{"id":8240,"date":"2020-07-29T01:57:50","date_gmt":"2020-07-29T01:57:50","guid":{"rendered":"https:\/\/minikino.org\/filmweek\/?page_id=8240"},"modified":"2021-03-06T23:09:22","modified_gmt":"2021-03-06T15:09:22","slug":"s-express-2020","status":"publish","type":"page","link":"https:\/\/minikino.org\/filmweek\/mfw6\/s-express-2020\/","title":{"rendered":"S-EXPRESS 2020"},"content":{"rendered":"<p><strong>S-EXPRESS 2020<\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-8367 alignleft\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/sxpress-logo-1.png\" alt=\"\" width=\"200\" height=\"200\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/sxpress-logo-1.png 500w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/sxpress-logo-1-300x300.png 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/sxpress-logo-1-150x150.png 150w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>The S-Express Short Film Program Exchange was initiated in 2002 by Yuni Hadi (Singapore), Amir Muhammad (Malaysia) and Chalida Uabumrungjit (Thailand). It is an annual event in the form of short film exchange programs conducted on a regional scale.<\/p>\n<p>Minikino joined S-Express networking in 2003, opening the doors of Indonesia\u2019s short program distribution to neighboring countries in the Southeast Asia region. Having been a regular part of the Minikino Monthly Screening and Discussion for several years, in 2015 the S-Express screening become part of the annual film festival, Minikino Film Week.<\/p>\n<p>Until now, S-Express is still the only channel for the exchange of short film programs that connects these countries in Southeast Asia. For each country involved, the annual S-Express projects have different meanings, and is furthermore an important part of the history of the short films development in Southeast Asia.<\/p>\n<p>This year is the 18th year since S-Express was first initiated and still the most important movement for the production of short films in Southeast Asia, with an astounding network to be noted.<\/p>\n<hr \/>\n<div class=\"ap_toggle close\"><div class=\"ap_toggle_title\">S-EXPRESS 2020 INDONESIA | Duration: 83:52 | AGE RATING: 17+<\/div><div class=\"ap_toggle_content\"><h3><!-- SCHEDULE -->\n<strong>S-EXPRESS 2020 INDONESIA<\/strong><\/h3>\n<table id=\"schedule\" border=\"0\" width=\"100%\">\n<tbody>\n<tr>\n<th rowspan=\"1\" width=\"25%\">DATE<\/th>\n<th width=\"10%\">SHOW TIME<\/th>\n<th width=\"35%\"><strong>VENUE<\/strong><\/th>\n<\/tr>\n<tr>\n<td rowspan=\"1\" width=\"25%\">SAB\/SAT 5<\/td>\n<td width=\"10%\">17:00<\/td>\n<td width=\"35%\"><a href=\"https:\/\/minikino.org\/filmweek\/mfw6\/sang-karsa\/\">RUMAH FILM SANG KARSA<\/a><\/td>\n<\/tr>\n<tr>\n<td rowspan=\"1\" width=\"25%\">SAB\/SAT 5<\/td>\n<td width=\"10%\">19:30<\/td>\n<td width=\"35%\"><a href=\"https:\/\/minikino.org\/filmweek\/mfw6\/2020-pop-up-cinemas\/\">POP-UP CINEMA DESA PEDAWA<\/a><\/td>\n<\/tr>\n<tr>\n<td rowspan=\"1\" width=\"25%\">SEN\/MON 7<\/td>\n<td width=\"10%\">13:30<\/td>\n<td width=\"35%\"><a href=\"https:\/\/minikino.org\/filmweek\/mfw6\/mash-denpasar\/\">MASH DENPASAR<\/a><\/td>\n<\/tr>\n<tr>\n<td rowspan=\"1\" width=\"25%\">SEN\/MON 7<\/td>\n<td width=\"10%\">19:30<\/td>\n<td width=\"35%\"><a href=\"https:\/\/minikino.org\/filmweek\/mfw6\/2020-pop-up-cinemas\/\">POP UP CINEMA TEGEH SARI DENPASAR<\/a><\/td>\n<\/tr>\n<tr>\n<td rowspan=\"1\" width=\"25%\"><span style=\"font-weight: 400;\">RAB\/WED 9<\/span><\/td>\n<td width=\"10%\"><span style=\"font-weight: 400;\">15:30<\/span><\/td>\n<td width=\"35%\"><a href=\"https:\/\/minikino.org\/filmweek\/mfw6\/irama-indah\/\">IRAMA INDAH, MINIHALL<\/a><\/td>\n<\/tr>\n<tr>\n<td rowspan=\"1\" width=\"25%\"><\/td>\n<td width=\"10%\"><\/td>\n<td width=\"35%\"><\/td>\n<\/tr>\n<tr>\n<td rowspan=\"1\" width=\"25%\">SAB\/SAT 5<\/td>\n<td width=\"10%\">16:00<\/td>\n<td width=\"35%\"><a href=\"https:\/\/minikino.org\/filmweek\/mfw6\/irama-indah\/\">IRAMA INDAH, MINIHALL<\/a>\n<em>w\/ Audio Descriptive<\/em><\/td>\n<\/tr>\n<tr>\n<td rowspan=\"1\" width=\"25%\">MIN\/SUN 6<\/td>\n<td width=\"10%\">16:00<\/td>\n<td width=\"35%\"><a href=\"https:\/\/minikino.org\/filmweek\/mfw6\/rumah-sanur\/\">RUMAH SANUR CREATIVE HUB<\/a>\n<em>w\/ Audio Descriptive<\/em><\/td>\n<\/tr>\n<tr>\n<td rowspan=\"1\" width=\"25%\">KAM\/THU 10<\/td>\n<td width=\"10%\">18:00<\/td>\n<td width=\"35%\"><a href=\"https:\/\/minikino.org\/filmweek\/mfw6\/antida-sound-garden\/\">ANTIDA SOUND GARDEN<\/a>\n<em>w\/ Audio Descriptive<\/em><\/td>\n<\/tr>\n<tr>\n<td align=\"right\"><strong>Note<\/strong>:<\/td>\n<td><em>WITA (+8 GMT)<\/em><\/td>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<table id=\"schedule\" border=\"0\" width=\"100%\">\n<tbody><!