{"id":6242,"date":"2018-12-12T05:36:17","date_gmt":"2018-12-12T05:36:17","guid":{"rendered":"https:\/\/minikino.org\/filmweek\/?page_id=6242"},"modified":"2019-09-21T23:06:44","modified_gmt":"2019-09-21T23:06:44","slug":"2019-s-express","status":"publish","type":"page","link":"https:\/\/minikino.org\/filmweek\/mfw5\/2019-s-express\/","title":{"rendered":"S-EXPRESS 2019"},"content":{"rendered":"

\"\"The S-Express Short Film Program Exchange was initiated in 2002 by Yuni Hadi (Singapore), Amir Muhammad (Malaysia) and Chalida Uabumrungjit (Thailand). It is an annual event in the form of short film exchange programs conducted on a regional scale.<\/p>\n

Minikino joined S-Express networking in 2003, opening the doors of Indonesia\u2019s short program distribution to neighboring countries in the Southeast Asia region. Having been a regular part of the Minikino Monthly Screening and Discussion for several years, in 2015 the S-Express screening become part of the annual film festival, Minikino Film Week.<\/p>\n

Until now, S-Express is still the only channel for the exchange of short film programs that connects these countries in Southeast Asia. For each country involved, the annual S-Express projects have different meanings, and is furthermore an important part of the history of the short films development in Southeast Asia.<\/p>\n

This year is the 17th year since S-Express was first initiated and still the most important movement for the production of short films in Southeast Asia, with an astounding network to be noted.<\/p>\n

SX2019 BRUNEI | Duration: 66:00 | AGE RATING: 13+<\/div>
\n<\/p>\n\n\n\n\n\n\n\n\n\n\n
SX2019 BRUNEI<\/strong> | Duration: 66:00 | AGE RATING: 13+<\/td>\n<\/tr>\n

<\/p>\n

\"\"<\/td>\nLANGKAH<\/strong><\/p>\n

Aaqil Ahmad \/ Brunei \/ 2019 \/ fiction \/ 06:00<\/p>\n

An aspiring swimmer working an office job doubts her career when she meets a familiar face who is living hers.<\/td>\n<\/tr>\n

<\/p>\n

\"\"<\/td>\nREPLAY<\/strong><\/p>\n

Hashfi Farizi \/ Brunei \/ 2018 \/ fiction \/ 06:00<\/p>\n

A Married Couple took a wrong turn as their argument led to an endless loop of psychological play.<\/td>\n<\/tr>\n

\"\"<\/td>\nA LETTER FROM FRANCE<\/strong><\/p>\n

Hanifi Juffri \/ Brunei \/ 2017 \/ fiction \/ 03:00<\/p>\n

A terminally-ill man in France who writes a letter to his friend in Brunei.<\/td>\n<\/tr>\n

<\/p>\n

\"\"<\/td>\nTHE DELIVERY<\/strong><\/p>\n

Liyana Hanif \/ Brunei \/ 2018 \/ fiction \/ 05:00<\/p>\n

A pizza delivery man convinced to be living an ordinary life, started a night shift that triggered a dark premonition.<\/td>\n<\/tr>\n

<\/p>\n

\"\"<\/td>\nMR. ROOK<\/strong><\/p>\n

Drablo Max \/ Brunei \/ 2018 \/ fiction \/ 06:00<\/p>\n

A man deemed insane after his wife\u2019s mysteriously vanished was slipped an opportunity to seek her once more.<\/td>\n<\/tr>\n

<\/p>\n

\"\"<\/td>\nALICE IN WONDERLAND SYNDROME<\/strong><\/p>\n

Dk Nur Nadirah Pg Damit \/ Brunei \/ 2019 \/ fiction \/ 05:00<\/p>\n

Estelle suffered from a lot of stress leading her to experienced \u2018Alice in Wonderland Syndrome\u2019 (AIWS).<\/td>\n<\/tr>\n

<\/p>\n

\"\"<\/td>\nHILANG<\/strong><\/p>\n

Harlif Mohamad & Farid Azlan Ghani \/ Brunei \/ 2010 \/ fiction \/ 20:00<\/p>\n

Pemukun, a traditional performer reconnects with his peers\nfor the probably last chance.<\/td>\n<\/tr>\n

