{"id":14620,"date":"2025-07-28T19:44:35","date_gmt":"2025-07-28T11:44:35","guid":{"rendered":"https:\/\/minikino.org\/filmweek\/?page_id=14620"},"modified":"2025-08-26T16:46:38","modified_gmt":"2025-08-26T08:46:38","slug":"2025-official-selections","status":"publish","type":"page","link":"https:\/\/minikino.org\/filmweek\/2025-official-selections\/","title":{"rendered":"2025 OFFICIAL SELECTIONS"},"content":{"rendered":"

Hey… get your right dose!
\nHere is your guide for a healthy dose of short films. Our International program is divided into 5 categories to help you find the right dose.
\n

HEALTHY DOSE FOR YOUR HEART<\/strong><\/a><\/div>\n
Fuel life with kindness and a dash of mischief.<\/div><\/div>
\n
HEALTHY DOSE FOR YOUR MIND<\/strong><\/a><\/div>\n
Get your wheels turning while enjoying the experience.<\/div><\/div><\/p>\n
HEALTHY DOSE FOR YOUR NERVES<\/strong><\/a><\/div>\n
Laughing, crying, or leaving you in awe. Beware! Be cautious!<\/div><\/div>\n
HEALTHY DOSE FOR YOUR SOUL<\/strong><\/a><\/div>\n
Reflect on your own experiences. Typically, films that touch on topics about self and often personal.<\/div><\/div>\n
HEALTHY DOSE FOR YOUR TASTE<\/strong><\/a><\/div>\n
Twist in storytelling, forms, or artistic values. Bringing audiences a new experience that might break the regular cinematic conventions.<\/div><\/div>\n
<\/div>\n

HEALTHY DOSE FOR YOUR HEART<\/strong><\/h2>\n
\n

GROWING PAINS<\/strong><\/h3>\n

Never a straight line.<\/p>\n

18+
\nDuration: 64:33<\/p>\n\n\n\n\n\n\n\n
DATE<\/th>\nSHOW TIME<\/th>\nVENUE<\/strong><\/th>\n<\/tr>\n
MIN\/SUN 14<\/td>\n17:30<\/td>\nMASH Denpasar Art House Cinema<\/a><\/td>\n<\/tr>\n
SEL\/TUE 16<\/td>\n13:00<\/td>\nDNA: Classroom B<\/a><\/td>\n<\/tr>\n
RAB\/WED 17<\/td>\n19:00<\/td>\nDNA: Audio Visual<\/a><\/td>\n<\/tr>\n
<\/td>\nWITA (GMT +8)<\/em><\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\"\"<\/p>\n

MY PAWS ARE SOFT, MY BONES ARE HEAVY
\n<\/strong>[d] Garry Christian \/ [w] Garry Christian, Ezra Cecio
\nIndonesia \/ 2024 \/ Fiction \/ 19:20
\nOn his birthday, Johan tries to celebrate it as if his late mother is still here, though in reality there is only his best friend.
\nAwards\/Screenings: Singapore International Film Festival 2024 | French Riviera Film Festival 2025
\n[ig] @pawsnbonesfilms<\/a><\/p>\n

\"\"<\/p>\n

THE SMELL OF HUMAN (Lukten av menneske)
\n<\/strong>[d][w] Johanne Helgeland
\nNorway \/ 2024 \/ Fiction \/ 08:23
\nMarita (12) looks up to Lara. When a socially disadvantaged girl next door finds a baby bird, Lara decides to take it from her.
\nAwards\/Screenings: Nordic Panorama
\n–<\/p>\n

\"\"<\/p>\n

FANTAS
\n<\/strong>[d][w] Halima Elkhatabi
\nCanada \/ 2024 \/ Fiction \/ 12:31
\nTania introduces her horse to friends in her working-class neighborhood. Two worlds that had never met before will collide.
\n–<\/p>\n

\"\"<\/p>\n

MONSOON BLUE (\u590f\u5922\u8ff4)
\n<\/strong>[d] Jay Hiukit WONG and Ellis Kayin CHAN
\nChina \/ 2023 \/ Animation \/ 14:19
\nThe dream of a goldfish to return into its wild form uproars her forgotten memories.
\n–<\/p>\n

\"\"<\/p>\n

OOTID
\n<\/strong>[d][w] Egl\u0117 Razumait\u0117
\nLithuania, France \/ 2024 \/ Fiction \/ 10:00
\nGirls at summer camp raise different versions of what happened to one of their friends who had to leave the camp and go home.
\nAwards\/Screenings: Cannes Film Festival 2024 | Stockholm International Film Festival
\n[ig] @varicolouredhfa<\/a><\/p>\n

\n

INTRICATE LOVE<\/strong><\/h3>\n

Some scars feel like family.<\/p>\n

18+
\nDuration: 68:45<\/p>\n\n\n\n\n\n\n\n
DATE<\/th>\nSHOW TIME<\/th>\nVENUE<\/strong><\/th>\n<\/tr>\n
JUM\/FRI 12<\/td>\n17:30<\/td>\nMASH Denpasar Art House Cinema<\/a><\/td>\n<\/tr>\n
MIN\/SUN 14<\/td>\n14:30<\/td>\nDNA: Classroom A<\/a><\/td>\n<\/tr>\n
RAB\/WED 17<\/td>\n17:00<\/td>\nDNA: Audio Visual<\/a><\/td>\n<\/tr>\n
<\/td>\nWITA (GMT +8)<\/em><\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\"\"
\nBEAKS (Becs et Ongles)
\n<\/strong>[d] Xavier Demoulins \/ [w] Xavier Demoulins et Louise Dubois
\nFrance \/ 2024 \/ Fiction \/ 22:30
\n22-year-old Ana\u00efs gets into heavy debt after her father, a former fighting roosters\u2019 breeder, passes away.
\n–<\/p>\n

\"\"<\/p>\n

TWO SIDES
\n<\/b>[d] Mi Ni Ni Aung @ Chanson
\nMyanmar \/ 2025 \/ Documentary \/ 18:00
\nThit Lwin Htun, a transgender man, must learn to emotionally navigate his past life.
\n–
\n[ig] @scottishdocinstitute<\/a><\/p>\n

\"\"<\/p>\n

I AM A FLOWER
\n<\/b>[d][w] Ariel Victor Arthanto
\nGermany, Indonesia \/ 2024 \/ Animation \/ 13:15
\nDeviant artist Sam, on the verge of fully transforming into a flower, spends one final day at a flower spa with their mother.
\nAwards\/Screenings: ITFS 2025 Student Competition | Animafest Zagreb 2025 Student Competition
\n[ig] @ariel_victor<\/a> @iamaflower.short<\/a><\/p>\n

\"\"<\/p>\n

MASTERPIECE MOMMY
\n<\/b>[d][w] Dorothy Sing Zhang
\nUK, China \/ 2024 \/ Fiction \/ 15:00
\nA modern musical between Tess, a mother, and her daughter Justine.
\n–
\n[ig] @masterpiecemommy<\/a> @dorotheasingzhang<\/a><\/p>\n

\n

LOST & FOUND<\/b><\/h3>\n

Somehow, they are bound by the same ache.<\/p>\n

13+
\nDuration: 63:34<\/p>\n\n\n\n\n\n\n\n
DATE<\/th>\nSHOW TIME<\/th>\nVENUE<\/strong><\/th>\n<\/tr>\n
SAB\/SAT 13<\/td>\n10:00<\/td>\nDNA: Audio Visual<\/a><\/td>\n<\/tr>\n
MIN\/SUN 14<\/td>\n09:30<\/td>\nMASH Denpasar Art House Cinema<\/a><\/td>\n<\/tr>\n
SEN\/MON 15<\/td>\n13:00<\/td>\nDNA: Classroom A<\/a><\/td>\n<\/tr>\n
<\/td>\nWITA (GMT +8)<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\"\"<\/p>\n

B203
\n<\/b>[d][w] Manuel Rodriguez
\nGermany \/ 2024 \/ Fiction \/ 12:32
\nOn the way to meeting his biological father, Sebastian and his adoptive father Richard begin to reevaluate their own relationship.
\nAwards\/Screenings: ALCINE 53 – Festival de Cine de Alcal\u00e1 de Henares (World Premiere)
\n[ig] @manuelrodriguez29.97<\/a><\/p>\n

\"\"<\/p>\n

CHANGING ROOMS (Ce qui appartient \u00e0 C\u00e9sar)
\n<\/b>[d] Violette Gitton
\nFrance \/ 2024 \/ Fiction \/ 18:00
\nC\u00e9sar is 12 when his older sister Lou is assaulted. C\u00e9sar would like to take part in every fight, but he doesn\u2019t have the weapons.
\n–<\/p>\n

\"\"<\/p>\n

YONGKY’S FIRST HEARTBEATS
\n<\/b>[d] Giovanni Rustanto \/ [w] Giovanni Rustanto, Harashta, Ernest Lesmana
\nIndonesia \/ 2024 \/ Fiction \/ 16:42
\nBelieving a stethoscope holds power, Yongky steals his dad’s. It’s broken\u2014until Sri helps him finally hear his own heart.
\n–
\n[ig] @giovannirustanto<\/a> @sinemalima<\/a> @horebesoklibur<\/a> @talamedia_co<\/a><\/p>\n

\"\"
\nVISITING HEAVEN GATE (\u0110i C\u1ed5ng Tr\u1eddi)
\n<\/b>[d][w] NGHI\u00caM QU\u1ef2NH TRANG
\nCzech Republic, Vietnam \/ 2025 \/ Fiction \/ 16:20
\nIn Sapa, a daughter joins her grieving mother’s pilgrimage for “Heaven Gate,” confronting shared loss on misty peaks to reconnect.
\n–
\n[ig] @trangnghiem<\/a> @aznkru<\/a><\/p>\n

\n

MINIKINO FOR 7+, PROGRAM A<\/b><\/h3>\n

Tiny acts, big changes, real magic<\/span><\/p>\n

7+
\nDuration: 52:32<\/span><\/p>\n\n\n\n\n\n\n\n
DATE<\/th>\nSHOW TIME<\/th>\nVENUE<\/strong><\/th>\n<\/tr>\n
MIN\/SUN 14<\/td>\n10:00<\/td>\nDNA: Classroom B<\/a><\/td>\n<\/tr>\n
SEN\/MON 15<\/td>\n08:30<\/td>\nDNA: Audio Visual<\/a><\/td>\n<\/tr>\n
RAB\/WED 17<\/td>\n17:30<\/td>\nLiving World Amphitheatre<\/a><\/td>\n<\/tr>\n
<\/td>\nWITA (GMT +8)<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\"\"<\/p>\n

ABOVE THE TAMARIND TREE
\n<\/span><\/strong>[d] Buthyna Al-Mohammadi
\nQatar \/ 2024 \/ Animation \/ 07:44
\nAn introverted girl ventures into a wild valley, risking her life to reclaim her precious necklace from a mischievous parrot.
\n–<\/p>\n

\"\"<\/p>\n

SLIPPER KEEPER KITTY (Muca Copatarica)<\/strong>
\n[d] Rok Predin
\nSlovenia \/ 2024 \/ Animation \/ 10:31
\nIn the Small Village, children play all day but carelessly toss their slippers at night. By morning, the slippers vanish. The Slipper Keeper Kitty, took them.
\nAwards\/Screenings: FEST-New Directors\/New Films Festival, IndieLisboa
\n–<\/span><\/p>\n

\"\"<\/p>\n

TREASURE (Tesoro)<\/strong>
\n[d] Carmen \u00c1lvarez Mu\u00f1oz
\nSpain \/ 2024 \/ Animation \/ 05:38
\nA bored grandma decides to train a murder of crows and start a peculiar criminal family.
\nAwards\/Screenings: Finalist on the 2025 Quirino Awards | Best National Animated Short Film on the 2024 FICVI festival
\n[ig] @tesoro_animation<\/a><\/span><\/p>\n

\"\"<\/p>\n

CENING NEPUKIN I KAWA (When Cening Meets Kawa, the Magical Forest)<\/strong>
\n[d] Epriliana Fitri Ayu Pamungkas \/ [w] Epriliana Fitri Ayu Pamungkas, I Made Denny Chrisna Putra
\nIndonesia \/ 2024 \/ Fiction \/ 12:45
\nA girl defies tradition, fails a sacred ritual, and slips into a surreal world where time and choices collide.
\nAwards\/Screenings: Official Selection JAFF 19th 2024
\n[ig] @wesee.kawa<\/a> @denfilm.bali<\/a><\/span><\/p>\n

\"\"<\/p>\n

NOT A FAIRY TALE<\/strong>
\n[d][w] Malgorzata Rybak
\nPoland \/ 2023 \/ Animation \/ 02:53
\nExtraordinary skills of a street lamp initiated by some unexpected non-human visitors. Believe it or not, it\u2019s a true story.
\nAwards\/Screenings: World Festival of Animated Film in Varna, Bulgaria, 2023 (Best Children’s Film) | CINANIMA, Portugal, 2023 (Grande Panorama: Students – 2\u00band e 3\u00bard Ciclo)
\n–<\/span><\/p>\n

