{"id":5878,"date":"2018-09-10T00:32:31","date_gmt":"2018-09-10T00:32:31","guid":{"rendered":"https:\/\/minikino.org\/filmweek\/?page_id=5878"},"modified":"2018-09-29T07:31:50","modified_gmt":"2018-09-29T07:31:50","slug":"special-screening","status":"publish","type":"page","link":"https:\/\/minikino.org\/filmweek\/mfw-4\/special-screening\/","title":{"rendered":"SPECIAL SCREENING"},"content":{"rendered":"
OPENING PROGRAM 2018 | Durasi: 55:13 | 13+<\/div>
\n<\/p>\n\n\n\n\n\n\n\n\n\n
OPENING PROGRAM 2018 | Durasi: 50:00 | 13+<\/strong><\/p>\n

OPENING PROGRAM ini dibuat khusus untuk para undangan yang menghadiri acara pembukaan di venue \u2018DANES ART VERANDA\u2019 pada hari pertama festival. Dengan titik kegiatan festival yang lokasinya tersebar di seluruh pulau Bali, di sinilah kesempatan kita semua untuk bertemu, disambut dengan pemutaran program film pendek yang merupakan jantung dari festival ini.<\/p>\n

This OPENING PROGRAM is designed for guests who are attending the opening ceremony at \u2018DANES ART VERANDA\u2019 on the first day of the festival. With festival venues spread all over the island of Bali, this would be an opportunity for all the guest to meet each other, while being welcomed by a screening of a short film program which is the heart of the festival.<\/em><\/td>\n<\/tr>\n

<\/p>\n

<\/td>\nA LITTLE BEETLE<\/strong><\/p>\n

Elene Sebiskveradze \/ Georgia \/ 2017 \/ Animation \/ 01:00<\/td>\n<\/tr>\n

<\/p>\n

<\/td>\nMOGU AND PEROL<\/strong><\/p>\n

Tsuneo Goda \/ Japan \/ 2018 \/ Fiction, Animation \/ 08:32<\/p>\n

 <\/td>\n<\/tr>\n

<\/p>\n

<\/td>\nBARAKABUT<\/strong><\/p>\n

Roufy Nasution \/ Indonesia \/ 2018 \/ Fiction \/ 10.57<\/td>\n<\/tr>\n

<\/p>\n

<\/td>\nSCHOOLYARD BLUES (SKOLSTARTSSORG)<\/strong><\/p>\n

Maria Eriksson-Hecht \/ Sweden \/ 2017 \/ Fiction \/ 16:36<\/td>\n<\/tr>\n

<\/p>\n

<\/td>\nKIMCHI<\/strong><\/p>\n

Jackson Segars \/ United States \/ 2018 \/ Fiction \/ 14:28<\/td>\n<\/tr>\n

<\/p>\n

<\/td>\nTHE COFFIN CLUB<\/strong><\/p>\n

Briar March \/ New Zealand \/ 2017 \/ Documentary \/ 03:40<\/td>\n<\/tr>\n

\n<\/p>\n

\n

BALINESE LIVE DUBBING BY TEATER KALANGAN & SANGGAR ANAK TANGGUH<\/h3>\n<\/td>\n<\/tr>\n

\n<\/p>\n

<\/td>\nBE THE REDS (\ube44 \ub354 \ub808\uc988)<\/strong><\/p>\n

Kim Yoongi \/ South Korea \/ Fiction \/ 2018 \/ 26:55<\/p>\n

In June 2002, athletic 6th grader Sanghoon intends to pick up the best footballers in his class<\/em><\/td>\n<\/tr>\n

\n<\/tbody>\n<\/table>\n

<\/p>\n\n\n\n\n\n
DATE<\/th>\nSHOW TIME<\/th>\nVENUE<\/strong><\/th>\n<\/tr>\n
SAB\/SAT 6 Oktober 2018<\/td>\n19:00<\/td>\nDANES ART VERANDA<\/a> (Invitation only)<\/em><\/td>\n<\/tr>\n
Note:<\/td>\nWITA (+8GMT)<\/em><\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/div><\/div>\n

AUSTIN FILM FESTIVAL: REALITY CHECK | Duration: 95:00 | 17+<\/div>

 <\/p>\n\n<\/p>\n\n\n\n\n\n\n\n
AUSTIN FILM FESTIVAL: REALITY CHECK | Duration: 95:00 | 17+<\/strong><\/p>\n