<\/p>\n

\"\"<\/td>\nHAMSTER WHEEL<\/strong><\/p>\n

Azeez Danial \/ Brunei \/ 2018 \/ fiction \/ 06:00<\/p>\n

Struggling to deal with his break up Rahim undergoes an unlikely experience.<\/td>\n<\/tr>\n

<\/p>\n

\"\"<\/td>\nMASA<\/strong><\/p>\n

Aznniel Yunos \/ Brunei \/ 2010 \/ fiction \/ 09:00<\/p>\n

A reflection on the existence of time and predestination<\/td>\n<\/tr>\n

<\/tbody>\n<\/table>\n

<\/p>\n\n\n\n\n\n\n
DATE<\/th>\nSHOW TIME<\/th>\nVENUE<\/strong><\/th>\n<\/tr>\n
MIN\/SUN 6<\/td>\n18:30<\/td>\nRUMAH FILM SANG KARSA<\/a><\/td>\n<\/tr>\n
JUM\/FRI 11<\/td>\n16:30<\/td>\nUMAH NUSADUA<\/a><\/td>\n<\/tr>\n
Note:<\/td>\nWITA (+8GMT)<\/em><\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div><\/div>
\n
SX2019 CAMBODIA | Duration: 53:59 | AGE RATING: 17+<\/div>
\n<\/p>\n\n\n\n\n\n
SX2019 CAMBODIA<\/strong> | Duration: 53:59 | AGE RATING: 17+<\/p>\n

 <\/p>\n

Programmer: Park Sungho; a festival programmer (Cambodia Int\u2019l Film Festival) and film producer (Anti-Archive)\nbased in Cambodia.<\/td>\n<\/tr>\n

<\/p>\n

\"\"<\/td>\nTHE DARKNESS<\/strong><\/p>\n

Lim HENG \/ Cambodia \/ 2018 \/ experimental \/ 02:34<\/p>\n

A self-reflected conversation to light up and to prove one\u2019s existance in the darkness<\/td>\n<\/tr>\n

<\/p>\n

\"\"<\/td>\nFEBRUARY WIND<\/strong><\/p>\n

MONY Kann Darung \/ Cambodia \/ 2018 \/ fiction \/ 16:00<\/p>\n

A long distanced couple tries to mingle and to save their romantic relationship<\/td>\n<\/tr>\n

\"\"<\/td>\nSONS OF APRIL<\/strong><\/p>\n

Robin VERET \/ Cambodia \/ 2018 \/ fiction \/ 14:39<\/p>\n

Under the extreme regime, a father needs to find a way to\nsave the lives of his family<\/td>\n<\/tr>\n

<\/p>\n

\"\"<\/td>\nA MILLION YEARS<\/strong><\/p>\n

Danech SAN \/ Cambodia \/ 2018 \/ fiction \/ 20:46<\/p>\n

A couple escapes to a quite riverfront where time and\nspace flow along with the river<\/td>\n<\/tr>\n

<\/tbody>\n<\/table>\n

<\/p>\n\n\n\n\n\n\n
DATE<\/th>\nSHOW TIME<\/th>\nVENUE<\/strong><\/th>\n<\/tr>\n
SAB\/SAT 5<\/td>\n16:30<\/td>\nUMAH NUSADUA<\/a><\/td>\n<\/tr>\n
RAB\/WED 9<\/td>\n18:30<\/td>\nRUMAH FILM SANG KARSA<\/a><\/td>\n<\/tr>\n
Note:<\/td>\nWITA (+8GMT)<\/em><\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p><\/div><\/div><\/p>\n

SX2019 INDONESIA | Duration: 56:25 | AGE RATING: 17+<\/div>
\n<\/p>\n\n\n\n\n\n\n\n\n
SX2019 INDONESIA | Duration: 56:25 | AGE RATING: 17+<\/td>\n<\/tr>\n