-- Film note --><\/p>\n<tr>\n<td colspan=\"2\"><strong>SX2020 INDONESIA<\/strong> | Duration: 83:52 | AGE RATING: 17+<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-thumbnail wp-image-7562\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2019\/09\/cika-150x150.png\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2019\/09\/cika-150x150.png 150w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2019\/09\/cika-300x300.png 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2019\/09\/cika.png 363w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/>Programmer: Fransiska Prihadi\nProgram director of Minikino, based in Bali.<\/p>\n<p>There is a sense of subtle urgency to make these stories from Indonesia visible in 2020. We are glad to see it in the selected short films as we would hope it will open inspiring discussion.<\/td>\n<\/tr>\n<p><!-- End Film note --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8277\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Sunyi-Still-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Sunyi-Still-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Sunyi-Still.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>SILENCE<\/strong> (Sunyi)<\/p>\n<p>Riani Singgih \/ Indonesia \/ 2018 \/ Documentary\/ 15:54<\/p>\n<p>With the increasing tension of political discussion about human rights violations, the risk is higher for an Indonesian street mime artist, Wanggi.<\/td>\n<\/tr>\n<p><!--end film --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8275\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/JOKO-_-BOWO-READING-VOL.-1-STILL2-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/JOKO-_-BOWO-READING-VOL.-1-STILL2-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/JOKO-_-BOWO-READING-VOL.-1-STILL2.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>JOKO &amp; BOWO READING VOL. 1 <\/strong><\/p>\n<p>I Kadek Jaya Wiguna \/ Indonesia \/ 2019 \/ Fiction\/ 14:30<\/p>\n<p>Two grandfathers act in a film as Joko and Bowo. The director and crew lose control when these actors unwittingly cloud of the script and reality.<\/td>\n<\/tr>\n<p><!--end film --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8276\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Omah-Njero-MFW9281-1-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Omah-Njero-MFW9281-1-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Omah-Njero-MFW9281-1.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>THE LOST ROOM<\/strong> (Omah Njero)<\/p>\n<p>Gelora Yudhaswara \/ Indonesia \/ 2019 \/ Fiction\/ 24:59<\/p>\n<p>Today, the Omah Njero living room will witness more than a brother-sister quarrel.<\/td>\n<\/tr>\n<p><!--end film --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8274\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Golden-Frames-in-the-Closet-MF620F0021-1-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Golden-Frames-in-the-Closet-MF620F0021-1-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Golden-Frames-in-the-Closet-MF620F0021-1.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>GOLDEN FRAMES IN THE CLOSET<\/strong> (Jemari Yang Menari di Atas Luka-Luka)<\/p>\n<p>Putri Sarah Amelia \/ Indonesia \/ 2019 \/ Fiction\/ 16:22<\/p>\n<p>A mortuary cosmetologist has to face a dilemma when she receives a call from a mother who had lost her child in an accident.<\/td>\n<\/tr>\n<p><!--end film --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8273\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/BURA-MF620F0035-1-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/BURA-MF620F0035-1-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/BURA-MF620F0035-1.