Dikenal sebagai \u201cWriters Festival\u201d sejak inisiasinya 25 tahun lalu, Austin Film Festival menekankan pentingnya narasi sebagai inti pembuatan film. Dengan merayakan karya penulis cerita; yaitu mereka yang berkomitmen untuk menciptakan dunia yang rumit, karakter yang sempurna, dan perspektif yang beragam, AFF membangun reputasinya sebagai festival terdepan untuk para penulis. AFF berlangsung di jantung kota Texas setiap musim gugur dan menampilkan lebih dari 160 film, serta merupakan tempat bertemunya penulis-penulis terbaik dunia dalam program Writers Conference yang dilangsungkan selama empat hari, yang juga merupakan sebuah ajang yang sangat terkenal.<\/p>\n

Program film pendek berjudul \u201cReality Check\u201d ini ditampilkan di AFF pada bulan Oktober tahun lalu dan mencakup beragam pilihan film pendek \u2014 baik komedi maupun drama \u2014 yang berfokus pada karakter yang harus menghadapi realitas dunia baru yang tak terelakkan di sekitar mereka.<\/p>\n

Known as the \u201cWriters Festival\u201d since its inception 25 years ago, Austin Film Festival recognizes the importance of narrative at the core of filmmaking. By celebrating the work of storytellers; those committed to crafting intricate worlds, fully-formed characters, and diverse perspectives, AFF bolsters its reputation as a champion for the creator. AFF takes place in the heart of Texas every fall and features 160+ films as well as the largest convergence of writers in the world for its famous four-day Writers Conference.<\/em><\/p>\n

The following shorts program, entitled \u201cReality Check\u201d was featured at AFF last October and includes a diverse selection of short films\u2014both comedic and dramatic\u2014that focus on characters who have to reckon with a new, inevitable reality of the world around them.<\/em><\/td>\n<\/tr>\n

<\/p>\n

<\/td>\nQUEEN<\/strong><\/p>\n

Gabrielle Shepard \/ 2018 \/ Fiction \/ 18:00<\/p>\n

Bobby terpaksa bertahan semalaman di jalan, pada malam ia menjadi seorang wanita dewasa.<\/p>\n

Bobby is forced to survive a night on the streets on the eve of becoming a woman.<\/em><\/td>\n<\/tr>\n

<\/p>\n

<\/td>\nUNDEADICATED<\/strong><\/p>\n

Felix Jozeps \/ 2018 \/ Fiction \/ 13:00<\/p>\n

Seorang pria melatih teman baiknya yang terinfeksi, untuk memimpin pasukan zombie.<\/p>\n

One man trains up his infected best mate to lead an army of the undead.<\/em><\/td>\n<\/tr>\n

<\/p>\n

<\/td>\nTHE PHANTOM MENACE<\/strong><\/p>\n

Charlotte Barrett \/ 2018 \/ Fiction \/ 14:00<\/p>\n

Setelah mengalami keguguran, pasangan muda melanjutkan rencana menghadiri acara Comic Con<\/p>\n

After suffering a miscarriage, a young couple goes ahead with their plan to attend a local comic con.<\/em><\/td>\n<\/tr>\n

<\/p>\n

<\/td>\nABLUTION<\/strong><\/p>\n

Omar Al Dakheel \/ 2018 \/ Fiction \/ 15:00<\/p>\n

Ikatan kasih seorang ayah Muslim yang cacat dan putranya yang sedang diuji.<\/p>\n

The bond between a disabled Muslim father and his son is tested.<\/em><\/td>\n<\/tr>\n

<\/p>\n

<\/td>\nTHE REPLACEMENT<\/strong><\/p>\n

Sean Miller \/ 2018 \/ Fiction \/ 17:00<\/p>\n

Pemilihan umum 2032, Abe, petugas kebersihan melihat cloningnya terpilih jadi Presiden clon pertama.<\/p>\n

It\u2019s election night 2032, and Abe, a lonely janitor watches his clone become the first clone President.<\/em><\/td>\n<\/tr>\n

<\/p>\n

<\/td>\nNADIA\u2019S VISA<\/strong><\/p>\n

Hanadi Elyan \/ 2018 \/ Fiction \/ 18:00<\/p>\n

Nadia menghadapi dilema moral yang kompleks saat berjuang untuk mendapatkan visa turis.<\/p>\n

Nadia navigates complex moral dilemmas as she fights to obtain a tourist visa.<\/em><\/td>\n<\/tr>\n