<\/p>\n

\"\"<\/td>\nTERGILA-GILA<\/strong>\n(Insanely Infatuated With Someone At The Most\nInappropriate Time)Nirartha Bas Diwangkara \/ Indonesia \/ 2019 \/ Fiction \/\n15:55A girl is facing her sexual awakening.<\/td>\n<\/tr>\n

<\/p>\n

\"\"<\/td>\nOR THOSE SILENCE THAT KILLS YOU AND ME<\/strong><\/p>\n

Ismail Basbeth \/ Indonesia \/ 2018 \/ Fiction \/ 13:42<\/p>\n

Ali, 19 years old, has no family and friends except loneliness which ends up terrorizing him and his surroundings.<\/td>\n<\/tr>\n

\"\"<\/td>\nLLOP MOUGN<\/strong><\/p>\n

Oktivani Anggia Rachmalitta \/ Indonesia \/ 2018 \/ Animation \/ 04:02<\/p>\n

A girl drifts in her imagination and dream wishing to find a certainty within herself.<\/td>\n<\/tr>\n

<\/p>\n

\"\"<\/td>\nMUSLIMAH<\/strong><\/p>\n

Nur Wulandari \/ Indonesia \/ 2018 \/ Documentary \/ 06:16<\/p>\n

Throughout her life, Wulan has come to understand that there are multiple interpretations of Islam and women in Islam.<\/td>\n<\/tr>\n

\"\"<\/td>\nONE OF THOSE MURDER<\/strong><\/p>\n

Jerry Hadiprojo \/ Indonesia \/ 2019 \/ Fiction \/ 10:37<\/p>\n

Two janitors found a body of a dead woman. But in this digital age, priority flexed.<\/td>\n<\/tr>\n

\"\"<\/td>\nROTI<\/strong><\/p>\n

Kiki Febriyanti \/ Indonesia \/ 2018 \/ Fiction \/ 00:30<\/p>\n

Menstruation is still taboo. When she feels awkward to buy \u201cbread\u201d, misunderstanding happens\u2026<\/td>\n<\/tr>\n

\"\"<\/td>\nLIFE OF DEATH<\/strong><\/p>\n

Jason Kiantoro, Bryan Arfiandy \/ Indonesia \/ 2018 \/ Animation \/ 05:23<\/p>\n

Death, talks about his existence, his job and opinions on human beings in an interview from the documentary \u2018Life of Death\u2019.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/p>\n\n\n\n\n\n\n
DATE<\/th>\nSHOW TIME<\/th>\nVENUE<\/strong><\/th>\n<\/tr>\n
SEN\/MON 7<\/td>\n18:30<\/td>\nUMA SEMINYAK<\/a><\/td>\n<\/tr>\n
SEL\/TUE 8<\/td>\n16:30<\/td>\nUMAH NUSADUA<\/a><\/td>\n<\/tr>\n
Note:<\/td>\nWITA (+8GMT)<\/em><\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p><\/div><\/div>
\n

SX2019 LAOS | Duration: 47:13 | AGE RATING: 17+<\/div>
\n<\/p>\n\n\n\n\n
SX2019 LAOS<\/strong> | Duration: 47:13 | AGE RATING: 17+<\/p>\n

Programmer: H\u00e9l\u00e8ne Ouvrard.\nBased in Laos since 2008, H\u00e9l\u00e8ne Ouvrard is a consultant working in the Lao cultural sector. She is the co-director of the Vientianale film festival and also curates programmes of Lao short films for various festivals to promote emerging Lao filmmakers.<\/td>\n<\/tr>\n

<\/p>\n

\"\"<\/td>\nMUSIC SAVES MY SOUL<\/strong><\/p>\n

Xaisongkham Induangchanthy \/ Laos \/ 2019 \/ documentary \/ 28:43<\/p>\n

A portrait of a Lao traditional singer, Khamlek, in her 60s.<\/td>\n<\/tr>\n

<\/p>\n

\"\"<\/td>\nPLEASE DON\u2019T TELL ME HOW TO BE PERFECT<\/strong><\/p>\n

Sophie Vongkhamsao \/ Laos \/ 2016 \/ experimental \/ 02:00<\/p>\n

A young woman stands up to bullying through dance.<\/td>\n<\/tr>\n

\"\"<\/td>\nMELODY OF CHANGE<\/strong><\/p>\n

Ka Xiong \/ Laos \/ 2018 \/ fiction \/ 16:30<\/p>\n

Hongfa, a mysterious and beautiful young woman arrives in a Khmu and Hmong village in Northern Laos.<\/td>\n<\/tr>\n