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>BURA<\/strong><\/p>\n<p>Eden Junjung \/ Indonesia \/ 2019 \/ Fiction\/ 12:07<\/p>\n<p>A guard leaves his post despite rumours of ninjas terrorising the town at night, to meet with his lover.<\/td>\n<\/tr>\n<p><!--end film --><\/tbody>\n<\/table><\/div><\/div>\n<div class=\"ap_toggle close\"><div class=\"ap_toggle_title\">S-EXPRESS 2020 MALAYSIA | Duration: 61:14 | AGE RATING: 17+<\/div><div class=\"ap_toggle_content\"><h3><strong>S-EXPRESS 2020 MALAYSIA<\/strong><\/h3>\n<table id=\"schedule\" border=\"0\" width=\"100%\">\n<tbody>\n<tr>\n<th rowspan=\"1\" width=\"25%\">DATE<\/th>\n<th width=\"10%\">SHOW TIME<\/th>\n<th width=\"35%\"><strong>VENUE<\/strong><\/th>\n<\/tr>\n<tr>\n<td rowspan=\"1\" width=\"25%\">SEN\/MON 7<\/td>\n<td width=\"10%\">13:00<\/td>\n<td width=\"35%\"><a href=\"https:\/\/minikino.org\/filmweek\/mfw6\/rumah-sanur\/\">RUMAH SANUR CREATIVE HUB<\/a><\/td>\n<\/tr>\n<tr>\n<td rowspan=\"1\" width=\"25%\">JUM\/FRI 11<\/td>\n<td width=\"10%\"><span style=\"font-weight: 400;\">11:00<\/span><\/td>\n<td width=\"35%\"><a href=\"https:\/\/minikino.org\/filmweek\/mfw6\/irama-indah\/\">IRAMA INDAH, MINIHALL<\/a><\/td>\n<\/tr>\n<tr>\n<td align=\"right\"><strong>Note<\/strong>:<\/td>\n<td><em>WITA (+8 GMT)<\/em><\/td>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<table id=\"schedule\" border=\"0\" width=\"100%\">\n<tbody><!-- Film note --><\/p>\n<tr>\n<td colspan=\"2\"><strong>SX2020 MALAYSIA<\/strong> | Duration: 61:14 | AGE RATING: 17+<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-thumbnail wp-image-8511\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/08\/Malaysia_Yow-Chong-Lee-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/08\/Malaysia_Yow-Chong-Lee-150x150.jpg 150w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/08\/Malaysia_Yow-Chong-Lee.jpg 189w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/>Programmer: Yow Chong Lee\nApart from programming for Mini Film Festival, ChongLee is also a film lecturer who makes documentary and picked up scuba diving recently.<\/p>\n<p>Exploring the possibility of cinematic space and time in questioning who we are (and aren\u2019t), these films veer between foreign and local; past, present and future; then back to the most naive, raw and honest adventure of all in rendering what constitute Malaysians seen from the perspective of these young and vibrant filmmakers.<\/td>\n<\/tr>\n<p><!-- End Film note --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8278\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/1-rasa-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/1-rasa-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/1-rasa.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>RASA<\/strong><\/p>\n<p>Wei Jie, Lim \/ USA \/ 2020 \/ Documentary \/ 17:27<\/p>\n<p>\u2018Rasa\u2019 is a portrait of a Malaysian restaurant in Manhattan, where kitchen workers reminisce about the past they left behind.<\/td>\n<\/tr>\n<p><!--end film --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8279\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/2-peon-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/2-peon-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/2-peon.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>PEON<\/strong><\/p>\n<p>Shaiful Yahya, Syaz Zainal &amp; June Wong \/ Malaysia \/ 2019 \/ Fiction\/ 14:50<\/p>\n<p>Based on a true story, Peon is told through a delivery rider\u2019s phone screen. Ding! An order comes in to deliver passports<\/td>\n<\/tr>\n<p><!--end film --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8280\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/3-the-masseuse-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/3-the-masseuse-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/3-the-masseuse.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>THE MASSEUSE<\/strong> (\u6309\u6469\u5e08)<\/p>\n<p>Tan Ce Ding \/ Malaysia \/ 2018 \/ Fiction\/ 20:00<\/p>\n<p>In a world where cutting edge robots are coveted, a fledgling human technician is torn between pursuing his feelings towards an outdated android and placating his abusive, android-aversive father.