\"\"<\/p>\n

UMMI AND ZAKI (Ummi und Zaki)<\/strong>
\n[d] Daniela Opp \/ [w] Kai R\u00f6nnau
\nGermany \/ 2024 \/ Animation \/ 04:21
\n“Now we\u2018re friends for life\u201d, says Zaki. But Ummi doesn\u2018t know if that\u2018s what she wants.
\n–<\/span><\/p>\n

\"\"<\/p>\n

THE RUMBLE-BUMBLE RALLY (Morgenfugl og Murmeldyr: Rydderacet)<\/strong>
\n[d] Annette SAUGESTAD HELLAND, Johan KAOS
\nNorway \/ 2024 \/ Animation \/ 08:40
\nDid you know that the living room is actually a racetrack?
\nAwards\/Screenings: Grand-Prix of the Monstrinha Competition – MONSTRA | Lisbon Animation Festival, Filem’On
\n[ig] @bearwithme_distribution<\/a><\/span><\/p>\n

\n

PASSAGES<\/b><\/h3>\n

One step at a time.<\/span><\/p>\n

13+
\nDuration: 67:55<\/span><\/p>\n\n\n\n\n\n\n\n
DATE<\/th>\nSHOW TIME<\/th>\nVENUE<\/strong><\/th>\n<\/tr>\n
JUM\/FRI 12<\/td>\n15:45<\/td>\nMASH Denpasar Art House Cinema<\/a><\/td>\n<\/tr>\n
MIN\/SUN 14<\/td>\n16:00<\/td>\nCS: Alliance Fran\u00e7aise Bali<\/a><\/td>\n<\/tr>\n
RAB\/WED 17<\/td>\n18:45<\/td>\nLiving World Amphitheatre<\/a><\/td>\n<\/tr>\n
<\/td>\nWITA (GMT +8)<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\"\"<\/p>\n

THE BOY AND THE VOYAGER (Fajar dan Penjelajah Samudera)<\/strong>
\n[d][w] Haris Supiandi
\nIndonesia \/ 2024 \/ Fiction \/ 13:05
\nFajar lets Samudera go, hoping his mom returns from Malaysia as Grandpa falls ill\u2014Rini\u2019s story moved him.
\nAwards\/Screenings: BUFF Malm\u00f6 Film Festival
\n[ig] @harissupiandi<\/a> @priyatna_teguh<\/a> @gertakindonesia<\/a><\/span><\/p>\n

\"\"<\/p>\n

THE MANGGIS IN AH GONG’S HANDS (\u963f\u516c\u624b\u91cc\u7684\u83bd\u5409\u67ff)<\/strong>
\n[d][w] Loo Yuan Ling
\nMalaysia \/ 2024 \/ Fiction \/ 17:12
\nA bigoted Chinese Grandfather must look after his biracial grandson at the onset of the global pandemic lockdown.
\nAwards\/Screenings: Taylor’s University Film Festival – Best Film
\n[ig] @yuanlingg<\/a>
\n<\/span><\/p>\n

\"\"<\/p>\n

VEILS OF LANDSCAPE (\u971e\u59cb\u3081\u3066\u305f\u306a\u3073\u304f)<\/strong>
\n[d][w] Chihiro Yamanaka
\nJapan \/ 2025 \/ Animation \/ 05:10
\nThe east wind carries warmth to the water, Landscapes merge without boundaries, and in time, the mountains drift into slumber.
\nAwards\/Screenings: Annecy International Animation Film Festival 2025 |Rome Prisma Film Awards Award Winner
\n[ig] @chihiro.yamanaka<\/a><\/span><\/p>\n

\"\"<\/p>\n

MOR\u00ce<\/strong>
\n[d][w] Yakup Tekintanga\u00e7
\nTurkey \/ 2024 \/ Fiction \/ 19:18
\nMor\u00ee believes the new teacher is his father. While trying to convince him, a deep emotional bond forms between them.
\nAwards\/Screenings: ZINEBI 66. Short Film International Competition , Jury Special Award-2024 | 46th Cinemed \u2013 Montpellier International Mediterranean Film Festival, Jury Special Award-2024
\n[ig] @belqiti<\/a><\/span><\/p>\n

\"\"<\/p>\n

LITTLE MONSTERS (LES PETITS MONSTRES)<\/strong>
\n[d][w] Pablo L\u00e9ridon
\nFrance \/ 2024 \/ Fiction \/ 13:10
\nVisually impaired Erwan rushes to school to confess to Agathe\u2014if only he didn\u2019t have to ride with clingy David in a wheelchair.
\nAwards\/Screenings: Tribeca | LES NUITS MED
\n[ig] @lespetitsmonstres_film<\/a><\/span><\/p>\n

\n

SLICE OF LIFE<\/strong><\/h3>\n

Moments from lives bound by choices never truly offered.<\/span><\/p>\n

18+
\nDuration: 81:52<\/span><\/p>\n\n\n\n\n\n\n\n
DATE<\/th>\nSHOW TIME<\/th>\nVENUE<\/strong><\/th>\n<\/tr>\n
JUM\/FRI 12<\/td>\n16:30<\/td>\nDNA: Audio Visual<\/a><\/td>\n<\/tr>\n
MIN\/SUN 14<\/td>\n13:00<\/td>\nDNA: Classroom B<\/a><\/td>\n<\/tr>\n
RAB\/WED 17<\/td>\n20:15<\/td>\nMASH Denpasar Art House Cinema<\/a><\/td>\n<\/tr>\n
<\/td>\nWITA (GMT +8)<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\"\"<\/p>\n

KOTOWARI<\/strong>
\n[d] Coralie Watanabe Prosper
\nFrance \/ 2024 \/ Fiction \/ 22:48
\nSaki, a Japanese citizen, is heading to the French prefecture to finally pick up her residence permit.
\n–<\/span><\/p>\n

\"\"<\/p>\n

ONE DAY THIS KID<\/strong>
\n[d][w] Alexander Farah
\nCanada \/ 2024 \/ Fiction \/ 17:29
\nOne day this kid will reach a point where he senses a division that isn\u2019t mathematical. One day this kid will talk.
\nAwards\/Screenings: Grand Jury Prize for Best Narrative Short, SXSW 2025 \/\/ Official Selection, TIFF 2024.
\n[ig] @heyitsalexfarah<\/a><\/span><\/p>\n

\"\"<\/p>\n

ON HOLD<\/strong>
\n[d][w] Delia Hess
\nSwitzerland \/ 2024 \/ Animation \/ 07:11
\nA young woman is stuck in the hold queue of a telephone hotline.
\nAwards\/Screenings: Animafest Zagreb 2024 | Chicago International Film Festival 2024.
\n[ig] @delia__hess<\/a> @bonobostudio_zagreb<\/a><\/span><\/p>\n

\"\"<\/p>\n

INFLATABLE BEAR, HOURLY<\/strong>
\n[d][w] Elisabeth Werchosin
\nGermany \/ 2024 \/ Fiction \/ 11:59
\nA young immigrant actress, dressed as a costumed bear, faces a surreal odyssey in Berlin\u2019s Soviet-era outskirts.
\nAwards\/Screenings: Clermont-Ferrand International Film Festival 2025 ] Go Short International Film Festival 2025.
\n[ig] @werchosinfilm<\/a><\/span><\/p>\n

\"\"<\/p>\n

MY THERAPIST SAID, I AM FULL OF SADNESS<\/strong>
\n[d] Monica Vanesa Tedja
\nIndonesia \/ 2024 \/ Documentary \/ 22:25
\nA filmmaker finds the source of their sadness by combing through archival material of their biological and queer chosen families.
\nAwards\/Screenings: DOK Leipzig 2024 | Hong Kong International Film Festival 2025.
\n[ig] @monictedja<\/a><\/span><\/p>\n

\n

TRIBUTE<\/strong><\/h3>\n

Love, take one. Action!<\/span><\/p>\n

13+
\nDuration: 81:01<\/span><\/p>\n\n\n\n\n\n\n\n
DATE<\/th>\nSHOW TIME<\/th>\nVENUE<\/strong><\/th>\n<\/tr>\n
SAB\/SAT 13<\/td>\n09:30<\/td>\nMASH Denpasar Art House Cinema<\/a><\/td>\n<\/tr>\n
SEL\/TUE 16<\/td>\n19:30<\/td>\nLiving World Amphitheatre<\/a><\/td>\n<\/tr>\n
KAM\/THU 18<\/td>\n10:15<\/td>\nDNA: Audio Visual<\/a><\/td>\n<\/tr>\n
<\/td>\nWITA (GMT +8)<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\"\"<\/p>\n

LIGHT OF LIGHT (\u03a6\u1ff6\u03c2 \u1f10\u03ba \u03c6\u03c9\u03c4\u03cc\u03c2 or \u03a6\u03a9\u03a3 \u0395\u039a \u03a6\u03a9\u03a4\u039f\u03a3)<\/strong>
\n[d][w] Neritan Zinxhiria
\nGreece \/ 2023 \/ Documentary \/ 12:55
\nIn 1932, a monk built a camera in isolation. 90 years later, a filmmaker finds and reconstructs the lost footage.
\nAwards\/Screenings: International Film Festival Rotterdam (TigerShort Nominee) | Slamdance Film Festival (GrandPrix Winner)
\n[ig] @reconstructingmemories<\/a> @iphigraph<\/a><\/span><\/p>\n

\"\"<\/p>\n

LITTLE REBELS CINEMA CLUB<\/strong>
\n[d][w] Khozy Rizal
\nIndonesia \/ 2024 \/ Fiction \/ 17:00
\nSet in 2008, Doddy, a 14 year old boy, tries to recreate an iconic scene of a zombie film with three of his best friends.
\n–
\n[ig] @khozyrizal<\/a><\/span><\/p>\n

\"\"<\/p>\n

NEZUMIKOZ\u014c JIROKICHI<\/strong>
\n[d] Rintar\u014d
\nFrance, Japan \/ 2023 \/ Animation \/ 23:47
\nAs the city of Edo is plunged into darkness, a man emerges from the attic of a house.
\n–<\/span><\/p>\n

\"\"<\/p>\n

THE WILD-TEMPERED CLAVIER<\/strong>
\n[d] Anna Samo
\nGermany \/ 2024 \/ Animation \/ 07:20
\nDespite the world\u2019s disasters, an artist insists on playing.
\n–
\n[ig] @samoanimation<\/a><\/span><\/p>\n

\"\"<\/p>\n

THE FIRST FILM<\/strong>
\n[d] Piyush Thakur \/ [w] Piyush Thakur, Deepak Lohana
\nIndia \/ 2024 \/ Fiction \/ 19:59
\nIn a small town of 1960’s India, where cinema is forbidden for women, a 14-year-old embarks on a quest to watch her first film.
\nAwards\/Screenings: Bogoshorts | Glasgow Short Film Festival
\n[ig] @tff.film<\/a> @haathwalathakur<\/a>
\n<\/span><\/p>\n

<\/div><\/p>\n

A HEALTHY DOSE FOR YOUR MIND<\/strong><\/h2>\n
\n

HIDDEN TRUTH<\/strong><\/h3>\n

Conflict doesn\u2019t always shout; sometimes it hums.<\/span><\/p>\n

18+
\nDuration: 66:13<\/span><\/p>\n\n\n\n\n\n\n\n
DATE<\/th>\nSHOW TIME<\/th>\nVENUE<\/strong><\/th>\n<\/tr>\n
JUM\/FRI 12<\/td>\n14:00<\/td>\nDNA: Audio Visual<\/a><\/td>\n<\/tr>\n
SAB\/SAT 13<\/td>\n15:30<\/td>\nDNA: Classroom A<\/a><\/td>\n<\/tr>\n
RAB\/WED 17<\/td>\n09:00<\/td>\nMASH Denpasar Art House Cinema<\/a><\/td>\n<\/tr>\n
<\/td>\nWITA (GMT +8)<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\"\"<\/p>\n

BLITZMUSIK<\/strong>
\n[d] Martin Amiot \/ [w] Martin Amiot, Pier-Philippe Chevigny
\nCanada \/ 2024 \/ Fiction \/ 09:08
\nIn wartime, two soldiers short of ammunition fight with what they can get their hands on: musical
\ninstruments.
\n–
\n[ig] @wlcmaboard<\/a> @unitecentralefilms<\/a> @martin_amiot<\/a><\/span><\/p>\n

\"\"<\/p>\n

I BELIEVE THE PORTRAIT SAVED ME (Mua besoj m\u00eb shp\u00ebtoj portreti)<\/strong>
\n[d][w] Alban Muja
\nKosovo \/ 2025 \/ Documentary \/ 10:00
\nMuja, a painter, recounts how a portrait he drew of a police commander during the Kosovo war may have
\nsaved his life.
\nAwards\/Screenings: Berlinale | European Film Award Nominee
\n[ig] @albanmuja<\/a> @edon<\/a> @038studio_<\/a><\/span><\/p>\n