<\/tbody>\n<\/table>\n

<\/p>\n\n\n\n\n\n\n\n
DATE<\/th>\nSHOW TIME<\/th>\nVENUE<\/strong><\/th>\n<\/tr>\n
RAB\/WED 10 Oktober 2018<\/td>\n20:30<\/td>\nUMA SEMINYAK<\/a><\/td>\n<\/tr>\n
RAB\/WED 10 Oktober 2018<\/td>\n20:30<\/td>\nRUMAH FILM SANG KARSA<\/a><\/td>\n<\/tr>\n
KAM\/THU 11 Oktober 2018<\/td>\n19:30<\/td>\nOMAH APIK<\/a><\/td>\n<\/tr>\n
Note:<\/td>\nWITA (+8GMT)<\/em><\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/div><\/div>\n

MADE IN INDONESIA - NIA DINATA: KELUARGA ALA INDONESIA | Durasi: 78:00 | 17+<\/div>

 <\/p>\n\n<\/p>\n\n\n\n\n\n\n\n\n
MADE IN INDONESIA<\/em>\nNIA DINATA: KELUARGA ALA INDONESIA | Durasi: 78:00 | 17+<\/strong><\/p>\n

Ketujuh film pendek yang diproduseri Nia Dinata ini memiliki berbagai bentuk dan ragam keluarga di Indonesia yang tidak tunggal; semua memiliki kepelikannya masing-masing. Lima film selain Kebaya Pengantin dan Sleep Tight Maria merupakan bagian dari Antalogi Film Pendek tentang Keluarga ala Indonesia yang diluncurkan pada bulan Juli 2018.<\/p>\n

These seven short films produced by Nia Dinata present various forms and variety\nof families in Indonesia that are not singular, yet each of them have their respective\nsubtleties. The five films apart from Kebaya Pengantin and Sleep Tight Maria are part of the\nIndonesian Short Film Anthology about Families which was launched in July 2018.<\/em><\/td>\n<\/tr>\n

<\/p>\n

<\/td>\nELINAH<\/strong><\/p>\n

Ninndi Raras \/ 2018 \/ Fiction \/ 19:00<\/p>\n

Elinah, seorang gadis 14 tahun mengalami kehamilan dan kehidupan pertamanya sebagai seorang ibu rumah tangga muda.<\/p>\n

Elinah, a 14-year-old girl is experiencing her first pregnancy and life as a young housewife.<\/em><\/td>\n<\/tr>\n

<\/p>\n

<\/td>\nHAR<\/strong><\/p>\n

Luhki Herwanayogi \/ 2017 \/ Fiction \/ 18:00<\/p>\n

Har telah menunggu kedatangan ibunya sementara ayahnya sibuk menyambut kedatangan listrik di desa mereka.<\/p>\n

Har has been waiting for his mom\u2019s return while his dad has been busy welcoming the arrival of electricity in their village.<\/em><\/td>\n<\/tr>\n

<\/p>\n

<\/td>\nPERFECT P<\/strong><\/p>\n

Santosa Amin \/ 2018 \/ Fiction \/ 15:00<\/p>\n

Seorang remaja, Putra, cemas tentang keinginan orangtuanya untuk bertemu dengan pacar barunya, Maria.<\/p>\n

A teenage boy, Putra is anxious about his parents\u2019 eagerness to meet with his new girlfriend, Maria.<\/em><\/td>\n<\/tr>\n

<\/p>\n

<\/td>\nSLEEP TIGHT MARIA<\/strong><\/p>\n

Monica Vanesa Tedja \/ 2015 \/ Fiction \/ 15:00<\/p>\n

Maria V tumbuh di lingkungan yang religius. Namun ia memiliki rahasia sebelum tidur, supaya bisa terlelap. Film ini merupakan bagian dari Project Change! 2013<\/p>\n

Maria V has a secret crush on Donny whom she regularly has wild porn-film-like sexual fantasies with.<\/em><\/td>\n<\/tr>\n

<\/p>\n

<\/td>\nDEMI SEBUAH PREVENSI<\/strong><\/p>\n

Wenda Maria Imakulata Tokomonowir \/ 2017 \/ Documentary \/ 20:00\nKlasina adalah seorang pendeta. Dia tertarik pada tingginya jumlah kasus HIV \/ AIDS di tanah kelahirannya, Papua.<\/p>\n

Klasina is a clergywoman. She was drawn by the high number of HIV\/AIDS cases in her hometown, Papua.<\/em><\/td>\n<\/tr>\n

<\/p>\n

<\/td>\nKEBAYA PENGANTIN<\/strong><\/p>\n

Nia Dinata \/ 2014 \/ Fiction \/ 15:00\nSandy seorang transgender yang berpacaran dengan Farid. Namun, Farid akan menikah dengan seorang wanita di kampung halamannya.\nKebaya Pengantin adalah satu film kompilasi yang diproduksi Nia bersama enam sutradara perempuan dari negara-negara ASEAN lainnya.<\/p>\n

