\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div> <\/p>\n ![\"\"](\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2022\/07\/Hydrophone-Butterfly-imageforum2022.webp\") <\/p>\n
HYDROPHONE BUTTERFLY \/\/ <\/strong>YU Chae \/ Korea \/ 2021 \/ Experimental \/ 15:52 \/\/ A music file arrives from a friend in Paris. The author stays secluded in her room, scratches a film strip, and continues to produce a moving image artwork\u2014remembering the friend with whom she can\u2019t reunite after returning to her home country. Eventually, the author goes out on a motorcycle ride through the city with another friend \u2026 A youthful experimental film that vividly exposes the isolated daily life under a pandemic, using experimental cinematic techniques.<\/p>\n![\"\"](\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2022\/07\/BeforeItHappens-imageforum.webp\") <\/p>\n
BEFORE IT HAPPENS \/\/ <\/strong>YAMADA Sanae \/ Japan \/ 2022 \/ Documentary \/ 20:15 \/\/ Setting in Izu-Oshima island in Japan, Before It Happens documents daily life with the constant threat of future eruptions, including disaster drills and volcanic activity observations.<\/p>\n <\/p>\n ![\"\"](\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2022\/07\/Instructions-Imageforum2022.webp\") <\/p>\n
INSTRUCTIONS \/\/ <\/strong>YAMADA Sanae \/ Japan \/ 2022 \/ Documentary \/ 15:47 \/\/ Instructions features recollections of a past eruption in Iceland and seeks possible instructions for remaining unharmed physically and mentally in the event of a disaster.<\/p>\n![\"\"](\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2022\/07\/Tugging_Diary-imageforum.webp\") <\/p>\n
TUGGING DIARY \/\/ <\/strong>YAN Wai-Yin \/ Hong Kong \/ 2021 \/ Documentary \/ 16:00 \/\/ The author presents a record of a pedestrian bridge and its immediate vicinity, filmed from August 2019 to January 2021. More than being just a bridge, this was the symbol of Hong Kong\u2019s pro-democracy movement. In addition to the internet, people used public physical spaces such as walls and pillars as a place of communication\u2014in opposition to the regulated mainstream media. Various messages recorded in this work rapidly transform into digital \u2018memory\u2019. This emotional essay film conveys the current state of affairs in Hong Kong, where the increasingly dire and pressing situation arouses a poignant sentiment.<\/p><\/div><\/div>\n
\nKYIV INTERNATIONAL SHORT FILM FESTIVAL (#KISFF)<\/strong><\/h2>\n<\/div>\nSPOTLIGHT ON UKRAINE<\/strong>
\nDuration: 66:04 \u00a0| 13+
\nThis program, curated by the Kyiv International Short Film Festival, introduces four Ukrainian short films and gives the broader context of understanding the essence of Ukrainian society and the prerequisite of russia\u2019s full-scale war on Ukraine.
\nProgrammer: Sasha Prokopenko<\/p>\nKYIV INTERNATIONAL SHORT FILM FESTIVAL (#KISFF)<\/strong> is the largest short film festival in Ukraine. It presents the widest panorama of contemporary short films, classical and latest achievements of Ukrainian cinema, special events and world premieres, educational and professional sections.<\/p>\n\n\n\n| DATE<\/th>\n | SHOW TIME<\/th>\n | VENUE<\/strong><\/th>\n<\/tr>\n\n| SAB\/SAT 3<\/td>\n | 10:30<\/td>\n | MASH Denpasar<\/td>\n<\/tr>\n | \n| MIN\/SUN 4<\/td>\n | 22:15<\/td>\n | Rumah Belajar Komunitas Mahima<\/td>\n<\/tr>\n | \n| MIN\/SUN 4<\/td>\n | 13:00<\/td>\n | Irama Indah Minihall<\/td>\n<\/tr>\n | \nNote<\/strong>:<\/td>\nWITA (+8 GMT)<\/em><\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div> ![\"\"](\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2022\/07\/KYIF-UNAVAILABLE.webp\") <\/p>\n
\u041f\u041e\u0417\u0410 \u0417\u041e\u041d\u041e\u042e (UNAVAILABLE)<\/strong> \/\/ Nikon Romanchenko \/ Ukraine \/ 2018 \/ Fiction \/ 27:40 \/\/ Lyuba works at a confectionery factory in a small town in the West. Her son is in the war zone and there is no connection with him. Lyuba goes in search of her son in an unfamiliar territory.<\/p>\n![\"\"](\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2022\/07\/KYIF-ME-AND-MARIUPOL.webp\") <\/p>\n
\u042f \u0406 \u041c\u0410\u0420\u0406\u0423\u041f\u041e\u041b\u042c (ME AND MARIUPOL)<\/strong> \/\/ Piotr Armianovski \/ Ukraine \/ 2017 \/ Documentary \/ 09:48 \/\/ Mariupol is an industrial city on the Sea of Azov. The places alive in my memory are mostly destroyed. The battle line of the Russian-Ukrainian war is just nearby the city.<\/p>\n![\"\"](\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2022\/07\/KYIF-WITHOUT-YOU-SENSIZ.webp\") <\/p>\n
\u0411\u0415\u0417 \u0422\u0415\u0411\u0415 (SENSIZ)<\/strong> \/\/ Nariman Aliev \/ Ukraine \/ 2016 \/ Fiction \/ 14:39\nA lone car drives across the vast expanses of the Ukrainian landscape. Two young men are traveling to celebrate their elder brother\u2019s birthday, but their plan is delayed when their car breaks down.<\/p>\n![\"\"](\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2022\/07\/KYIF-deep-love.webp\") <\/p>\n
\u041a\u041e\u0425\u0410\u041d\u041d\u042f (DEEP LOVE)<\/strong> \/\/ Mykyta Lyskov \/ Ukraine \/ 2019 \/ Animation \/ 13:57 \/\/ The film tells the story of a big city, Dnipro (Ukraine), during historical changes and decommunization.<\/p><\/div><\/div>\n
\nS-EXPRESS 2022 NETWORKS<\/strong><\/h2>\n<\/div>\nSX2022 BRUNEI<\/strong><\/h2>\nDuration: 89:33<\/p>\n ![](\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2022\/07\/Programmer-sx-2022-brunei-Nurain-Abdullah.webp\"\/) <\/div> The selection depicts Brunei youths\u2019 passion for the arts and the social expectations put on them.<\/div> Nurain Abdullah<\/div> Programmer, Producer<\/div><\/div><\/div>\n \n\n\n| DATE<\/th>\n | SHOW TIME<\/th>\n | VENUE<\/strong><\/th>\n<\/tr>\n\n| MIN\/SUN 4<\/td>\n | 13:00<\/td>\n | SKA (Rumah Film Sang Karsa)<\/td>\n<\/tr>\n | \n| SEL\/TUE 6<\/td>\n | 10:00<\/td>\n | MASH Denpasar<\/td>\n<\/tr>\n | \nNote<\/strong>:<\/td>\nWITA (+8 GMT)<\/em><\/td>\n| <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n | | | | | | | | | | | | | | | | | | | |
![\"\"](\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2022\/07\/festivalcollaborator2022.webp\")
<\/p>\n