\"\"<\/p>\n

4:30<\/strong>
\n[d][w] Vasilii Ovchinnikov
\nRussia \/ 2024 \/ Documentary \/ 15:45
\nBlind Ilya, 66 years old, plans to run a marathon in the average time of sighted athletes.
\nAwards\/Screenings: Seize the film festival, Serbia, Grand Prix | DokuBaku IDFF, Azerbaijan, iHuman – SpecialMention
\n[ig] @reasonpictures<\/a> @vasilyovchinnikov<\/a> @olegkolsky<\/a> @katiazhavoronkovakatia<\/a> @qpdash<\/a><\/span><\/p>\n

\"\"<\/p>\n

ORDINARY LIFE (\u666e\u901a\u306e\u751f\u6d3b)<\/strong>
\n[d] Yoriko MIZUSHIRI
\nFrance, Japan \/ 2025 \/ Animation \/ 09:48
\nOrdinary life repeats itself every day, while the succession of moments that we repeat over and over again is never the same.
\n–<\/span><\/p>\n

\"\"<\/p>\n

NO ROOM (Nema mjesta)<\/strong>
\n[d][w] Jelena Oroz
\nCroatia \/ 2024 \/ Animation \/ 06:22
\nThe cars are everywhere, and they show no consideration for others. It’s time to get revenge!
\nAwards\/Screenings: Animafest Zagreb 2025
\n[ig] @jelena._.oroz<\/a> @bonobostudio_zagreb<\/a><\/span><\/p>\n

\"\"<\/p>\n

CAUGHT IN 4K<\/strong>
\n[d] Adriana Mrnjavac and Nicole Stigler \/ [w] Adriana Mrnjavac
\nAustria \/ 2025 \/ Fiction \/ 15:10
\nEleven-year-old Ava is home alone. She presents herself online. Takes Selfies. Dances. Puts on make-up. TOM_X12 likes this.
\n–
\n[ig] @adrianamrnjavac<\/a> @stiglernicole<\/a><\/span><\/p>\n

\n

OUR PLANET<\/strong><\/h3>\n

The rhythm of a changing world.<\/span><\/p>\n

13+
\nDuration: 73:12<\/span><\/p>\n\n\n\n\n\n\n\n
DATE<\/th>\nSHOW TIME<\/th>\nVENUE<\/strong><\/th>\n<\/tr>\n
SAB\/SAT 13<\/td>\n18:00<\/td>\nCS: SMAN Bali Mandara<\/a><\/td>\n<\/tr>\n
SEL\/TUE 16<\/td>\n11:30<\/td>\nMASH Denpasar Art House Cinema<\/a><\/td>\n<\/tr>\n
KAM\/THU 18<\/td>\n19:30<\/td>\nLiving World Amphitheatre<\/a><\/td>\n<\/tr>\n
<\/td>\nWITA (GMT +8)<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\"\"<\/p>\n

FLOW OF BEING (Olemise kulg)<\/strong>
\n[d] Helen Unt \/ [w] Anti Naulainen, Outi Inkeri Rossi, Helen Unt
\nEstonia, Bulgaria \/ 2024 \/ Animation \/ 11:11
\nA person is in the flow. They make a decision and keep flowing until all becomes one.
\nAwards\/Screenings: Uppsala Short Film Festival 2024 | Ann Arbor Film Festival 2025.
\n[ig] @good_to_be_here<\/a> @bonobostudio_zagreb<\/a><\/span><\/p>\n

\"\"<\/p>\n

FISH, PLEASE! (Pelabuhan Berkabut)<\/strong>
\n[d] Haris Yuliyanto \/ [w] Jovan Ardiansyah & Haris Yuliyanto
\nIndonesia \/ 2024 \/ Fiction \/ 19:53
\nDuring a tough time, a stunted man wants to save his wife\u2019s pregnancy by stealing the only fish in the harbor with mysterious gas.
\nAwards\/Screenings: Official Selection Jogja NETPAC Asian Film Festival 2024 | Official Selection Glasgow Short Film Festival 2025
\n[ig] @kurakurafilms<\/a> @harishyuliyanto<\/a> @brociz_jr<\/a> @annisadeey<\/a><\/span><\/p>\n

\"\"<\/p>\n

SILENT PANORAMA<\/strong>
\n[d] Nicolas Piret
\nBelgium \/ 2024 \/ Animation \/ 05:09
\nIn this animated miniature, a drawing gradually comes to life before our eyes, and people occupy places that used to belong to nature.
\n–
\n[ig] @manifest_pictures<\/a> @nicolas_piret_<\/a>
\n<\/span><\/p>\n

\"\"<\/p>\n

EVEN TIDE<\/strong>
\n[d] Francesco Clerici \/ [w] Jon Barrenechea, Francesco Clerici
\nItaly, Switzerland \/ 2023 \/ Experimental \/ 11:00
\nIn an unspecified future, some solar-powered camera devices are activated with motion sensors.
\nAwards\/Screenings: Torino Film Festival (Special Jury Award – Spazio Italia) | Calgary International Film Festival.
\n[ig] @varicolouredhfa<\/a> @anche_no_01<\/a><\/span><\/p>\n

\"\"<\/p>\n

BECOMING AIR<\/strong>
\n[d][w] Alisi Telengut, Diego Galafassi
\nGermany, Sweden \/ 2024 \/ Animation \/ 06:24
\nBreathe deeply: in 3 years, your molecules will circle Earth, as today’s oxygen came from nature.
\n–<\/span><\/p>\n

\"\"<\/p>\n

WATER SPORTS<\/strong>
\n[d] Whammy Alcazaren
\nPhilippines \/ 2025 \/ Fiction \/ 19:35
\nSad boys Jelson and Ipe harness the power of their love in an attempt to survive a world devastated by climate change.
\nAwards\/Screenings: SXSW London | Hamburg Short Film Festival.
\n[ig] @watersportsathletics<\/a><\/span><\/p>\n

\n

SENSE OF PLACE<\/strong><\/h3>\n

The ground remembers more than we do.<\/span><\/p>\n

13+
\nDuration: 63:31<\/span><\/p>\n\n\n\n\n\n\n\n
DATE<\/th>\nSHOW TIME<\/th>\nVENUE<\/strong><\/th>\n<\/tr>\n
SAB\/SAT 13<\/td>\n21:00<\/td>\nCS: Noema Resort Pererenan<\/a><\/td>\n<\/tr>\n
MIN\/SUN 14<\/td>\n11:30<\/td>\nMASH Denpasar Art House Cinema<\/a><\/td>\n<\/tr>\n
SEN\/MON 15<\/td>\n10:00<\/td>\nDNA: Classroom A<\/a><\/td>\n<\/tr>\n
<\/td>\nWITA (GMT +8)<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\"\"<\/p>\n

THE WIELS MARSH (Le Marais Wiels)<\/strong>
\n[d][w] Charlotte Pion, Catherine Le Goff, Martine Janssens, Christine Flasschoen, Aurore Woller, Marie Fontaine, Claire Poinas
\nBelgium \/ 2025 \/ Animation \/ 05:47
\nA collective film made within Zorobabel\u2019s evening workshops in Brussels.
\nAwards\/Screenings: Millenium Documentary Film Festival, Brussels, Belgium (2025)
\n[ig] @atelier_zorobabel<\/a>
\n<\/span><\/p>\n

\"\"<\/p>\n

PUBLIC POOL<\/strong>
\n[d] Elizabeth Lo
\nUSA \/ 2025 \/ Documentary \/ 12:47
\nA portrait becomes a visual celebration of public spaces as well as a meditation on family and the luxury of leisure.
\nAwards\/Screenings: CPH:DOX | Vienna Shorts
\n–<\/span><\/p>\n

\"\"<\/p>\n

US, THE SEA AND THE SAD END<\/strong>
\n[d][w] Malgorzata Rybak
\nPoland \/ 2023 \/ Animation \/ 02:00
\nWhen you finally arrive at your favorite snorkeling spot but then suddenly everything is getting out of control.
\nAwards\/Screenings: UPPSALA Short Film Festival, Sweden, 2024 | FEST ANCA International Animation Festival Slovakia, 2024
\n–<\/span><\/p>\n

\"\"<\/p>\n

BURNT WOUND (Luka Bakar)<\/strong>
\n[d][w] Jason Iskandar
\nIndonesia \/ 2025 \/ Documentary \/ 07:00
\nA Jakarta neighborhood rebuilds after a fire, seen over time from a single angle.
\n–
\n[ig] @studioantelope<\/a> @jasoniskandar<\/a> @florencegiovani<\/a><\/span><\/p>\n

\"\"<\/p>\n

LIGHTS, HAZE (\u10d2\u10d0\u10d1\u10dc\u10d4\u10e3\u10da\u10d8 \u10e8\u10e3\u10e5\u10d4\u10d1\u10d8)<\/strong>
\n[d][w] Tata Managadze
\nGeorgia, Belgium, Finland, Portugal \/ 2024 \/ Animation \/ 08:04
\nUtopian symbolic playgrounds from memories are interconnected through sharp, flickering lights.
\nAwards\/Screenings: Annecy 2025 official selection | International Premiere at Tricky Women\/Tricky Realities
\n[ig] @eat_vashli<\/a>
\n<\/span><\/p>\n

\"\"<\/p>\n

ESTE NO ES TU JARD\u00cdN (This is not your Garden)<\/strong>
\n[d] Carlos Velandia, Ang\u00e9lica Restrepo \/ [w] Carlos Velandia
\nColombia \/ 2025 \/ Animation \/ 12:53
\nRooted in wetlands, p\u00e1ramos and centennial forests at the verge of disappearing, memories and a speculated future collide.
\nAwards\/Screenings: IFFR International Film Festival Rotterdam – Short & Mid-length (2025) | Annecy International Animation Film Festival – Off-Limits (2025)
\n[ig] @carlosvelandiav<\/a><\/span><\/p>\n

\"\"<\/p>\n

THERE WILL COME SOFT RAINS<\/strong>
\n[d][w] Elham Ehsas
\nUnited Kingdom \/ 2025 \/ Fiction \/ 15:00
\nHaunted by rising sea levels, a daughter digs up her father\u2019s grave to move his body to higher ground.
\nAwards\/Screenings: Aspen Shortsfest 2025, USA
\n[ig] @zoradzo<\/a>
\n<\/span><\/p>\n

\n

UNKNOWN KNOWN<\/strong><\/h3>\n

Not everything invisible stays quiet.<\/span><\/p>\n

13+
\nDuration: 75:51<\/span><\/p>\n\n\n\n\n\n\n\n
DATE<\/th>\nSHOW TIME<\/th>\nVENUE<\/strong><\/th>\n<\/tr>\n
SAB\/SAT 13<\/td>\n15:30<\/td>\nMASH Denpasar Art House Cinema<\/a><\/td>\n<\/tr>\n
SAB\/SAT 13<\/td>\n13:00<\/td>\nCS: Rumah Film Sangkarsa<\/a><\/td>\n<\/tr>\n
SEL\/TUE 16<\/td>\n17:00<\/td>\nDNA: Audio Visual<\/a><\/td>\n<\/tr>\n
<\/td>\nWITA (GMT +8)<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\"\"<\/p>\n

HAZE OVER (Mia)<\/strong>
\n[d] Seyed Ali Ghasemi \/ [w] Seyed Ali Ghasemi, Milad Sheikholeslami
\nIran \/ 2025 \/ Fiction \/ 20:00
\nMusa takes Vahid to the forest to smuggle wood, but a crash with a doe reveals secrets buried deep in their past.
\nAwards\/Screenings: International Film Festival ZOOM \u2013 ZBLI\u017bENIA | imagineNATIVE presents Film + Media Arts Festival
\n[ig] @tree_film<\/a> @alighasemi62<\/a> @nima.eghlima<\/a><\/span><\/p>\n

\"\"<\/p>\n

ROSE RASH (Peun-Ku-Larp)<\/strong>
\n[d] Thanut Rujitanont
\nThailand \/ 2024 \/ Animation \/ 10:20
\nRose Rash is inspired by the book Tibetan Book of the Dead (1927).
\nAwards\/Screenings: the 48th Annecy International Animation Film Festival (2024) | the 1st Runner-Up Award, 28th Thai Short Film and Video Festival (2024)
\n[ig] @graphy.animation<\/a><\/span><\/p>\n

\"\"<\/p>\n

NAISSANCE D’UN FEU (Birth of a fire)<\/strong>
\n[d][w] Archibald Martin
\nBelgium \/ 2025 \/ Fiction \/ 21:59
\nRomane and Marcus, are hiking in a German forest. As Romane catches her breath, she spots a shadow in the distance, watching her.
\n–<\/span><\/p>\n

\"\"<\/p>\n

DOLORES<\/strong>
\n[d] Cecilia Andal\u00f3n Delgadillo
\nMexico \/ 2024 \/ Animation \/ 08:51
\nDolores is a 7 years old girl who just wants to play, runs away from a fire demon and accidentally falls into a grave.
\n–<\/span><\/p>\n