<\/tbody>\n<\/table>\n

<\/p>\n\n\n\n\n\n\n
DATE<\/th>\nSHOW TIME<\/th>\nVENUE<\/strong><\/th>\n<\/tr>\n
SAB\/SAT 5<\/td>\n19:45<\/td>\nRUMAH FILM SANG KARSA<\/a><\/td>\n<\/tr>\n
SEN\/MON 7<\/td>\n18:30<\/td>\nUMAH NUSADUA<\/a><\/td>\n<\/tr>\n
Note:<\/td>\nWITA (+8GMT)<\/em><\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div><\/div>
\n
SX2019 MYANMAR | Duration: 55:00 | AGE RATING: 17+<\/div>
\n<\/p>\n\n\n\n\n\n
SX2019 MYANMAR<\/strong> | Duration: 55:00 | AGE RATING: 17+<\/p>\n

Programmer: Thaiddhi;\nStudied filmmaking at FAMU, a film school in Czech Republic. He co-founded the Wathann Film Festival which he also programmes. Currently, he is focusing on Myanmar\u2019s film development and education while working as a cinematographer.<\/td>\n<\/tr>\n

<\/p>\n

\"\"<\/td>\nNEWSPAPER BILL<\/strong><\/p>\n

 <\/td>\n<\/tr>\n

<\/p>\n

\"\"<\/td>\n500 KYATS<\/strong><\/p>\n

 <\/td>\n<\/tr>\n

\"\"<\/td>\nSTRANGER STRING<\/strong><\/p>\n

Myanmar \/ 2017 \/ fiction \/ 25:00<\/p>\n

Three short stories of young people in Yangon, connecting each other through the dark side of the city Yangon.<\/td>\n<\/tr>\n

\"\"<\/td>\nSEASONAL RAIN<\/strong><\/p>\n

Aung Phyoe \/ Myanmar \/ 2018 \/ fiction \/ 30:00<\/p>\n

Based on the short story by Kyi Aye (1929-2016), exploring\nthe physical and metaphorical change in a young\nwoman\u2019s life.<\/td>\n<\/tr>\n

<\/tbody>\n<\/table>\n

<\/p>\n\n\n\n\n\n\n
DATE<\/th>\nSHOW TIME<\/th>\nVENUE<\/strong><\/th>\n<\/tr>\n
SEL\/TUE 8<\/td>\n17:00<\/td>\nRUMAH FILM SANG KARSA<\/a><\/td>\n<\/tr>\n
RAB\/WED 9<\/td>\n16:30<\/td>\nUMAH NUSADUA<\/a><\/td>\n<\/tr>\n
Note:<\/td>\nWITA (+8GMT)<\/em><\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/div><\/div>
\n

SX2019 MALAYSIA | Duration: 61:00 | AGE RATING: 17+.<\/div>
\n<\/p>\n\n\n\n\n\n
SX2019 MALAYSIA | Duration: 61:00 | AGE RATING: 17+<\/td>\n<\/tr>\n

<\/p>\n

\"\"<\/td>\nBLIND MOUTH<\/strong><\/p>\n

Chris Leong \/ Malaysia \/ 2017 \/ fiction \/ 16:00<\/p>\n

A father and his daugther; a secret and the future of their nation.<\/td>\n<\/tr>\n

<\/p>\n

\"\"<\/td>\nAKU MAU SKOLA<\/strong> (I WANT TO GO TO SCHOOL)<\/p>\n

Putri Purnama Sugua \/ Malaysia \/ 2018 \/ fiction \/ 21:00<\/p>\n

Over 70 stateless children squeeze in daily to study under the guidance of their teacher, Rujiah Sami.<\/td>\n<\/tr>\n