<\/td>\n<\/tr>\n<p><!--end film --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8281\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/4-pace-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/4-pace-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/4-pace.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>PACE <\/strong><\/p>\n<p>Ekin Kee Charles \/ Malaysia \/ 2019 \/ Fiction\/ 08:57<\/p>\n<p>Yaya and her friends were on their everyday mischievous adventures. As the evening went by, Yaya discover something in her that she longed for.<\/td>\n<\/tr>\n<p><!--end film --><\/tbody>\n<\/table><\/div><\/div>\n<div class=\"ap_toggle close\"><div class=\"ap_toggle_title\">S-EXPRESS 2020 MYANMAR | Duration: 60:17 | AGE RATING: 17+<\/div><div class=\"ap_toggle_content\"><h3><!-- SCHEDULE -->\n<strong>S-EXPRESS 2020 MYANMAR<\/strong><\/h3>\n<table id=\"schedule\" border=\"0\" width=\"100%\">\n<tbody>\n<tr>\n<th rowspan=\"1\" width=\"25%\">DATE<\/th>\n<th width=\"10%\">SHOW TIME<\/th>\n<th width=\"35%\"><strong>VENUE<\/strong><\/th>\n<\/tr>\n<tr>\n<td rowspan=\"1\" width=\"25%\">SEL\/TUE 8<\/td>\n<td width=\"10%\">13:00<\/td>\n<td width=\"35%\"><a href=\"https:\/\/minikino.org\/filmweek\/mfw6\/irama-indah\/\">IRAMA INDAH, MINIHALL<\/a><\/td>\n<\/tr>\n<tr>\n<td rowspan=\"1\" width=\"25%\"><span style=\"font-weight: 400;\">SEN\/MON\u00a0 7\u00a0<\/span><\/td>\n<td width=\"10%\">18:30<\/td>\n<td width=\"35%\"><a href=\"https:\/\/minikino.org\/filmweek\/mfw6\/mash-denpasar\/\"><span style=\"font-weight: 400;\">MASH DENPASAR<\/span><\/a><\/td>\n<\/tr>\n<tr>\n<td align=\"right\"><strong>Note<\/strong>:<\/td>\n<td><em>WITA (+8 GMT)<\/em><\/td>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<table id=\"schedule\" border=\"0\" width=\"100%\">\n<tbody><!-- Film note --><\/p>\n<tr>\n<td colspan=\"2\">SX2020 MYANMAR | Duration: 60:17 | AGE RATING: 17+<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-thumbnail wp-image-8506\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/08\/Myanmar_Thaiddhi-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/08\/Myanmar_Thaiddhi-150x150.jpg 150w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/08\/Myanmar_Thaiddhi.jpg 189w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/>Programmer: Thaiddhi\nFilmmaker and Program Director for\nWathann Film Festival, Myanmar. Focus\non Film Education and Independent film\ndevelopment in Myanmar.<\/p>\n<p>This program focus on Young and independet filmmakers from Myanmar and Winning films of Wathann Film Festival 2019<\/td>\n<\/tr>\n<p><!-- End Film note --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8283\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/02-ACCEPTANCE-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/02-ACCEPTANCE-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/02-ACCEPTANCE.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>ACCEPTANCE<\/strong> (Eait Tan Pyan Nghat)<\/p>\n<p>Nyi Zaw Htway \/ Myanmar \/ 2019 \/ Fiction\/ 16:48<\/p>\n<p>An aging woman reconsiders her role in the family in the wake of an incident with her daughter-in-law.<\/td>\n<\/tr>\n<p><!--end film --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8285\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/04-BETWEEN-JAR-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/04-BETWEEN-JAR-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/04-BETWEEN-JAR.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>BETWEEN<\/strong> (Jar)<\/p>\n<p>Than Lwin Oo \/ Myanmar \/ 2019 \/ Experimental\/ 07:37<\/p>\n<p>A backyard street. A boy and a girl. A life.<\/td>\n<\/tr>\n<p><!--end film --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8282\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/01-WHISPERS-OF-SILENCE-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/01-WHISPERS-OF-SILENCE-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/01-WHISPERS-OF-SILENCE.