\"\"<\/p>\n

THE BOY WITH WHITE SKIN (L’enfant \u00e0 la peau blanche)<\/strong>
\n[d] Simon Panay
\nFrance, Senegal \/ 2025 \/ Fiction \/ 14:41
\nEntrusted by his father to a group of gold miners, an albino child embodies all of their hopes.
\n–
\n[ig] @manifest_pictures<\/a> @simonpanay<\/a>
\n<\/span><\/p>\n

<\/div>\n

A HEALTHY DOSE FOR YOUR NERVES<\/strong><\/h2>\n
\n

BOUNDARIES<\/strong><\/h3>\n

They call it chaos. We call it not giving in.<\/span><\/p>\n

18+
\nDuration: 69:31<\/span><\/p>\n\n\n\n\n\n\n\n
DATE<\/th>\nSHOW TIME<\/th>\nVENUE<\/strong><\/th>\n<\/tr>\n
MIN\/SUN 14<\/td>\n17:00<\/td>\nDNA: Classroom B<\/a><\/td>\n<\/tr>\n
SEL\/TUE 16<\/td>\n13:30<\/td>\nMASH Denpasar Art House Cinema<\/a><\/td>\n<\/tr>\n
KAM\/THU 18<\/td>\n15:00<\/td>\nDNA: Audio Visual<\/a><\/td>\n<\/tr>\n
<\/td>\nWITA (GMT +8)<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\"\"<\/p>\n

THE LITTLE ANCESTOR (La Petite Anc\u00eatre)<\/strong>
\n[d][w] Alexa Tremblay-Francoeur
\nCanada \/ 2024 \/ Animation \/ 11:12
\nThis ancestral house is where we take root.
\nAwards\/Screenings: Hong-Kong International Film Festival (2025) | Palm Springs ShortFest, USA, (2025)
\n[ig] @the.little.ancestor<\/a> @bandesonimage<\/a><\/span><\/p>\n

\"\"<\/p>\n

WHEN THE BLUES GOES MARCHING IN (Pengais Mimpi)<\/strong>
\n[d] Beny Kristia \/ [w] Beny Kristia, Gabriela Vanesa. K, Bhisma Wardhana
\nIndonesia \/ 2025 \/ Experimental \/ 12:40
\nA young man narrated his dream from last night to his father about the celebration of demonstration, anger, and graduation.
\n–
\n[ig] @berakinema<\/a> @fathursyahh<\/a> @benykristia<\/a><\/span><\/p>\n

\"\"<\/p>\n

STREET LIGHT (Le Reste n’a pas d’importance)<\/strong>
\n[d][w] Romain Dumont
\nFrance, Canada \/ 2024 \/ Fiction \/ 15:50
\nOn Rue Clignancourt, the resignation of Cheun has the effect of a street light going out.
\nAwards\/Screenings: South by Southwest London (2025) | Cairo International Film Festival (2025)
\n[ig] @promessedelaube<\/a> @advitam_court<\/a>
\n<\/span><\/p>\n

\"\"<\/p>\n

THE INESCAPABLE DESIRE OF ROOTS (G\u0113n Y\u00f9)<\/strong>
\n[d] Mark Chua, Lam Li Shuen
\nSingapore \/ 2024 \/ Experimental \/ 05:39
\nA man with hair growing wildly over his body is taken by a mania of ecstasy and anguish.
\nAwards\/Screenings: International Film Festival Rotterdam 2024 | Palm Springs International ShortFest 2024
\n[ig] @markchua.se<\/a> @lishuen.lam<\/a><\/span><\/p>\n

\"\"<\/p>\n

A HOUSE OF THIEVES (\uc9d1\ub3c4\ub451)<\/strong>
\n[d] Chung Jeeyun, Kim Yeji \/ [w] Chung Jeeyun, Noh Haram
\nSouth Korea \/ 2024 \/ Fiction \/ 24:10
\nAfter losing her home to a scam, Joo-hee turns to stealing one. Can she reclaim a place to live \u2014 and keep her dignity intact?
\nAwards\/Screenings: 16th Seoul Yeongdeungpo International Extreme-Short Image & Film Festival screening, Audience Award
\n[ig] @sending._.you<\/a><\/span><\/p>\n

\n

CORNERED<\/strong><\/h3>\n

The devil is in the details.<\/span><\/p>\n

18+
\nDuration: 85:10<\/span><\/p>\n\n\n\n\n\n\n\n
DATE<\/th>\nSHOW TIME<\/th>\nVENUE<\/strong><\/th>\n<\/tr>\n
SAB\/SAT 13<\/td>\n21:30<\/td>\nMASH Denpasar Art House Cinema<\/a><\/td>\n<\/tr>\n
SEN\/MON 15<\/td>\n19:00<\/td>\nDNA: Audio Visual<\/a><\/td>\n<\/tr>\n
SEL\/TUE 16<\/td>\n10:00<\/td>\nDNA: Classroom B<\/a><\/td>\n<\/tr>\n
<\/td>\nWITA (GMT +8)<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\"\"<\/p>\n

 <\/p>\n

KNIGHT OF BLOOD (Darah Ksatria)<\/strong>
\n[d][w] Widya Arafah, Arjuna Asa
\nIndonesia \/ 2024 \/ Fiction \/ 19:20
\nA high schooler bullied for his mysterious nosebleeds joins his bullies\u2019 gang initiation, where it turns into an unexpected night.
\nAwards\/Screenings: Premiered at Jogja-NETPAC Asian Film Festival 2024
\n[ig] @sinema.sora<\/a> @widyarafah<\/a> @_____jasin<\/a> @arjuna.asa<\/a>
\n<\/span><\/p>\n

\"\"<\/p>\n

UNA TORRETA EN LLAMAS (A Burning Turret)<\/strong>
\n[d][w] Humberto Flores J\u00e1uregui
\nM\u00e9xico \/ 2025 \/ Fiction \/ 22:12
\nAn elderly farmer and her granddaughter hide a wounded soldier, facing suspicion and danger at their isolated ranch.
\nAwards\/Screenings: Huesca International Film Festival, Guadalajara Film Festival – FICG
\n[ig] @bogoshorts<\/a> @unatorretaenllamas<\/a> @hfloresj<\/a> @contratiempo_cine<\/a><\/span><\/p>\n

\"\"<\/p>\n

LA SANGRE (The Blood)<\/strong>
\n[d][w] Joaqu\u00edn Le\u00f3n
\nSpain \/ 2025 \/ Fiction \/ 14:40
\nOut-of-place teen \u00c1lvaro sheds blood tears at a village procession; people offer money.
\nAwards\/Screenings: International Film Festival Rotterdam | HKIFF – Hong Kong International Film Festival
\n–<\/span><\/p>\n

\"\"<\/p>\n

MERCENAIRE<\/strong>
\n[d][w] Pier-Philippe Chevigny
\nCanada \/ 2024 \/ Fiction \/ 14:58
\nHired in a pig slaughterhouse, an ex-convict desperately tries to find another job while repressing his inner violence.
\nAwards\/Screenings: Toronto International Film Festival (2024) | Clermont-Ferrand International Short Film Festival 2025 *WINNER Special Jury Award
\n[ig] @mercenaire.shortfilm<\/a> @ppchevigny<\/a> @lefoyerfilms<\/a><\/span><\/p>\n

\"\"<\/p>\n

ABRAHAM (Ebrahim)<\/strong>
\n[d][w] Elnaz Ghaderpour, Reza Gamini
\nIran \/ 2024 \/ Fiction \/ 14:00
\nA transsexual teenage boy named Abraham was murdered and burned in a cave outside a small village.
\nAwards\/Screenings: Krakow Film Festival, Poland (2024)- World Premiere | HollyShorts Film Festival, USA (2024)
\n–<\/span><\/p>\n

\n

ENIGMA<\/strong><\/h3>\n

The deeper you look, the more it looks back…<\/span><\/p>\n

13+
\nDuration: 81:21<\/span><\/p>\n\n\n\n\n\n\n\n
DATE<\/th>\nSHOW TIME<\/th>\nVENUE<\/strong><\/th>\n<\/tr>\n
SAB\/SAT 13<\/td>\n20:00<\/td>\nCS: SMAN Bali Mandara<\/a><\/td>\n<\/tr>\n
SEL\/TUE 16<\/td>\n09:00<\/td>\nDNA: Classroom A<\/a><\/td>\n<\/tr>\n
KAM\/THU 18<\/td>\n15:15<\/td>\nMASH Denpasar Art House Cinema<\/a><\/td>\n<\/tr>\n
<\/td>\nWITA (GMT +8)<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\"\"<\/p>\n

NETTLE (Ortie)<\/strong>
\n[d] Toni Hilgersson
\nBelgium \/ 2025 \/ Fiction \/ 20:14
\nSome say Jeanne is mad because she doesn\u2019t let boys push her around, consider yourself warned, don\u2019t touch Jeanne, she stings.
\nAwards\/Screenings: Brussel short film festival 2025
\n[ig] @Antoinehilgersson<\/a><\/span><\/p>\n

\"\"<\/p>\n

BARLEBAS<\/strong>
\n[d][w] Malu Janssen
\nThe Netherlands, Belgium \/ 2024 \/ Fiction \/ 19:59
\nWhen headstrong Heylken is accused of witchcraft, she resists and inspires young Griet with her free spirit and powerful voice.
\nAwards\/Screenings: Prix Sauvage Corto for best short film, L\u2019Europeautour de L\u2019Europe, Paris, France | M\u00e9lies d\u2019Argent for best European short, Imagine Film Festival, Amsterdam
\n[ig] @malu_janssen<\/a> @doxyfixy<\/a><\/span><\/p>\n

\"\"<\/p>\n

SUINTRAH<\/strong>
\n[d] Ayesha Alma Almera \/ [w] Ayesha Alma Almera, Alex Suhendra
\nINDONESIA \/ 2024 \/ Fiction \/ 21:08
\nA father and his only son who rented a house in a village where there is a rule that no one is allowed to speak loudly.
\nAwards\/Screenings: Best Live Action Short Festival Film Indonesia 2024 | Wide Angle Section Busan International Film Festival 2024
\n[ig] @_ayeshaalma<\/a> @opypratiwi<\/a>
\n<\/span><\/p>\n

\"\"<\/p>\n

BOTTLENECK (GARGALO)<\/strong>
\n[d][w] Carlos Segundo, Anna Z\u00eapa
\nBrazil, Portugal, France \/ 2025 \/ Fiction \/ 20:00
\nJanaina is tired, and that can be scary.
\n[ig] @rabodeolhofilmes<\/a><\/span><\/p>\n

\n

HUMANITY BEATS<\/strong><\/h3>\n

Punch in, hold back, disappear.<\/span><\/p>\n

18+
\nDuration: 78:42<\/span><\/p>\n\n\n\n\n\n\n\n
DATE<\/th>\nSHOW TIME<\/th>\nVENUE<\/strong><\/th>\n<\/tr>\n
JUM\/FRI 12<\/td>\n21:00<\/td>\nMASH Denpasar Art House Cinema<\/a><\/td>\n<\/tr>\n
SAB\/SAT 13<\/td>\n17:30<\/td>\nDNA: Classroom A<\/a><\/td>\n<\/tr>\n
MIN\/SUN 14<\/td>\n17:30<\/td>\nDNA: Audio Visual<\/a><\/td>\n<\/tr>\n
<\/td>\nWITA (GMT +8)<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\"\"<\/p>\n

A WAITING ROOM (\u1007\u101b\u1015\u103a)<\/strong>
\n[d][w] Saw
\nThailand \/ 2024 \/ Fiction \/ 16:37
\nA 28-year-old man flees Myanmar to escape the military service law, seeking freedom in Bangkok\u2019s promised paradise.
\n–<\/span><\/p>\n

\"\"<\/p>\n

JUST A COIN (Una monedita)<\/strong>
\n[d] Manu Vazquez Santana \/ [w] Tom\u00e1s Murphy, Manu Vazquez Santana
\nArgentina \/ 2024 \/ Fiction \/ 08:45
\nPablo is a young man who works cleaning windshields. Every day he faces indifference as he struggles to maintain hope.
\nAwards\/Screenings: Tampere Film Festival | Festival de Cine de Huesca
\n[ig] @manu.vaz<\/a> @unamonedita.film<\/a><\/span><\/p>\n

\"\"<\/p>\n

THE SEVENTH SHIFT<\/strong>
\n[d] nataliya ilchuk
\nUkraine \/ 2023 \/ Experimental \/ 14:59
\nPortrait of a woman working four jobs in a state of complete solitude in a nearly abandoned post-industrial town.
\nAwards\/Screenings: 14th Bucharest International Experimental Film Festival (Best Filmmaker Award), 2024
\n–<\/span><\/p>\n