\"\"<\/td>\nBLOCK A-2-15<\/strong><\/p>\n

Jun Yap Won \/ Malaysia \/ 2018 \/ fiction \/ 15:00<\/p>\n

The first day of a new tenant, Kai, who had just rented a room in a sub divided unit in Kuala Lumpur.<\/td>\n<\/tr>\n

\"\"<\/td>\nHIDDEN ZONE<\/strong><\/p>\n

Ng Chee Chong \/ Malaysia \/ 2019 \/ fiction \/ 09:00<\/p>\n

In the process of self-reflection, a boy falls into a hidden zone of his heart.<\/td>\n<\/tr>\n

<\/tbody>\n<\/table>\n

<\/p>\n\n\n\n\n\n\n
DATE<\/th>\nSHOW TIME<\/th>\nVENUE<\/strong><\/th>\n<\/tr>\n
SAB\/SAT 5<\/td>\n15:30<\/td>\nRUMAH SANUR CREATIVE HUB<\/a><\/td>\n<\/tr>\n
MIN\/SUN 6<\/td>\n16:30<\/td>\nUMAH NUSADUA<\/a><\/td>\n<\/tr>\n
Note:<\/td>\nWITA (+8GMT)<\/em><\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div><\/div><\/p>\n
SX2019 PHILIPPINES | Duration: 57:43 | AGE RATING: 17+<\/div>
\n<\/p>\n\n\n\n\n\n
SX2019 PHILIPPINES | Duration: 57:43 | AGE RATING: 17+<\/p>\n

Programmer: Francis Joseph Cruz (Oggs Cruz)\nOggs Cruz has served as member and jury alike in the selection committee of many local and international film festivals. In the\nmeantime, he writes about cinema for various publications.<\/td>\n<\/tr>\n

<\/p>\n

\"\"<\/td>\nBAGUIO ADDRESS NO. 1<\/strong>0<\/p>\n

Mervine Aquino \/ Philippines \/ 2019 \/ fiction \/ 14:42<\/p>\n

They try to imagine and describe a \u201cdream house\u201d and await the possibility.<\/td>\n<\/tr>\n

<\/p>\n

\"\"<\/td>\nSIYUDAD SA BULAWAN\u00a0<\/strong>\n(City of Gold)Jarell Sarencio \/ Philippines \/ 2019 \/ fiction \/ 15:16Three young brothers needing cash take a job in the gold mines of Mt. Diwalwal.<\/td>\n<\/tr>\n
\"\"<\/td>\nALIENS ATA\u00a0<\/strong>\n(Maybe Aliens)Glenn Barit \/ Philippines \/ 2019 \/ fiction \/ 07:00Two young brothers deal with the sudden loss of their father.<\/td>\n<\/tr>\n
\"\"<\/td>\nFIREFLIES<\/strong><\/p>\n

Robin Estargo \/ Philippines \/ 2019 \/ fiction \/ 20:45<\/p>\n

A synesthetic musical short film about a friendship.<\/td>\n<\/tr>\n

<\/tbody>\n<\/table>\n

<\/p>\n\n\n\n\n\n\n
DATE<\/th>\nSHOW TIME<\/th>\nVENUE<\/strong><\/th>\n<\/tr>\n
SEN\/MON 7<\/td>\n20:00<\/td>\nAF Bali<\/a><\/td>\n<\/tr>\n
RAB\/WED 9<\/td>\n18:30<\/td>\nUMAH NUSADUA<\/a><\/td>\n<\/tr>\n
Note:<\/td>\nWITA (+8GMT)<\/em><\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p><\/div><\/div>\n

SX2019 SINGAPORE | Duration: 67:00 | AGE RATING: 17+<\/div>
\n<\/p>\n\n\n\n\n\n
SX2019 SINGAPORE | Duration: 67:00 | AGE RATING: 17+<\/p>\n

Programmer: Leong Puiyee\nPuiyee is the Programme Manager of the Singapore International Film Festival (SGIFF). She is also a manager at Objectifs, where she is responsible for the film programmes and projects.<\/td>\n<\/tr>\n