Sandy is a transgender who is dating Farid. But Farid will marry a woman in his hometown.\nKebaya Pengantin is a compilation film produced by Nia together with six other female directors from ASEAN countries.<\/em><\/td>\n<\/tr>\n

<\/p>\n

<\/td>\nTHE LAST HOUSE (RUMAH TERAKHIR)<\/strong><\/p>\n

Thyke Syukur \/ 2017 \/ Documentary \/ 19:00\nMama Lina berasal dari Jawa. Ketika api yang mencurigakan membakar rumahnya, hidupnya di Labuan Bajo tidak sama lagi.<\/p>\n

Mama Lina is from Java. When a suspicious fire burned down her house, her life in Labuan Bajo was no longer how it used to be.<\/em><\/td>\n<\/tr>\n

<\/tbody>\n<\/table>\n

<\/p>\n\n\n\n\n\n\n\n
DATE<\/th>\nSHOW TIME<\/th>\nVENUE<\/strong><\/th>\n<\/tr>\n
MIN\/SUN 7 Oktober 2018<\/td>\n16:30<\/td>\nRUMAH SANUR – MAESTRO ROOM<\/a><\/td>\n<\/tr>\n
SEN\/MON 8 Oktober 2018<\/td>\n18:45<\/td>\nOMAH APIK<\/a><\/td>\n<\/tr>\n
SEL\/TUE 9 Oktober 2018<\/td>\n20:15<\/td>\nUMA SEMINYAK<\/a><\/td>\n<\/tr>\n
Note:<\/td>\nWITA (+8GMT)<\/em><\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/div><\/div>\n

IMAGE FORUM FESTIVAL SELECTED WORKS - MULTI-MODES OF INDEPENDENT FILMMAKING IN JAPAN | Duration: 69:00 | 17+<\/div>

 <\/p>\n\n<\/p>\n\n\n\n\n\n\n\n\n
IMAGE FORUM FESTIVAL SELECTED WORKS<\/em>\nMULTI-MODES OF INDEPENDENT FILMMAKING IN JAPAN\n| Duration: 69:00 | 17+<\/strong><\/p>\n

Image Forum berdiri pada bulan Februari 1977. Namun, kegiatannya sudah dimulai sejak tahun 1971 dengan nama \u201cUnderground Film Center\u201d yang menayangkan dan mendistribusikan film dan video eksperimental \/ independen \/ alternatif. Image Forum adalah sebuah organisasi nirlaba dan tidak menerima dana dari pemerintah nasional maupun lokal. Biaya operasional semata-mata ditanggung dengan menggunakan pendapatan dari program penayangan film dan festival.<\/p>\n

Image Forum Festival diselenggarakan sejak tahun1987. Setiap tahun, festival ini mengunjungi lebih dari tujuh kota seperti Tokyo, Yokohama, Kyoto, Fukuoka dan Nagoya. Festival ini memperkenalkan karya-karya inovatif baru dari Jepang dan juga negara lain.<\/p>\n

Forum established itself in its current form in February 1977. However, its original activity of screening and distributing experimental \/ independent \/ alternative films and videos started a few years earlier, in 1971, under the name \u201cUnderground Film Center\u201d. Image Forum is a non-profit organization and doesn\u2019t receive any grants from national or local governments. The running cost is solely covered by admissions to the cinematheque programs and festivals, rental fee of the collected films and videos, and tuitions for the film-making and video-making school. Katsue Tomiyama is known as the representative of Image Forum. <\/em><\/p>\n

The Image Forum Festival was first held in 1987. This festival tours over seven cities, including Tokyo, Yokohama, Kyoto, Fukuoka and Nagoya every year. The Festival introduces innovative new works from Japan as well as other countries.<\/em><\/p>\n

KOYO YAMASHITA<\/strong>\nKoyo Yamashita lahir di Tokyo, Jepang. Yamashita telah menjadi direktur festival dari Image Forum Festival sejak tahun 2001. Selain itu, dia juga merupakan programmer Teater Image Forum di Shibuya, Tokyo sejak tahun 2005. Di samping itu, dia juga sering memiliki kontribusi sebagai programmer tamu\/kurator pada sejumlah festival film dan seni media serta acara-acara perfilman di dalam maupun di luar Jepang<\/p>\n