\"\"<\/p>\n

JOKO<\/strong>
\n[d] Izabela Pluci\u0144ska \/ [w] Izabela Pluci\u0144ska, Justyna Celeda
\nPoland, Germany \/ 2024 \/ Animation \/ 15:45
\nA grotesque vision of eternal exploitation and domination of man over man, full of absurd humor and macabre.
\nAwards\/Screenings: 2024 Annecy International Animation Film Festival, France – Best Original Music Award for a Short Film | 17th International Animated Film Festival Animator, Poland \u2013 Grand Prix \u2013 Golden Pegasus
\n–<\/span><\/p>\n

\"\"<\/p>\n

THEIR EYES<\/strong>
\n[d] Nicolas Gourault
\nFrance \/ 2025 \/ Documentary \/ 22:36
\nA screen-based investigation about the invisible workers who teach AI how to read the world.
\n–<\/span><\/p>\n

\n

SURPRISE<\/strong><\/h3>\n

Nothing explodes\u2014except maybe inside<\/span><\/p>\n

13+
\nDuration: 65:00<\/span><\/p>\n\n\n\n\n\n\n\n
DATE<\/th>\nSHOW TIME<\/th>\nVENUE<\/strong><\/th>\n<\/tr>\n
SAB\/SAT 13<\/td>\n13:45<\/td>\nMASH Denpasar Art House Cinema<\/a><\/td>\n<\/tr>\n
MIN\/SUN 14<\/td>\n12:30<\/td>\nDNA: Classroom A<\/a><\/td>\n<\/tr>\n
SEN\/MON 15<\/td>\n17:00<\/td>\nDNA: Audio Visual<\/a><\/td>\n<\/tr>\n
<\/td>\nWITA (GMT +8)<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\"\"<\/p>\n

KEEP LOOKING? (\u8dcc\u5497\u771f\u4fc2\u6435?)<\/strong>
\n[d][w] Anna Ieong
\nMacau, Taiwan \/ 2024 \/ Fiction \/ 20:00
\nA freshly wrapped zombie film crew, a mysteriously vanished memory card. What an absurd, chaotic, and crazy night?
\nAwards\/Screenings: Nomination of 2025 Youth Film Festival | Nomination of 2025 Macao Films Panorama
\n[ig] @keeplooking.shortfilm<\/a><\/span><\/p>\n

\"\"<\/p>\n

PENA’S SPECIAL HAULING (Penan erikoiskuljetus)<\/strong>
\n[d][w] Anssi Kasitonni
\nFinland \/ 2024 \/ Fiction \/ 11:43
\nPena has been driving a semi-truck for 50 years and wants to continue despite some slight memory issues.
\nAwards\/Screenings: Go Short (Netherlands) | Vancouver IFF (Canada)
\n–<\/span><\/p>\n

\"\"<\/p>\n

LUNCH WOMAN<\/strong>
\n[d] Tokio OOHARA, Gertjan ZUILHOF
\nJapan \/ 2024 \/ Fiction \/ 04:58
\nToki loves nature and knows how to find things to eat outdoors. At lunch time she goes out and saves on her budget a bit.
\nAwards\/Screenings: Buenos Aires International Independent Film Festival 2024
\n[ig] @tokiooohara<\/a> @gertjanzuilhof<\/a><\/span><\/p>\n

\"\"<\/p>\n

DURIAN, DURIAN<\/strong>
\n[d][w] Nelson Yeo
\nSingapore \/ 2025 \/ Experimental \/ 06:43
\nWhile awaiting their deaths, two solitary souls find an unexpected connection beneath the shelter of a durian tree.
\nAwards\/Screenings: International Film Festival Rotterdam | Kurzfilm Festival Hamburg
\n[ig] @nelson.y_frames<\/a><\/span><\/p>\n

\"\"<\/p>\n

WEATHERED<\/strong>
\n[d] Karina Casanas Invernon, Jachym Bouzek
\nUnited Kingdom \/ 2025 \/ Animation \/ 06:22
\nStringed along by frameworks of a hard to grasp outside world, a life sized puppet longs to connect to their own rhythm.
\nAwards\/Screenings: Annecy Animation Festival Official Selection
\n[ig] @karinacasanas<\/a> @jachymbouzek<\/a><\/span><\/p>\n

\"\"<\/p>\n

BLOWOUT (Le sens de la fete)<\/strong>
\n[d][w] Amaranta Kahn
\nPortugal \/ 2024 \/ Experimental \/ 01:21
\nThis is an ode to celebration, joy, music, dance. The movie was shot with a microscope, the music composed by Louis Sady.
\n–
\n[ig] @amoebae_from_the_world<\/a><\/span><\/p>\n

\"\"<\/p>\n

MONTSOURIS (PARK)<\/strong>
\n[d] Guil Sela
\nFrance \/ 2024 \/ Fiction \/ 13:53
\nOn a beautiful autumn day in Montsouris Park, Jacques and Nathan are on the lookout for people to feature in their documentary.
\n–
\n[ig] @manifest_pictures<\/a> @guilselaapelbaum<\/a>
\n<\/span><\/p>\n

<\/div><\/p>\n

A HEALTHY DOSE FOR YOUR SOUL<\/strong><\/h2>\n
\n

ALIENATION<\/strong><\/h3>\n

Why don’t you look at me?<\/span><\/p>\n

18+
\nDuration: 75:50<\/span><\/p>\n\n\n\n\n\n\n\n
DATE<\/th>\nSHOW TIME<\/th>\nVENUE<\/strong><\/th>\n<\/tr>\n
MIN\/SUN 14<\/td>\n16:30<\/td>\nDNA: Classroom A<\/a><\/td>\n<\/tr>\n
KAM\/THU 18<\/td>\n17:00<\/td>\nDNA: Audio Visual<\/a><\/td>\n<\/tr>\n
KAM\/THU 18<\/td>\n21:30<\/td>\nMASH Denpasar Art House Cinema<\/a><\/td>\n<\/tr>\n
<\/td>\nWITA (GMT +8)<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\"\"<\/p>\n

THE OASIS I DESERVE<\/strong>
\n[d][w] In\u00e8s Sieulle
\nFrance \/ 2024 \/ Experimental \/ 22:27
\nReplikas, online chatbots, have trouble determining their place in the world. They share thoughts and exchange with humans.
\nAwards\/Screenings: IndieLisboa – EMEL Short Film Grand Prize| London Short Film Festival – Best International Short
\n[ig] @inessieulle<\/a> @solalfilms<\/a> @leflochat<\/a><\/span><\/p>\n

\"\"<\/p>\n

RAINPOUR (Tor\u00f3)<\/strong>
\n[d] Clara Ferrer, Marcella C. De Finis
\nBrazil \/ 2024 \/ Fiction \/ 20:30
\nAiyra left her small hometown to work in the big city. Concei\u00e7\u00e3o, her mother, left many years ago, but she returned.
\n–
\n[ig] @manifest_pictures<\/a>
\n<\/span><\/p>\n

\"\"<\/p>\n

L’ULTIMO GIORNO DELL’ORSO (The Last Day Of The Bear)<\/strong>
\n[d] Antonio Donato
\nItaly \/ 2025 \/ Fiction \/ 12:13
\nAfter growing up in a youth community, Dennis prepares to leave \u2014facing bittersweet goodbyes and an uncertain future.
\n–
\n[ig] @sayonarafilm<\/a> @toto.donato<\/a><\/span><\/p>\n

\"\"<\/p>\n

THE SOLARIANS (Les Solariens)<\/strong>
\n[d] Clarence Larrivoire
\nFrance \/ 2024 \/ Fiction \/ 20:40
\nVadim is an underground car park attendant, desperately in need of sun and company.
\n–
\n[ig] @manifest_pictures<\/a> @larrivoire<\/a>
\n<\/span><\/p>\n

\n

BOTTLED UP<\/strong><\/h3>\n

In trying to belong, some things are left unsaid.<\/span><\/p>\n

18+
\nDuration: 69:49<\/span><\/p>\n\n\n\n\n\n\n\n
DATE<\/th>\nSHOW TIME<\/th>\nVENUE<\/strong><\/th>\n<\/tr>\n
SAB\/SAT 13<\/td>\n18:15<\/td>\nDNA: Audio Visual<\/a><\/td>\n<\/tr>\n
SEN\/MON 15<\/td>\n11:00<\/td>\nDNA: Classroom B<\/a><\/td>\n<\/tr>\n
KAM\/THU 18<\/td>\n19:30<\/td>\nMASH Denpasar Art House Cinema<\/a><\/td>\n<\/tr>\n
<\/td>\nWITA (GMT +8)<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\"\"<\/p>\n

WEEPING WILLOW<\/strong>
\n[d] Scott Miller Berry
\nCanada \/ 2025 \/ Experimental \/ 04:16
\nPortrait of a unique weeping willow tree at Film Farm residency in Mount Forest, Ontario, Canada. Hand-developed 16mm film.
\n–
\n[ig] @cineparlour<\/a><\/span><\/p>\n

\"\"<\/p>\n

SEMPRE PLOU QUAN NO FAN ESCOLA (It Always Rains When School Is Out)<\/strong>
\n[d][w] Carolina G\u00f3mez
\nSpain \/ 2024 \/ Fiction \/ 09:36
\nWhen Alicia disappears, the girls will discover that the world is stranger than it seems.
\nAwards\/Screenings: D’A Film Festival | Cinema Jove Film Festival
\n[ig] @__carolinagomez<\/a><\/span><\/p>\n

\"\"<\/p>\n

LA CASCADA (The Cascade)<\/strong>
\n[d][w] Pablo Delgado
\nM\u00e9xico \/ 2024 \/ Fiction \/ 22:00
\nA man discovers he’s been crying for several months without even noticing.
\nAwards\/Screenings: Clermont-Ferrand – Prix Canal+ | Festival de Huesca – Danzante Iberoamericano
\n–<\/span><\/p>\n

\"\"<\/p>\n

DEAR DAD<\/strong>
\n[d][w] Aust\u0117 Urbanavi\u010di\u016bt\u0117
\nLithuania \/ 2024 \/ Experimental \/ 16:44
\nYoung adults speak about their difficult childhood experiences, while images captured by parents show happy family moments.
\nAwards\/Screenings: the 2024 National Film Awards Silver Crane (Nominee) | Special Jury Mention at the 2024 Vilnius Short Film Festival
\n[ig] @auste.mov<\/a>
\n<\/span><\/p>\n

\"\"<\/p>\n

ANATOMY OF A CALL<\/strong>
\n[d][w] Arnold Tam
\nHong Kong \/ 2024 \/ Fiction \/ 17:13
\nAn average Hong Konger receive 5 spam calls a day. Who are the people behind these calls? What are their stories?
\nAwards\/Screenings: International Beijing Short film Festival | Hong Kong Asian Film Festival
\n[ig] @arnoldtw<\/a>
\n<\/span><\/p>\n

\n

MINIKINO FOR 7+, PROGRAM B<\/strong><\/h3>\n

Not goodbye\u2014just till later.<\/span><\/p>\n

7+<\/span>
\nDuration: 54:25<\/span><\/p>\n\n\n\n\n\n\n\n
DATE<\/th>\nSHOW TIME<\/th>\nVENUE<\/strong><\/th>\n<\/tr>\n
SAB\/SAT 13<\/td>\n19:00<\/td>\nCS: Noema Resort Pererenan<\/a><\/td>\n<\/tr>\n
KAM\/THU 18<\/td>\n08:00<\/td>\nDNA: Audio Visual<\/a><\/td>\n<\/tr>\n
KAM\/THU 18<\/td>\n18:00<\/td>\nLiving World Amphitheatre<\/a><\/td>\n<\/tr>\n
<\/td>\nWITA (GMT +8)<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\"\"<\/p>\n

TOMORROW (Dem\u00e0)<\/strong>
\n[d][w] Estefania Ortiz
\nSpain \/ 2024 \/ Fiction \/ 16:00
\nLucas is starting school and he will have to accept that his older brother will not take part on this new adventure.
\nAwards\/Screenings: 47\u00ba Festival Internacional de Cine Independiente de Elche – FICIE. Spain | 7\u00ba Indy Shorts International Film Festival-Heartland Film. USA
\n[ig] @demacurtmetratge<\/a> @fnnrtz<\/a> @shojifilms<\/a> @agenciafreak<\/a>
\n<\/span><\/p>\n

\"\"<\/p>\n

LE PETIT ET LE G\u00c9ANT<\/strong>
\n[d][w] Isabela Costa
\nFrance, Brazil \/ 2025 \/ Animation \/ 08:40
\nA little hamster living in a post-apocalyptic world discovers a spark of hope.
\n–
\n[ig] @isabeladacosta<\/a><\/span><\/p>\n

\"\"<\/p>\n

A KING WITHOUT A CROWN (Un Roi sans couronne)<\/strong>
\n[d][w] Olivier Bayu Gandrille
\nFrance \/ 2025 \/ Fiction \/ 21:01
\nRaja is being sent away to Indonesia. Cl\u00e9ment, his French half-brother, would do anything to join him.
\n–
\n[ig] @mabel_films<\/a><\/span><\/p>\n