<\/p>\n

\"\"<\/td>\nMY LADY M<\/strong><\/p>\n

Tingerine Liu \/ Singapore \/ 2019 \/ fiction \/ 30:00<\/p>\n

Spend a day meeting the Chinese millennials who share a love of cakes at Lady M, a New York institution.<\/td>\n<\/tr>\n

<\/p>\n

\"\"<\/td>\nYOU IDIOT<\/strong><\/p>\n

Kris Ong \/ Singapore \/ 2019 \/ fiction \/ 11:00<\/p>\n

Roaming the streets one night, Darren and Matt write a song about what\u2019s to come in their happy-go-lucky world.<\/td>\n<\/tr>\n

\"\"<\/td>\nCHASING PAPER<\/strong><\/p>\n

Shoki Lin \/ Singapore \/ 2019 \/ fiction \/ 17:00<\/p>\n

A mother who has recently lost her job finds herself working as a cleaner in her daughter\u2019s high school.<\/td>\n<\/tr>\n

\"\"<\/td>\nA DANCE FOR REN HANG<\/strong><\/p>\n

Lei Yuan Bin, Sara Tan \/ Singapore \/ 2019 \/ experimental \/ 09:00<\/p>\n

Dancers reenact images by provocative Chinese photographer Ren Hang, known for capturing his struggles with depression<\/td>\n<\/tr>\n

<\/tbody>\n<\/table>\n

<\/p>\n\n\n\n\n\n\n
DATE<\/th>\nSHOW TIME<\/th>\nVENUE<\/strong><\/th>\n<\/tr>\n
SAB\/SAT 5<\/td>\n18:30<\/td>\nUMAH NUSADUA<\/a><\/td>\n<\/tr>\n
MIN\/SUN 6<\/td>\n15:30<\/td>\nRUMAH SANUR CREATIVE HUB<\/a><\/td>\n<\/tr>\n
Note:<\/td>\nWITA (+8GMT)<\/em><\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p><\/div><\/div>
\n

SX2019 THAILAND | Duration: 65:33 | AGE RATING: 17+<\/div>
\n<\/p>\n\n\n\n\n
SX2019 THAILAND | Duration: 65:33 | AGE RATING: 17+<\/p>\n

Programmer: Sanchai Chotirosseranee\nSanchai Chotirosseranee is currently the Deputy Director of the Film Archive (Public Organization), Thailand. He is one of the programmers of the Thai Short Film and Video\nFestival and Silent Film Festival in Thailand.<\/td>\n<\/tr>\n

<\/p>\n

\"\"<\/td>\nA ROOM WITH A COCONUT VIEW<\/strong><\/p>\n

Tulapop Saenjaroen \/ Thailand \/ 2018 \/ experimental \/ 28:21<\/p>\n

An automated voice app called \u2018Kanya\u2019 guides a foreign tourist named \u2018Alex\u2019 through a beach town Bang Saen.<\/td>\n<\/tr>\n

<\/p>\n

\"\"<\/td>\nTHE SEA RECALL<\/strong><\/p>\n

Aekaphong Saransate \/ Thailand \/ 2018 \/ documentary \/ 26:53<\/p>\n

Back in 2016, Mr. Krit Saranset and his wife had been murdered. His nephew has returned to observe.<\/td>\n<\/tr>\n

\"\"<\/td>\nSUPERBARBARA: THE BEGINNING<\/strong><\/p>\n

Boonsri Tangtrongsin \/ Thailand \/ 2017 \/ fiction \/ 10:19<\/p>\n

After an inflatable doll (Barbara) has been abused and abandoned, she decides to no longer be a victim.<\/td>\n<\/tr>\n

<\/tbody>\n<\/table>\n

<\/p>\n\n\n\n\n\n\n
DATE<\/th>\nSHOW TIME<\/th>\nVENUE<\/strong><\/th>\n<\/tr>\n
SAB\/SAT 5<\/td>\n18:30<\/td>\nAF Bali<\/a><\/td>\n<\/tr>\n
SEN\/MON 7<\/td>\n16:30<\/td>\nUMAH NUSADUA<\/a><\/td>\n<\/tr>\n
Note:<\/td>\nWITA (+8GMT)<\/em><\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/div><\/div>
\n