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>WHISPERS OF SILENCE<\/strong> (Kaw Than Toe Tate)<\/p>\n<p>Zaw Bo Bo Hein, Mg Bhone \/ Myanmar \/ 2018 \/Fiction\/ 18:22<\/p>\n<p>During Thingyan Festival, a woman has to struggle between her attachment to her husband and empathy for his loneliness<\/td>\n<\/tr>\n<p><!--end film --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8284\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/03-WASTED-SATE-HTI-KHITE-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/03-WASTED-SATE-HTI-KHITE-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/03-WASTED-SATE-HTI-KHITE.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>1\/4 WASTED<\/strong> (Sate Hti Khite)<\/p>\n<p>Myo Thar Khin \/ Myanmar \/ 2019 \/Fiction\/ 17:30<\/p>\n<p>Story of a yound man who no longer wants to know about existing things in the non-existence, and his return to native home<\/td>\n<\/tr>\n<p><!--end film --><\/tbody>\n<\/table><\/div><\/div>\n<div class=\"ap_toggle close\"><div class=\"ap_toggle_title\">S-EXPRESS 2020 PHILIPPINES | Duration: 56:05 | AGE RATING: 17+<\/div><div class=\"ap_toggle_content\"><h3><!-- SCHEDULE -->\n<strong>S-EXPRESS 2020 PHILIPPINES<\/strong><\/h3>\n<table id=\"schedule\" border=\"0\" width=\"100%\">\n<tbody>\n<tr>\n<th rowspan=\"1\" width=\"25%\">DATE<\/th>\n<th width=\"10%\">SHOW TIME<\/th>\n<th width=\"35%\"><strong>VENUE<\/strong><\/th>\n<\/tr>\n<tr>\n<td rowspan=\"1\" width=\"25%\">SEN\/MON 7<\/td>\n<td width=\"10%\">18:30<\/td>\n<td width=\"35%\"><a href=\"https:\/\/minikino.org\/filmweek\/mfw6\/uma-seminyak\/\">UMA SEMINYAK<\/a><\/td>\n<\/tr>\n<tr>\n<td rowspan=\"1\" width=\"25%\">JUM\/FRI 11<\/td>\n<td width=\"10%\">12:30<\/td>\n<td width=\"35%\"><a href=\"https:\/\/minikino.org\/filmweek\/mfw6\/irama-indah\/\">IRAMA INDAH<\/a><\/td>\n<\/tr>\n<tr>\n<td align=\"right\"><strong>Note<\/strong>:<\/td>\n<td><em>WITA (+8 GMT)<\/em><\/td>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<table id=\"schedule\" border=\"0\" width=\"100%\">\n<tbody><!-- Film note --><\/p>\n<tr>\n<td colspan=\"2\"><strong>SX2020 PHILIPPINES<\/strong> | Duration: 56:05 | AGE RATING: 17+<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-thumbnail wp-image-8507\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/08\/Philippines_Francis-Joseph-Cruz-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/08\/Philippines_Francis-Joseph-Cruz-150x150.jpg 150w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/08\/Philippines_Francis-Joseph-Cruz.jpg 189w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/>Francis Oggs Cruz has served as member\nand jury alike at local and international film festivals. He also writes about cinema for various publications.<\/p>\n<p>Three Filipino films that tackle very real societal issues through exhilerating, dramatic, sometimes comedic, and always absurd situations.<\/td>\n<\/tr>\n<p><!-- End Film note --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8286\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/01-BABYLON-with-director-photo-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/01-BABYLON-with-director-photo-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/01-BABYLON-with-director-photo.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>BABYLON<\/strong><\/p>\n<p>Keith Deligero \/ Philippines \/ 2019 \/ Fiction\/20:22<\/p>\n<p>In a time before mobile phones, postmodern Erinyes come to Barangay Babylonia in order to kill a local dictator<\/td>\n<\/tr>\n<p><!--end film --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8287\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/02-TOKWIFI-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/02-TOKWIFI-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/02-TOKWIFI.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>TOKWIFI <\/strong><\/p>\n<p>Carla Pulido Ocampo \/ Philippines \/ 2019 \/Fiction\/ 20:00<\/p>\n<p>As Limmayug carries firewood back to his home village, something falls from the sky: a 1950s television, with a hysterical showbiz star trapped inside it.<\/td>\n<\/tr>\n<p><!