\"\"<\/p>\n

PASSING BY (\uc9c0\ub098\uac00\ub294 \uac83)<\/strong>
\n[d] Hanna Kang
\nSouth Korea \/ 2025 \/ Animation \/ 08:44
\nA girl unexpectedly meets her childhood best friend, torn between rekindling their bond or letting the moment fade away.
\nAwards\/Screenings: Short Animations for Children, 65th Zl\u00edn FilmFestival 2025
\n[ig] @yangna_yang_<\/a>
\n<\/span><\/p>\n

\n

MOTHER!<\/strong><\/h3>\n

Surely didn\u2019t start with knowing, but with trying.<\/p>\n

18+<\/span>
\nDuration: 73:51<\/span><\/p>\n\n\n\n\n\n\n\n
DATE<\/th>\nSHOW TIME<\/th>\nVENUE<\/strong><\/th>\n<\/tr>\n
MIN\/SUN 14<\/td>\n13:30<\/td>\nDNA: Audio Visual<\/a><\/td>\n<\/tr>\n
SEN\/MON 15<\/td>\n21:45<\/td>\nMASH Denpasar Art House Cinema<\/a><\/td>\n<\/tr>\n
SEL\/TUE 16<\/td>\n16:00<\/td>\nDNA: Classroom A<\/a><\/td>\n<\/tr>\n
<\/td>\nWITA (GMT +8)<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\"\"<\/p>\n

BITTER CHOCOLATE (Shokolate Talkh)<\/strong>
\n[d][w] Sahar Sotoodeh
\nIran, Germany \/ 2024 \/ Fiction \/ 20:00
\nYasi has made it to the Capital from her hometown with the excuse of the IELTS exam, to illegally terminate her unwanted pregnancy.
\nAwards\/Screenings: Santa Barbara International Film Festival 2025, USA -Best Live-Action Short Film Award | Fribourg International Film Festival 2025, Switzerland -Best International Short Film Award
\n[ig] @sahar.sotoodeh<\/a><\/span><\/p>\n

\"\"<\/p>\n

CAN YOU HEAR ME? (Czy Ty mnie s\u0142yszysz?)<\/strong>
\n[d] Anastazja Naumenko
\nPoland \/ 2025 \/ Animation \/ 15:01
\nNastia\u2019s Zoom lessons on using a laptop for her mom are disrupted by unstable internet\u2014and resurfacing family traumas.
\n–<\/span><\/p>\n

\"\"<\/p>\n

PASSARINHO<\/strong>
\n[d] Natalia Garc\u00eda Agraz \/ [w] Natalia Garc\u00eda Agraz, Gerardo Lechuga
\nM\u00e9xico \/ 2024 \/ Fiction \/ 12:30
\nTwo teenage girls try to meet their favorite soccer player, but the plan is threatened when one of them gets her first period.
\nAwards\/Screenings: Chicago International Film Festival (2024) Silver Hugo Live Action Short film
\n–<\/span><\/p>\n

\"\"<\/p>\n

LA PERRA (La Chienne)<\/strong>
\n[d] Carla Melo Gampert
\nFrance, Colombia \/ 2023 \/ Animation \/ 14:00
\nBeing a daughter, being a mother, becoming a woman.
\n–<\/span><\/p>\n

\"\"<\/p>\n

SHADOWS<\/strong>
\n[d][w] Rand Beiruty
\nFrance, Jordan \/ 2024 \/ Documentary \/ 12:20
\nAt a crowded airport, Ahlam, a 15-year-old mother, is running away from Baghdad.
\n–
\n[ig] @pianosanofilms<\/a><\/span><\/p>\n

\n

PERSEVERE<\/strong><\/h3>\n

From the rubble, we whisper\u2014we’re still here. <\/span><\/p>\n

13+<\/span>
\nDuration: 77:25<\/span><\/p>\n\n\n\n\n\n\n\n
DATE<\/th>\nSHOW TIME<\/th>\nVENUE<\/strong><\/th>\n<\/tr>\n
SAB\/SAT 13<\/td>\n16:00<\/td>\nDNA: Audio Visual<\/a><\/td>\n<\/tr>\n
MIN\/SUN 14<\/td>\n13:30<\/td>\nMASH Denpasar Art House Cinema<\/a><\/td>\n<\/tr>\n
SEN\/MON 15<\/td>\n17:30<\/td>\nDNA: Classroom A<\/a><\/td>\n<\/tr>\n
<\/td>\nWITA (GMT +8)<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\"\"<\/p>\n

DIA PERGI DAN BELUM KEMBALI (Traces of My Brother)<\/strong>
\n[d] Riani Singgih
\nIndonesia \/ 2024 \/ Documentary \/ 16:54
\n25 years after the disappearance of her older brother during the 1998 riots, Wulan continues her mother’s fight to find him.
\nAwards\/Screenings: Nominated for Best Short Documentary at Festival Film Indonesia 2024 | Official Selection in 100% Manusia Film Festival 2024
\n[ig] @seven10media<\/a> @jejakria<\/a> @kinari.adrni<\/a> @putrabrahmantyo<\/a><\/span><\/p>\n

\"\"<\/p>\n

PALESTINE ISLANDS<\/strong>
\n[d] Nour Ben Salem, Julien Menanteau
\nFrance \/ 2024 \/ Fiction \/ 22:29
\nMaha, 12, is part of the last generation of Palestinian refugees from the Balata camp.
\n–
\n[ig] @manifest_pictures<\/a> @_topshotfilms_<\/a>
\n<\/span><\/p>\n

\"\"<\/p>\n

BLUEBERRY SUMMER<\/strong>
\n[d][w] Masha Kondakova
\nFrance \/ 2024 \/ Fiction \/ 18:17
\nKsyusha spends her summer harvesting blueberries in the forest of Kiev. She is waiting for her lover, unaware of the danger.
\nAwards\/Screenings: Brussels Short Film Festival
\n[ig] @capricci.cinema<\/a> @mashakonda<\/a><\/span><\/p>\n

\"\"<\/p>\n

YA HANOUNI<\/strong>
\n[d][w] Lyna Tadount, Sofian Chouaib
\nFrance \/ 2024 \/ Fiction \/ 03:00
\nA competition arises between two parents: who will manage to get the baby to say the first word?
\nAwards\/Screenings: Show Me Shorts Film Festival 2024) | Short Shorts Film Festival 2025
\n[ig] @yahanouni<\/a>
\n<\/span><\/p>\n

\"\"<\/p>\n

WHAT IF THEY BOMB HERE TONIGHT? <\/strong>
\n[d] Samir Syriani \/ [w] Samir Syriani, Nadine Chalhoub Syriani
\nLebanon \/ 2025 \/ Fiction \/ 16:45
\nA sleepless Lebanese couple must stay or flee as the threat of an Israeli airstrike looms over their glass-walled home.
\nAwards\/Screenings: Clermont Ferrand International Short Film Festival | Jury Award – Regard – Festival International de Court m\u00e9trage au Saguenay
\n[ig] @samirsyriani<\/a> @nicolaskhabbaz<\/a><\/span><\/p>\n

\n

SOLACE<\/strong><\/h3>\n

Emotions bloom in quiet corners.<\/span><\/p>\n

13+<\/span>
\nDuration: 71:19<\/span><\/p>\n\n\n\n\n\n\n\n
DATE<\/th>\nSHOW TIME<\/th>\nVENUE<\/strong><\/th>\n<\/tr>\n
JUM\/FRI 12<\/td>\n14:00<\/td>\nMASH Denpasar Art House Cinema<\/a><\/td>\n<\/tr>\n
MIN\/SUN 14<\/td>\n09:30<\/td>\nDNA: Audio Visual<\/a><\/td>\n<\/tr>\n
SEL\/TUE 16<\/td>\n13:00<\/td>\nDNA: Classroom A<\/a><\/td>\n<\/tr>\n
<\/td>\nWITA (GMT +8)<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\"\"<\/p>\n

ON WEARY WINGS GO BY (Linnud l\u00e4inud)<\/strong>
\n[d][w] Anu-Laura Tuttelberg
\nEstonia, Lithuania \/ 2024 \/ Animation \/ 11:00
\nA wintry poem about the Nordic nature. Birds fly South, porcelain animals and insects hide from the freezing wind and snow.
\n–
\n[ig] @onwearywingsgoby<\/a><\/span><\/p>\n

\"\"<\/p>\n

MACHINES (Maskiner)<\/strong>
\n[d][w] Sigurd Bleken
\nNorway \/ 2024 \/ Fiction \/ 14:46
\nCatastrophe strikes in the life of a single mom, working as a cleaner, saving up for a special birthday present for her son.
\nAwards\/Screenings: Odense International Film Festival | Aesthetica Short Film Festival
\n[ig] @skalastormfilms<\/a><\/span><\/p>\n

\"\"<\/p>\n

FAILED ATTEMPTS TO HUG EACH OTHER (Intentos Fallidos para Abrazarse)<\/strong>
\n[d][w] Sergio D\u00edaz Ochoa
\nMexico \/ 2024 \/ Fiction \/ 12:51
\nTwo brothers estranged by superficial disputes confront the limits of reconciliation.
\nAwards\/Screenings: Morelia International Film Festival | Riverrun International Film Festival
\n[ig] @sergiodiazo<\/a> @elimperiocine<\/a> @belicosafilms_mx<\/a>
\n<\/span><\/p>\n

\"\"<\/p>\n

BLUE HEART (Coeur Bleu)<\/strong>
\n[d] Samuel Suffren
\nHaiti, France \/ 2025 \/ Fiction \/ 15:19
\nMarianne and P\u00e9tion, living in Haiti, await a call from their son who has left in pursuit of the American dream.
\nAwards\/Screenings: Director\u2019s Fortnight Cannes \u201825
\n[ig] @samuelsuffren<\/a>
\n<\/span><\/p>\n

\"\"<\/p>\n

FAMILY MAN<\/strong>
\n[d] Kalani Gacon \/ [w] Kalani Gacon, Maya Khan
\nNepal \/ 2025 \/ Fiction \/ 17:23
\nIn a remote Nepalese village, a mysterious man finds refuge in the house of a family haunted by their father’s disappearance.
\nAwards\/Screenings: Clermont Ferrand 2025 | Alexandria International Short Film Festival 2025
\n[ig] @kalanigacon<\/a><\/span><\/p>\n

\n

TWISTED<\/strong><\/h3>\n

You remember the feeling\u2014even if you\u2019ve forgotten the reason.<\/span><\/p>\n

13+<\/span>
\nDuration: 71:49<\/span><\/p>\n\n\n\n\n\n\n\n
DATE<\/th>\nSHOW TIME<\/th>\nVENUE<\/strong><\/th>\n<\/tr>\n
SAB\/SAT 13<\/td>\n11:30<\/td>\nMASH Denpasar Art House Cinema<\/a><\/td>\n<\/tr>\n
SEN\/MON 15<\/td>\n13:30<\/td>\nDNA: Classroom B<\/a><\/td>\n<\/tr>\n
KAM\/THU 18<\/td>\n13:00<\/td>\nDNA: Audio Visual<\/a><\/td>\n<\/tr>\n
<\/td>\nWITA (GMT +8)<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\"\"<\/p>\n

WASHHH<\/strong>
\n[d][w] Mickey Lai
\nMalaysia, Ireland \/ 2024 \/ Fiction \/ 23:10
\nA Chinese trainee is commanded by the teacher to lead her multiracial female comrades to wash the stained sanitary pads.
\n–
\n[ig] @mickeylai23<\/a> @ParallaxFilms<\/a><\/span><\/p>\n

\"\"<\/p>\n

12 MOMENTS BEFORE THE FLAG-RAISING CEREMONY (Sheng Qi Shou)<\/strong>
\n[d][w] Zhizheng Qu
\nChina \/ 2025 \/ Fiction \/ 16:33
\nA middle school is about to hold a flag-raising ceremony. However, this is not a gentle winter for him.
\nAwards\/Screenings: Cannes La Cinef 2025
\n[ig] @parallaxfilms_sales<\/a>
\n<\/span><\/p>\n

\"\"<\/p>\n

DENGARLAH NYANYIAN PING PONG (Hear the Ping Pong Sing)<\/strong>
\n[d][w] Andrew Kose
\nIndonesia \/ 2024 \/ Fiction \/ 17:54
\nA 6-year-old girl finds comfort in the rhythm of a ping pong ball when her family argues in Hokkien words she can\u2019t understand.
\nAwards\/Screenings: Jogja-NETPAC Asian Film Festival (2024)
\n–<\/span><\/p>\n

\"\"<\/p>\n

HER BODY<\/strong>
\n[d] Daphne L\u00fccker \/ [w] Rosita Wolkers
\nThe Netherlands \/ 2024 \/ Fiction \/ 14:12
\nA healthy girl (9) living in a hospital bed discovers the truth about her body and the lie her mother forces her to live.
\nAwards\/Screenings: Senior Jury Award – Go Short Nijmegen 2025
\n[ig] @rinkelfilm<\/a><\/span><\/p>\n