SX2019 VIETNAM | Duration: 59:15 | AGE RATING: 17+<\/div>
\n<\/p>\n\n\n\n\n\n\n
SX2019 VIETNAM<\/strong> | Duration: 59:15 | AGE RATING: 17+<\/p>\n

Programmer: Marcus Manh Cuong Vu\nWorks as a film programmer, producer, and critic in Ho Chi Minh City. Previously, he was festival director of the Yxine Film Fest from 2010 to 2014.<\/td>\n<\/tr>\n

<\/p>\n

\"\"<\/td>\nDEAR LY<\/strong><\/p>\n

Nguyen Hong Quan \/ Vietnam \/ 2019 \/ fiction \/ 11:21<\/p>\n

A father who lives in Brussels chats with his little daughter in Hanoi via skype.<\/td>\n<\/tr>\n

<\/p>\n

\"\"<\/td>\nCOLD FISH<\/strong><\/p>\n

Thanh Doan \/ Vietnam \/ 2018 \/ fiction \/ 16:39<\/p>\n

Three young millennials share an apartment in Ho Chi Minh City but are busy with their own lonely small worlds.<\/td>\n<\/tr>\n

\"\"<\/td>\nSURROUNDED<\/strong><\/p>\n

Bui Binh Duong \/ Vietnam \/ 2018 \/ fiction \/ 12:26<\/p>\n

A highschool boy and son to a sacristan of a Catholic community in Northern Vietnam.<\/td>\n<\/tr>\n

\"\"<\/td>\nTHE MUTE<\/strong><\/p>\n

Pham Thien An \/ Vietnam \/ 2018 \/ fiction \/ 15:11<\/p>\n

A bride-to-be experiences her last night as a bachelorette in heavy rainy Saigon.<\/td>\n<\/tr>\n

\"\"<\/td>\nFIRST TASTE<\/strong><\/p>\n

Nguyen Duy Anh \/ Vietnam \/ 2018 \/ fiction \/ 03:38<\/p>\n

A tasty joke on the restrictions of smoking scenes in films recently introduced in Vietnam.<\/td>\n<\/tr>\n

<\/tbody>\n<\/table>\n

<\/p>\n\n\n\n\n\n\n
DATE<\/th>\nSHOW TIME<\/th>\nVENUE<\/strong><\/th>\n<\/tr>\n
SEN\/MON 7<\/td>\n18:30<\/td>\nMASH DENPASAR<\/a><\/td>\n<\/tr>\n
KAM\/THU 10<\/td>\n16:30<\/td>\nUMAH NUSADUA<\/a><\/td>\n<\/tr>\n
Note:<\/td>\nWITA (+8GMT)<\/em><\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"

The S-Express Short Film Program Exchange was initiated in 2002 by Yuni Hadi (Singapore), Amir Muhammad (Malaysia) and Chalida Uabumrungjit (Thailand). It is an annual event in the form of short film exchange programs conducted on a regional scale. Minikino joined S-Express networking in 2003, opening the doors of Indonesia\u2019s short program distribution to neighboring […]<\/p>\n","protected":false},"author":6,"featured_media":0,"parent":6207,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-6242","page","type-page","status-publish","hentry"],"yoast_head":"\nS-EXPRESS 2019 - Bali International Short Film Festival<\/title>\n<meta name=\"description\" content=\"MINIKINO FILM WEEK (MFW) \u2013 Bali International Short Film Festival. Founded in 2015 as a unique and out of ordinary Short Film Festival, reaching out the daily life of the local community.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/minikino.org\/filmweek\/mfw5\/2019-s-express\/\" \/>\n<meta property=\"og:locale\" content=\"id_ID\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"S-EXPRESS 2019 - Bali International Short Film Festival\" \/>\n<meta property=\"og:description\" content=\"MINIKINO FILM WEEK (MFW) \u2013 Bali International Short Film Festival. 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