--end film --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8288\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/03-EXCUSE-ME-MISS-MISS-MISS-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/03-EXCUSE-ME-MISS-MISS-MISS-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/03-EXCUSE-ME-MISS-MISS-MISS.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>EXCUSE ME MISS MISS MISS<\/strong><\/p>\n<p>Sonny Calvento \/ Philippines \/ 2019 \/ Fiction\/15:43<\/p>\n<p>Excuse Me, Miss, Miss, Miss is a social satire on the plight of contractual workers in the Philippines.<\/td>\n<\/tr>\n<p><!--end film --><\/tbody>\n<\/table><\/div><\/div>\n<div class=\"ap_toggle close\"><div class=\"ap_toggle_title\">S-EXPRESS 2020 CAMBODIA | Duration: 41:36 | AGE RATING: 17+<\/div><div class=\"ap_toggle_content\"><h3><!-- SCHEDULE -->\n<strong>S-EXPRESS 2020 CAMBODIA<\/strong><\/h3>\n<table id=\"schedule\" border=\"0\" width=\"100%\">\n<tbody>\n<tr>\n<th rowspan=\"1\" width=\"25%\">DATE<\/th>\n<th width=\"10%\">SHOW TIME<\/th>\n<th width=\"35%\"><strong>VENUE<\/strong><\/th>\n<\/tr>\n<tr>\n<td rowspan=\"1\" width=\"25%\">MIN\/SUN 6<\/td>\n<td width=\"10%\">14:00<\/td>\n<td width=\"35%\"><a href=\"https:\/\/minikino.org\/filmweek\/mfw6\/rumah-sanur\/\">RUMAH SANUR CREATIVE HUB<\/a><\/td>\n<\/tr>\n<tr>\n<td rowspan=\"1\" width=\"25%\">JUM\/FRI 11<\/td>\n<td width=\"10%\">10:00<\/td>\n<td width=\"35%\"><a href=\"https:\/\/minikino.org\/filmweek\/mfw6\/irama-indah\/\">IRAMA INDAH<\/a><\/td>\n<\/tr>\n<tr>\n<td align=\"right\"><strong>Note<\/strong>:<\/td>\n<td><em>WITA (+8 GMT)<\/em><\/td>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<table id=\"schedule\" border=\"0\" width=\"100%\">\n<tbody><!-- Film note --><\/p>\n<tr>\n<td colspan=\"2\"><strong>SX2020 CAMBODIA<\/strong> | Duration: 41:36 | AGE RATING: 17+<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-thumbnail wp-image-8505\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/08\/Cambodia_Park-Sungho-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/08\/Cambodia_Park-Sungho-150x150.jpg 150w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/08\/Cambodia_Park-Sungho.jpg 189w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/>Programmer: A festival programmer and\nFilm producer based in Phnom Penh, Cambodia.<\/p>\n<p>Women\u2019s voices are emerging in recent Cambodian short films, which has to be noted and praised.<\/td>\n<\/tr>\n<p><!-- End Film note --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8271\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/01-SOBEN-CALIFORNIA-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/01-SOBEN-CALIFORNIA-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/01-SOBEN-CALIFORNIA.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>CALIFORNIA DREAMING<\/strong><\/p>\n<p>Sreylin Meas \/ Cambodia \/ 2020 \/ Fiction\/16:00<\/p>\n<p>Two women from different backgrounds encounter one another at an oceanfront resort.<\/td>\n<\/tr>\n<p><!--end film --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8272\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/02-BITTER-MELONS-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/02-BITTER-MELONS-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/02-BITTER-MELONS.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>BITTER MELONS<\/strong><\/p>\n<p>Thavary Krouch \/ USA \/ 2020 \/ Fiction\/25:36<\/p>\n<p>Sophia, a female line cook is tasked with delivering bitter melons to her estranged father<\/td>\n<\/tr>\n<p><!--end film --><\/tbody>\n<\/table><\/div><\/div>\n<div class=\"ap_toggle close\"><div class=\"ap_toggle_title\">S-EXPRESS 2020 SINGAPORE | Duration: 59:23 | AGE RATING: 17+<\/div><div class=\"ap_toggle_content\"><h3><!-- SCHEDULE -->\n<strong>S-EXPRESS 2020 SINGAPORE<\/strong><\/h3>\n<table id=\"schedule\" border=\"0\" width=\"100%\">\n<tbody>\n<tr>\n<th rowspan=\"1\" width=\"25%\">DATE<\/th>\n<th width=\"10%\">SHOW TIME<\/th>\n<th width=\"35%\"><strong>VENUE<\/strong><\/th>\n<\/tr>\n<tr>\n<td rowspan=\"1\" width=\"25%\">SEN\/MON 7<\/td>\n<td width=\"10%\">17:00<\/td>\n<td width=\"35%\"><a href=\"https:\/\/minikino.org\/filmweek\/mfw6\/sang-karsa\/\">RUMAH FILM SANG KARSA<\/a><\/td>\n<\/tr>\n<tr>\n<td rowspan=\"1\" width=\"25%\">KAM\/THU 10<\/td>\n<td width=\"10%\">15:00<\/td>\n<td width=\"35%\"><a href=\"https:\/\/minikino.org\/filmweek\/mfw6\/irama-indah\/\">IRAMA INDAH<\/a><\/td>\n<\/tr>\n<tr>\n<td align=\"right\"><strong>Note<\/strong>:<\/td>\n<td><em>WITA (+8 GMT)<\/em><\/td>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<table id=\"schedule\" border=\"0\" width=\"100%\">\n<tbody><!