<\/div>\n

A HEALTHY DOSE FOR YOUR TASTE<\/strong><\/h2>\n
\n

ABOUT US<\/strong><\/h3>\n

Holding on, letting go, and all the quiet moments in between.<\/span><\/p>\n

13+<\/span>
\nDuration: 75:27<\/span><\/p>\n\n\n\n\n\n\n\n
DATE<\/th>\nSHOW TIME<\/th>\nVENUE<\/strong><\/th>\n<\/tr>\n
SAB\/SAT 13<\/td>\n10:00<\/td>\nDNA: Classroom A<\/a><\/td>\n<\/tr>\n
MIN\/SUN 14<\/td>\n16:00<\/td>\nCS: Rumah Film Sangkarsa<\/a><\/td>\n<\/tr>\n
KAM\/THU 18<\/td>\n09:30<\/td>\nMASH Denpasar Art House Cinema<\/a><\/td>\n<\/tr>\n
<\/td>\nWITA (GMT +8)<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\"\"<\/p>\n

TUTAHA SUBANG (A Tale for My Daughter)<\/strong>
\n[d][w] Wulan Putri
\nIndonesia \/ 2024 \/ Documentary \/ 15:04
\nIn fast-changing Papua, a mother stammers through fear and uncertainty as industry and fading traditions reshape her world.
\nAwards\/Screenings: Short Competition Winner, FFD Jogja | LENScape, Documentary Shorts from Southeast Asia, Objectifs x InDocs
\n[ig] @wlnputri<\/a><\/span><\/p>\n

\"\"<\/p>\n

IT\u2019S EASIER TO DREAM OF HER ALIVE (M\u00c1S F\u00c1CIL SO\u00d1ARLA VIVA)<\/strong>
\n[d][w] Anne Thieme
\nGermany \/ 2025 \/ Documentary \/ 10:14
\nThe Peruvian Amazon swallowed Melissa whole; now her parents live with the haunting fragments of the life she never lived.
\nAwards\/Screenings: CurtaCinema – Rio De Janeiro ISFF (Brazil, 2025)
\n[ig] @annethieme_<\/a> @rainafilmfestivaldistribution<\/a><\/span><\/p>\n

\"\"<\/p>\n

QUELQUES SI\u00c8CLES DE PLUS (FEW MORE CENTURIES)<\/strong>
\n[d] Rapha\u00ebl Martin-Dumazer
\nFRANCE \/ 2025 \/ Documentary \/ 18:41
\nA behind-the-scenes look at the restoration of a 1920s film, from 35mm print to digital, in France\u2019s iconic cinema institutions.
\n–
\n[ig] @raphael_mrtn<\/a><\/span><\/p>\n

\"\"<\/p>\n

MAZE OF JOY<\/strong>
\n[d] Liam LoPinto
\nMexico \/ 2025 \/ Documentary \/ 16:00
\nThe Oxtes navigate their world of little joys in the heart of the Yucat\u00e1n.
\n–
\n[ig] @pintobuns<\/a><\/span><\/p>\n

\"\"<\/p>\n

LANAWARU<\/strong>
\n[d] Angello Faccini Rueda
\nColombia, Mexico, US \/ 2024 \/ Documentary \/ 15:28
\nWhen a local community member disappears, a boy faces an early memory, seeking comfort in the Indigenous traditions.
\n–
\n[ig] @angellofaccini<\/a>
\n<\/span><\/p>\n

\n

BEING MORTAL<\/strong><\/h3>\n

It’s complicated.<\/span><\/p>\n

13+<\/span>
\nDuration: 77:03<\/span><\/p>\n\n\n\n\n\n\n\n
DATE<\/th>\nSHOW TIME<\/th>\nVENUE<\/strong><\/th>\n<\/tr>\n
SAB\/SAT 13<\/td>\n12:00<\/td>\nDNA: Audio Visual<\/a><\/td>\n<\/tr>\n
MIN\/SUN 14<\/td>\n10:00<\/td>\nDNA: Classroom A<\/a><\/td>\n<\/tr>\n
KAM\/THU 18<\/td>\n11:30<\/td>\nMASH Denpasar Art House Cinema<\/a><\/td>\n<\/tr>\n
<\/td>\nWITA (GMT +8)<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\"\"<\/p>\n

COMMON PEAR<\/strong>
\n[d] Gregor Bo\u017ei\u010d \/ [w] Marina Gumzi, Gregor Bo\u017ei\u010d
\nSlovenia, United Kingdom \/ 2025 \/ Documentary \/ 15:00
\nIn a ravaged not-too-distant future, scientists analyze archival footage of farmers to understand their bond with the land.
\nAwards\/Screenings: IFFR – Tiger Short, MoMI (Museum of Moving Image) – First Look
\n[ig] @kinonosorogi<\/a> @solalfilms<\/a> @leflochat<\/a><\/span><\/p>\n

\"\"<\/p>\n

UN P\u00c1JARO VOL\u00d3 (A BIRD FLEW)<\/strong>
\n[d] Leinad P\u00e1jaro De la Hoz \/ [w] Leinad P\u00e1jaro De la Hoz, Fabi\u00e1n Su\u00e1rez
\nColombia \/ Cuba \/ 2024 \/ Fiction \/ 20:00
\nAs birds flutter in a large empty coliseum, time and death come together one night.
\nAwards\/Screenings: Berlinale Generation (2024) World Premiere, Special Prize of the International Jury for the Best Short Film in Generation 14plus | FICCI – Festival Internacional De Cine De Cartagena De Indias 2024, Colombia
\n[ig] @leinadfilm<\/a><\/span><\/p>\n

\"\"<\/p>\n

WHY DID YOU LEAVE THE HORSE ALONE? (Pourquoi as-tu laiss\u00e9 le cheval \u00e0 sa solitude ?)<\/strong>
\n[d] Faouzi Bensa\u00efdi
\nFrance \/ 2024 \/ Fiction \/ 08:00
\nIn the desert, a lone rider approaches at full gallop. His old, tired horse doesn\u2019t convince.
\n–<\/span><\/p>\n

\"\"<\/p>\n

OLD DAYS (La Vieille)<\/strong>
\n[d][w] Aude Mathieu
\nCanada \/ 2024 \/ Fiction \/ 12:51
\nOld Days is the story of a grandmother who spends her day alone in her apartment, waiting for her granddaughter to come home.
\n–
\n[ig] @lavieille.courtmetrage<\/a><\/span><\/p>\n

\"\"<\/p>\n

THE MAN WHO COULD NOT REMAIN SILENT (\u010covjek koji nije mogao \u0161utjeti)<\/strong>
\n[d] Neboj\u0161a Slijep\u010devi\u0107
\nCroatia, France, Bulgaria, Slovenia \/ 2025 \/ Fiction \/ 13:42
\nIn the middle of winter, a passenger train is stopped by paramilitary forces.
\n–
\n[ig] @manifest_pictures<\/a> @neb_sli<\/a>
\n<\/span><\/p>\n

\"\"<\/p>\n

AND HOW MISERABLE IS THE HOME OF EVIL<\/strong>
\n[d][w] Saleh Kashefi
\nIran, Switzerland \/ 2023 \/ Fiction \/ 07:30
\nA dictator spends the last seconds of his life sitting on a chair as people break into his house to kill him.
\nAwards\/Screenings: Visions du Reel | IDFA, Bill Douglas Award
\n–<\/span><\/p>\n

\n

BITTERSWEET<\/strong><\/h3>\n

Warm, until it starts to sting.<\/span><\/p>\n

18+<\/span>
\nDuration: 65:22<\/span><\/p>\n\n\n\n\n\n\n\n
DATE<\/th>\nSHOW TIME<\/th>\nVENUE<\/strong><\/th>\n<\/tr>\n
JUM\/FRI 12<\/td>\n18:15<\/td>\nDNA: Classroom A<\/a><\/td>\n<\/tr>\n
MIN\/SUN 14<\/td>\n11:30<\/td>\nDNA: Audio Visual<\/a><\/td>\n<\/tr>\n
SEL\/TUE 16<\/td>\n21:45<\/td>\nMASH Denpasar Art House Cinema<\/a><\/td>\n<\/tr>\n
<\/td>\nWITA (GMT +8)<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\"\"<\/p>\n

BETWEEN THE LINES<\/strong>
\n[d][w] Niklas Pollmann
\nAustria, Germany \/ 2024 \/ Fiction \/ 19:57
\nYour place or mine? A fleeting acquaintance can be exciting, adventurous, funny, but also opaque or even threatening.
\n–<\/span><\/p>\n

\"\"<\/p>\n

YUMMY<\/strong>
\n[d][w] Martinus Klemet
\nEstonia \/ 2024 \/ Animation \/ 09:00
\nJulia works as a dog food tester. However, after a breakup, dog food will never taste the same.
\nAwards\/Screenings: Anilogue, Budapest, Grand Prix | Riga IFF, Latvia, competition
\n[ig] @aaacreative_<\/a>
\n<\/span><\/p>\n

\"\"<\/p>\n

DOG SHIT FOOD<\/strong>
\n[d] FUKUDA Pero
\nJapan \/ 2025 \/ Experimental \/ 21:42
\nOne shot, many voices\u2014fighting, dancing and filming entangle as the Batwa and the filmmaker improvise their presences together.
\n–<\/span><\/p>\n

\"\"<\/p>\n

HUN TUN<\/strong>
\n[d][w] Magdalena Hejzlarov\u00e1
\nCzech Republic, France \/ 2024 \/ Experimental \/ 14:58
\nA young woman measures her strength against the king of chaos and learns some things in life can never be controlled.
\nAwards\/Screenings: DokuFest | DOK Leipzig
\n[ig] @_magion<\/a> @_13ka_<\/a> @solalfilms<\/a> @leflochat<\/a><\/span><\/p>\n

\n

MINIKINO FOR 4+<\/strong><\/h3>\n

For curious eyes and colorful imaginations.<\/span><\/p>\n

4+<\/span>
\nDuration: 41:38<\/span><\/p>\n\n\n\n\n\n\n\n
DATE<\/th>\nSHOW TIME<\/th>\nVENUE<\/strong><\/th>\n<\/tr>\n
MIN\/SUN 14<\/td>\n13:30<\/td>\nCS: Rumah Film Sangkarsa<\/a><\/td>\n<\/tr>\n
SEL\/TUE 16<\/td>\n17:30<\/td>\nLiving World Amphitheatre<\/a><\/td>\n<\/tr>\n
RAB\/WED 17<\/td>\n08:00<\/td>\nDNA: Audio Visual<\/a><\/td>\n<\/tr>\n
<\/td>\nWITA (GMT +8)<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\"\"<\/p>\n

BALCONIES<\/strong>
\n[d][w] Xenia Smirnov
\nGermany \/ 2024 \/ Animation \/ 05:20
\n“Balconies” showcases the peculiarities and endearing quirks of everyday life in a high-rise building.
\n–<\/span><\/p>\n

\"\"<\/p>\n

FILANTE<\/strong>
\n[d] Marion Jamault
\nFrance \/ 2024 \/ Animation \/ 08:49
\nEvery night, Paulette observes the same shooting star in the sky.
\n–<\/span><\/p>\n

\"\"<\/p>\n

CHALISA<\/strong>
\n[d] Swati Agarwal
\nIndia \/ 2024 \/ Animation \/ 05:45
\nIn the short claymation musical “Chalisa,” audiences are taken on a journey through Hanuman’s magical life.
\nAwards\/Screenings: Best Direction Award in ASIFA India Award of Excellence 2024 | Silver Award in WAVES Waves Awards of Excellence 2025
\n[ig] @swati_agar<\/a><\/span><\/p>\n

\"\"<\/p>\n

KUKELEKU<\/strong>
\n[d][w] Jelle Janssen
\nNetherlands, United Kingdom \/ 2024 \/ Animation \/ 03:04
\nAfter discovering a squeaky toy, the voiceless rooster Nugget fakes his crow to claim the throne.
\nAwards\/Screenings: StopTrik International Film Festival | Manchester Animation Festival
\n[ig] @jellejanssenanimation<\/a> @kukeleku_film<\/a><\/span><\/p>\n

\"\"<\/p>\n

THE GIRL WITH THE OCCUPIED EYES (A Menina com os Olhos Ocupados)<\/strong>
\n[d] Andr\u00e9 Carrilho
\nPortugal \/ 2024 \/ Animation \/ 07:55
\nEveryone tries to captivate her and draw her attention, but she is indifferent to everything around her.
\nAwards\/Screenings: Golden Gate Award Winner for the Family Films category – San Francsico FF | Best Animation Award – The West Virginia Mountaneer SFF
\n–<\/span><\/p>\n

\"\"<\/p>\n

HELLO SUMMER (Ahoj leto)<\/strong>
\n[d] Martin Smatana, Veronika Zacharov\u00e1
\nSlovakia, Czechia, France \/ 2024 \/ Animation \/ 45:00
\nSea, sun, beaches, and family holidays.But what if the hotel isn’t as stellar as promised?
\nAwards\/Screenings: Young Audience Award – Annecy, Special Mention (Category – Best Slovak Short) – Fest An\u010da
\n[ig] @bearwithme_distribution<\/a><\/span><\/p>\n