Koyo Yamashita was born in Tokyo, Japan. He has been festival director of the Image Forum Festival since 2001. He has also been the programmer of the Theater Image Forum in Shibuya, Tokyo, since 2005.\nYamashita has also contributed as guest programmer\/curator for many film and media art festivals and film events in and outside Japan.<\/em><\/p>\n

 <\/td>\n<\/tr>\n

<\/p>\n

<\/td>\nSLIDE<\/strong><\/p>\n

Yoshinao SATO \/ 1999 \/ Experimental \/ 07:00<\/p>\n

Sensasi gerakan ke depan adalah sesuatu yang kita jalani sebagai manusia, agak diabaikan pada masa kini.<\/p>\n

The sensation of forward movement is something that we walking humans pretty much take for granted these days.<\/em><\/td>\n<\/tr>\n

<\/p>\n

<\/td>\nUNDERCURRENT<\/strong><\/p>\n

Ryo ISHIKAWA \/ 2011 \/ Experimental \/ 05:00<\/p>\n

Seolah-olah menonton pemandangan dari jendela kereta, memberikan rasa seperti mimpi kepada penonton.<\/p>\n

Objects and light passing cyclically as if watching a view from a window in a train provide dreamlike sense to the viewer.<\/em><\/td>\n<\/tr>\n

<\/p>\n

<\/td>\nGRAINY DAYS<\/strong><\/p>\n

Chieko OKI \/ 2004 \/ Experimental \/ 19:00<\/p>\n

Wanita muda mempertanyakan kehidupannya sendiri di sebuah pabrik pengolahan kedelai.<\/p>\n

Young Japanese woman wonders all kinds of things about her own life in a soya-processing factory.<\/em><\/td>\n<\/tr>\n

<\/p>\n

<\/td>\nSOLDIER SCHOOL<\/strong><\/p>\n

Saya ITO \/ 2012 \/ Experimental \/ 14:00<\/p>\n

Seorang anak laki-laki dikirim ke sekolah militer untuk dicuci otak menjadi tentara super.<\/p>\n

A boy is sent to a military school to be brainwashed to be a super-soldier.<\/em><\/td>\n<\/tr>\n

<\/p>\n

<\/td>\nSCHIZOPHRENIA<\/strong><\/p>\n

Yuri MURAOKA \/ 2016 \/ Experimental \/ 10:00<\/p>\n

Dengan menggunakan teknologi optik, karya ini langsung mengacu pada dunia kreatif di Eropa tahun 1920-an.<\/p>\n

Using optical technology, this work steps right into the creative milieu of 1920s Europe.<\/em><\/td>\n<\/tr>\n

<\/p>\n

<\/td>\nIN THE ROOM<\/strong><\/p>\n

Yuka SATO \/ 2014 \/ Experimental \/ 07:00<\/p>\n

Setiap adegan dan potongan, betapapun singkatnya, membuat Anda mengeksplorasi sensasi nostalgia dari film menggunakan film.<\/p>\n

Every single scene and cut, however short, makes you explore the nostalgic sensation of films made on film.<\/em><\/td>\n<\/tr>\n

<\/p>\n

<\/td>\nMR. SAKURAI AT THE TICKET COUNTER<\/strong><\/p>\n

Donghoon KIM \/ 2009 \/ Experimental \/ 07:00<\/p>\n

Seorang gadis tiba di sebuah kota. Dia terhubung dengan Mr. Sakurai di box tiket ferris wheel.<\/p>\n

A girl with a bag arrives in a city. She is connected to Mr. Sakurai at the ferris wheel ticket booth.\n<\/em><\/td>\n<\/tr>\n

<\/tbody>\n<\/table>\n

<\/p>\n\n\n\n\n\n\n\n
DATE<\/th>\nSHOW TIME<\/th>\nVENUE<\/strong><\/th>\n<\/tr>\n
SEL\/TUE 9 Oktober 2018<\/td>\n20:30<\/td>\nRUMAH FILM SANG KARSA<\/a><\/td>\n<\/tr>\n
RAB\/WED 10 Oktober 2018<\/td>\n18:45<\/td>\nOMAH APIK<\/a><\/td>\n<\/tr>\n
JUM\/FRI 12 Oktober 2018<\/td>\n14:00<\/td>\nRUMAH SANUR<\/a><\/td>\n<\/tr>\n
Note:<\/td>\nWITA (+8GMT)<\/em><\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":6,"featured_media":0,"parent":5248,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-5878","page","type-page","status-publish","hentry"],"yoast_head":"\nSPECIAL SCREENING - Bali International Short Film Festival<\/title>\n<meta name=\"description\" content=\"MINIKINO FILM WEEK (MFW) \u2013 Bali International Short Film Festival. 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