-- Film note --><\/p>\n<tr>\n<td colspan=\"2\"><strong>SX2020 SINGAPORE<\/strong> | Duration: 59:23 | AGE RATING: 17+<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-thumbnail wp-image-8508\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/08\/SingaporeLeong-Pui-Yee-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/08\/SingaporeLeong-Pui-Yee-150x150.jpg 150w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/08\/SingaporeLeong-Pui-Yee.jpg 189w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/>Programmer:Leong Puiyee is a film\nprogrammer and manager based in Singapore.<\/p>\n<p>Experience the essence of nature, complex human\u00a0 relationships and the bizarreness of life in these short films<\/td>\n<\/tr>\n<p><!-- End Film note --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8289\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/01-ESCAPE-VELOCITY-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/01-ESCAPE-VELOCITY-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/01-ESCAPE-VELOCITY.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>ESCAPE VELOCITY II <\/strong><\/p>\n<p>Zai Tang \/ Singapore \/ 2018 \/ Experimental, Animation\/ 09:45<\/p>\n<p>Escape Velocity II is a synaesthetic experiment in bringing the ethereal voices of the Singaporean wild to life through animation and sound visualisation<\/td>\n<\/tr>\n<p><!--end film --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8102\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Watermelon-Baby-MF620F0013-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Watermelon-Baby-MF620F0013-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Watermelon-Baby-MF620F0013.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>WATERMELON BABY<\/strong><\/p>\n<p>Liao Jiekai \/ Singapore \/ 2019 \/ Experimental\/ 15:00<\/p>\n<p>While Tamaki\u2019s partner Sui was away for the summer, she consumed a watermelon seed and began growing a watermelon in her body.<\/td>\n<\/tr>\n<p><!--end film --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8291\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/03-SIBLINGS-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/03-SIBLINGS-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/03-SIBLINGS.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>SIBLINGS<\/strong> (\u540e\u6765)<\/p>\n<p>Tang Kang Sheng \/ Singapore \/ 2019 \/Fiction\/18:38<\/p>\n<p>After their father is hospitalized, Jun and Ling return home to settle some of his affairs. Amidst it all, they are forced to interact with one another.<\/td>\n<\/tr>\n<p><!--end film --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8292\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/04-HELLO-AHMA-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/04-HELLO-AHMA-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/04-HELLO-AHMA.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>HELLO AHMA<\/strong><\/p>\n<p>Tan Siyou \/ Singapore \/ 2019 \/ Fiction\/16:00<\/p>\n<p>Unable to return home to attend Grandma\u2019s funeral because of immigration bureaucracy, a young Singaporean girl new to America searches for Grandma\u2019s reincarnation.<\/td>\n<\/tr>\n<p><!--end film --><\/tbody>\n<\/table><\/div><\/div>\n<div class=\"ap_toggle close\"><div class=\"ap_toggle_title\">S-EXPRESS 2020 THAILAND | Duration: 64:13 | AGE RATING: 17+<\/div><div class=\"ap_toggle_content\"><h3><!