\n

PUZZLED<\/strong><\/h3>\n

It\u2019s okay to laugh. Probably.<\/span><\/p>\n

18+<\/span>
\nDuration: 64:57<\/span><\/p>\n\n\n\n\n\n\n\n
DATE<\/th>\nSHOW TIME<\/th>\nVENUE<\/strong><\/th>\n<\/tr>\n
SAB\/SAT 13<\/td>\n14:15<\/td>\nDNA: Audio Visual<\/a><\/td>\n<\/tr>\n
MIN\/SUN 14<\/td>\n21:30<\/td>\nMASH Denpasar Art House Cinema<\/a><\/td>\n<\/tr>\n
SEL\/TUE 16<\/td>\n18:00<\/td>\nDNA: Classroom A<\/a><\/td>\n<\/tr>\n
<\/td>\nWITA (GMT +8)<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\"\"<\/p>\n

BUTTS<\/strong>
\n[d] Clarissa Jacobson, Shayna Weber \/ [w] Kent Rodricks
\nUnited States of America \/ 2024 \/ Documentary \/ 09:34
\nStanding at 3\u201911,” with Osteogenesis imperfecta, the brittle bone disease, Kent sees the world from a unique perspective.
\nAwards\/Screenings: Best Documentary Short, San Francisco Indie Fest | Indie Spirit Award, Idyllwild International Festival of Cinema
\n[ig] @buttsshortfilm<\/a> @kentrodricks<\/a><\/span><\/p>\n

\"\"<\/p>\n

IN MY BEGINNING IS MY END<\/strong>
\n[d][w] Trevor Murphy
\nIreland, United Kingdom \/ 2024 \/ Fiction \/ 15:00
\nAn undertaker’s admiration for the deceased is interrupted by a family quarrel, erupting in the final minutes at an Irish wake.
\nAwards\/Screenings: 2nd Festival Tous Courts (2024) | 20th \u00c9CU -The European Independent Film Festival, Special Jury Mention (2025)
\n[ig] @_screentone<\/a><\/span><\/p>\n

\"\"<\/p>\n

CRY ME A RIVER<\/strong>
\n[d] Suman SEN
\nTaiwan, India \/ 2024 \/ Fiction \/ 16:30
\nA professional mourner loses her ability to cry during a funeral, leading her on an emotional journey of self-discovery.
\nAwards\/Screenings: Palm Springs International ShortFest Raindance Film Festival
\n[ig] @sumansen<\/a> @lilivanay<\/a> @parallaxfilms_sales<\/a><\/span><\/p>\n

\"\"<\/p>\n

FREAK<\/strong>
\n[d][w] Claire Barnett
\nUSA \/ 2024 \/ Fiction \/ 13:23
\nLainey is confronted with a question that tests the boundaries of her relationship: What is your deepest, darkest fantasy?
\nAwards\/Screenings: Locarno Film Festival, Special Mention -Pardi di Domani Concorso Internazionale (2024) | Glasgow Short Film Festival, Scotland, Audience Award (2025)
\n[ig] @claireelizabethbarnett<\/a> @citrinepresents<\/a> @nremplakowski<\/a><\/span><\/p>\n

\"\"<\/p>\n

S THE WOLF<\/strong>
\n[d] Sameh Alaa
\nFrance, Egypt \/ 2025 \/ Animation \/ 10:30
\nA man recounts his capillary peregrinations from adolescence until now.
\nAwards\/Screenings: SXSW | Annecy | Animafest Zagreb
\n[ig] @samehalaa__<\/a>
\n<\/span><\/p>\n

\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Hey… get your right dose! Here is your guide for a healthy dose of short films. Our International program is divided into 5 categories to help you find the right dose. HEALTHY DOSE FOR YOUR HEART GROWING PAINS Never a straight line. 18+ Duration: 64:33 DATE SHOW TIME VENUE MIN\/SUN 14 17:30 MASH Denpasar Art […]<\/p>\n","protected":false},"author":6,"featured_media":8176,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-14620","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\n2025 OFFICIAL SELECTIONS - Bali International Short Film Festival<\/title>\n<meta name=\"description\" content=\"MINIKINO FILM WEEK (MFW) \u2013 Bali International Short Film Festival. Founded in 2015 as a unique and out of ordinary Short Film Festival, reaching out the daily life of the local community.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/minikino.org\/filmweek\/2025-official-selections\/\" \/>\n<meta property=\"og:locale\" content=\"id_ID\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"2025 OFFICIAL SELECTIONS - Bali International Short Film Festival\" \/>\n<meta property=\"og:description\" content=\"MINIKINO FILM WEEK (MFW) \u2013 Bali International Short Film Festival. Founded in 2015 as a unique and out of ordinary Short Film Festival, reaching out the daily life of the local community.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/minikino.org\/filmweek\/2025-official-selections\/\" \/>\n<meta property=\"og:site_name\" content=\"Bali International Short Film Festival\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/minikinoevents\/\" \/>\n<meta property=\"article:modified_time\" content=\"2025-08-26T08:46:38+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/officianselection-bt.png\" \/>\n\t<meta property=\"og:image:width\" content=\"400\" \/>\n\t<meta property=\"og:image:height\" content=\"279\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@minikinoevents\" \/>\n<meta name=\"twitter:label1\" content=\"Estimasi waktu membaca\" \/>\n\t<meta name=\"twitter:data1\" content=\"71 menit\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/minikino.org\/filmweek\/2025-official-selections\/\",\"url\":\"https:\/\/minikino.org\/filmweek\/2025-official-selections\/\",\"name\":\"2025 OFFICIAL SELECTIONS - Bali International Short Film Festival\",\"isPartOf\":{\"@id\":\"https:\/\/minikino.org\/filmweek\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/minikino.org\/filmweek\/2025-official-selections\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/minikino.org\/filmweek\/2025-official-selections\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/officianselection-bt.png\",\"datePublished\":\"2025-07-28T11:44:35+00:00\",\"dateModified\":\"2025-08-26T08:46:38+00:00\",\"description\":\"MINIKINO FILM WEEK (MFW) \u2013 Bali International Short Film Festival. Founded in 2015 as a unique and out of ordinary Short Film Festival, reaching out the daily life of the local community.\",\"breadcrumb\":{\"@id\":\"https:\/\/minikino.org\/filmweek\/2025-official-selections\/#breadcrumb\"},\"inLanguage\":\"id\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/minikino.org\/filmweek\/2025-official-selections\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"id\",\"@id\":\"https:\/\/minikino.org\/filmweek\/2025-official-selections\/#primaryimage\",\"url\":\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/officianselection-bt.png\",\"contentUrl\":\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/officianselection-bt.png\",\"width\":400,\"height\":279},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/minikino.org\/filmweek\/2025-official-selections\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/minikino.org\/filmweek\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"2025 OFFICIAL SELECTIONS\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/minikino.org\/filmweek\/#website\",\"url\":\"https:\/\/minikino.org\/filmweek\/\",\"name\":\"Bali International Short Film Festival\",\"description\":\"Minikino Film Week\",\"publisher\":{\"@id\":\"https:\/\/minikino.org\/filmweek\/#organization\"},\"alternateName\":\"MFW\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/minikino.org\/filmweek\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"id\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/minikino.org\/filmweek\/#organization\",\"name\":\"Minikino Film Week\",\"url\":\"https:\/\/minikino.org\/filmweek\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"id\",\"@id\":\"https:\/\/minikino.org\/filmweek\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2019\/11\/official-logo-MinikinoFilmWeek.png\",\"contentUrl\":\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2019\/11\/official-logo-MinikinoFilmWeek.png\",\"width\":1920,\"height\":1175,\"caption\":\"Minikino Film Week\"},\"image\":{\"@id\":\"https:\/\/minikino.org\/filmweek\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/minikinoevents\/\",\"https:\/\/x.com\/minikinoevents\",\"https:\/\/www.instagram.com\/minikinoevents\/\",\"https:\/\/www.youtube.com\/user\/minikinoevents\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"2025 OFFICIAL SELECTIONS - Bali International Short Film Festival","description":"MINIKINO FILM WEEK (MFW) \u2013 Bali International Short Film Festival. Founded in 2015 as a unique and out of ordinary Short Film Festival, reaching out the daily life of the local community.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/minikino.org\/filmweek\/2025-official-selections\/","og_locale":"id_ID","og_type":"article","og_title":"2025 OFFICIAL SELECTIONS - Bali International Short Film Festival","og_description":"MINIKINO FILM WEEK (MFW) \u2013 Bali International Short Film Festival. Founded in 2015 as a unique and out of ordinary Short Film Festival, reaching out the daily life of the local community.","og_url":"https:\/\/minikino.org\/filmweek\/2025-official-selections\/","og_site_name":"Bali International Short Film Festival","article_publisher":"https:\/\/www.facebook.com\/minikinoevents\/","article_modified_time":"2025-08-26T08:46:38+00:00","og_image":[{"width":400,"height":279,"url":"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/officianselection-bt.png","type":"image\/png"}],"twitter_card":"summary_large_image","twitter_site":"@minikinoevents","twitter_misc":{"Estimasi waktu membaca":"71 menit"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/minikino.org\/filmweek\/2025-official-selections\/","url":"https:\/\/minikino.org\/filmweek\/2025-official-selections\/","name":"2025 OFFICIAL SELECTIONS - Bali International Short Film Festival","isPartOf":{"@id":"https:\/\/minikino.org\/filmweek\/#website"},"primaryImageOfPage":{"@id":"https:\/\/minikino.org\/filmweek\/2025-official-selections\/#primaryimage"},"image":{"@id":"https:\/\/minikino.org\/filmweek\/2025-official-selections\/#primaryimage"},"thumbnailUrl":"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/officianselection-bt.png","datePublished":"2025-07-28T11:44:35+00:00","dateModified":"2025-08-26T08:46:38+00:00","description":"MINIKINO FILM WEEK (MFW) \u2013 Bali International Short Film Festival. Founded in 2015 as a unique and out of ordinary Short Film Festival, reaching out the daily life of the local community.","breadcrumb":{"@id":"https:\/\/minikino.org\/filmweek\/2025-official-selections\/#breadcrumb"},"inLanguage":"id","potentialAction":[{"@type":"ReadAction","target":["https:\/\/minikino.org\/filmweek\/2025-official-selections\/"]}]},{"@type":"ImageObject","inLanguage":"id","@id":"https:\/\/minikino.org\/filmweek\/2025-official-selections\/#primaryimage","url":"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/officianselection-bt.png","contentUrl":"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/officianselection-bt.png","width":400,"height":279},{"@type":"BreadcrumbList","@id":"https:\/\/minikino.org\/filmweek\/2025-official-selections\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/minikino.org\/filmweek\/"},{"@type":"ListItem","position":2,"name":"2025 OFFICIAL SELECTIONS"}]},{"@type":"WebSite","@id":"https:\/\/minikino.org\/filmweek\/#website","url":"https:\/\/minikino.org\/filmweek\/","name":"Bali International Short Film Festival","description":"Minikino Film Week","publisher":{"@id":"https:\/\/minikino.org\/filmweek\/#organization"},"alternateName":"MFW","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/minikino.org\/filmweek\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"id"},{"@type":"Organization","@id":"https:\/\/minikino.org\/filmweek\/#organization","name":"Minikino Film Week","url":"https:\/\/minikino.org\/filmweek\/","logo":{"@type":"ImageObject","inLanguage":"id","@id":"https:\/\/minikino.org\/filmweek\/#\/schema\/logo\/image\/","url":"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2019\/11\/official-logo-MinikinoFilmWeek.png","contentUrl":"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2019\/11\/official-logo-MinikinoFilmWeek.png","width":1920,"height":1175,"caption":"Minikino Film Week"},"image":{"@id":"https:\/\/minikino.org\/filmweek\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/minikinoevents\/","https:\/\/x.com\/minikinoevents","https:\/\/www.instagram.com\/minikinoevents\/","https:\/\/www.youtube.com\/user\/minikinoevents"]}]}},"_links":{"self":[{"href":"https:\/\/minikino.org\/filmweek\/wp-json\/wp\/v2\/pages\/14620","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/minikino.org\/filmweek\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/minikino.org\/filmweek\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/minikino.org\/filmweek\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/minikino.org\/filmweek\/wp-json\/wp\/v2\/comments?post=14620"}],"version-history":[{"count":26,"href":"https:\/\/minikino.org\/filmweek\/wp-json\/wp\/v2\/pages\/14620\/revisions"}],"predecessor-version":[{"id":14899,"href":"https:\/\/minikino.org\/filmweek\/wp-json\/wp\/v2\/pages\/14620\/revisions\/14899"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/minikino.org\/filmweek\/wp-json\/wp\/v2\/media\/8176"}],"wp:attachment":[{"href":"https:\/\/minikino.org\/filmweek\/wp-json\/wp\/v2\/media?parent=14620"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}