-- SCHEDULE -->\n<strong>S-EXPRESS 2020 THAILAND<\/strong><\/h3>\n<table id=\"schedule\" border=\"0\" width=\"100%\">\n<tbody>\n<tr>\n<th rowspan=\"1\" width=\"25%\">DATE<\/th>\n<th width=\"10%\">SHOW TIME<\/th>\n<th width=\"35%\"><strong>VENUE<\/strong><\/th>\n<\/tr>\n<tr>\n<td rowspan=\"1\" width=\"25%\">SEN\/MON 7<\/td>\n<td width=\"10%\">17:00<\/td>\n<td width=\"35%\"><a href=\"https:\/\/minikino.org\/filmweek\/mfw6\/rumah-sanur\/\">RUMAH SANUR CREATIVE HUB<\/a><\/td>\n<\/tr>\n<tr>\n<td rowspan=\"1\" width=\"25%\"><span style=\"font-weight: 400;\">KAM\/THU 10<\/span><\/td>\n<td width=\"10%\">12:00<\/td>\n<td width=\"35%\"><a href=\"https:\/\/minikino.org\/filmweek\/mfw6\/irama-indah\/\">IRAMA INDAH<\/a><\/td>\n<\/tr>\n<tr>\n<td align=\"right\"><strong>Note<\/strong>:<\/td>\n<td><em>WITA (+8 GMT)<\/em><\/td>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<table id=\"schedule\" border=\"0\" width=\"100%\">\n<tbody><!-- Film note --><\/p>\n<tr>\n<td colspan=\"2\"><strong>SX2020 THAILAND<\/strong> | Duration: 64:13 | AGE RATING: 17+<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-thumbnail wp-image-8509\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/08\/Thailand_Sanchai-Chotirosseranee-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/08\/Thailand_Sanchai-Chotirosseranee-150x150.jpg 150w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/08\/Thailand_Sanchai-Chotirosseranee.jpg 189w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/>Programmer: Sanchai Chotirosseranee is\none of the programmers for the Thai Short Film and Video Festival.<\/p>\n<p>The program is consisted of the awarded best Thai short films from the 23rd Thai Short Film and Video Festival. Payawan is a winning film by university students, while The Threshold 1969 is the best Animation and Friends with Benefits, Without Benefits is the best film by general filmmakers.<\/td>\n<\/tr>\n<p><!-- End Film note --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8293\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/01-PAYAWAN-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/01-PAYAWAN-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/01-PAYAWAN.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>PAYAWAN<\/strong> (\u0e1e\u0e0d\u0e32\u0e27\u0e31\u0e19)<\/p>\n<p>Supamart Boonnil \/ Thailand \/ 2019 \/ Fiction\/29:12<\/p>\n<p>In the morning of Songkran day, Chiangrai everyone in Pan\u2019s family was spending time together.<\/td>\n<\/tr>\n<p><!--end film --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8294\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/02-THE-THRESHOLD-1969-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/02-THE-THRESHOLD-1969-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/02-THE-THRESHOLD-1969.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>THE THRESHOLD 1969<\/strong> (\u0e18\u0e23\u0e13\u0e35\u0e1b\u0e23\u0e30\u0e15\u0e39 1969)<\/p>\n<p>Twatpong Tangsajjapoj, Kraisit Bhokasawat, Chanon Treenet, Punya Pasukkovitsiri \/ Thailand \/ 2019 \/ Animation\/ 20:34<\/p>\n<p>Four stories about the impact of new technology within a transitional period of four generations by four directors.<\/td>\n<\/tr>\n<p><!--end film --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8295\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/03-FRIENDS-WITH-BENEFITS-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/03-FRIENDS-WITH-BENEFITS-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/03-FRIENDS-WITH-BENEFITS.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>FRIENDS WITH BENEFITS, WITHOUT BENEFITS<\/strong> (\u0e40\u0e1e\u0e37\u0e48\u0e2d\u0e19\u0e40\u0e25\u0e48\u0e19 \u0e40\u0e25\u0e48\u0e19\u0e40\u0e1e\u0e37\u0e48\u0e2d\u0e19)<\/p>\n<p>Sorayos Prapapan \/ Thailand \/ 2018 \/ Fiction\/14:27<\/p>\n<p>Nicky is an art school graduate. He requests Koi, one of his best friends, to be the model for his photo shoot in which she has to dress up in a mascot costume<\/td>\n<\/tr>\n<p><!--end film --><\/tbody>\n<\/table><\/div><\/div>\n<div class=\"ap_toggle close\"><div class=\"ap_toggle_title\">S-EXPRESS 2020 VIETNAM | Duration: 57:27 | AGE RATING: 17+<\/div><div class=\"ap_toggle_content\"><h3><!-- SCHEDULE -->\n<strong>S-EXPRESS 2020 VIETNAM<\/strong><\/h3>\n<table id=\"schedule\" border=\"0\" width=\"100%\">\n<tbody>\n<tr>\n<th rowspan=\"1\" width=\"25%\">DATE<\/th>\n<th width=\"10%\">SHOW TIME<\/th>\n<th width=\"35%\"><strong>VENUE<\/strong><\/th>\n<\/tr>\n<tr>\n<td rowspan=\"1\" width=\"25%\">SAB\/SAT 5<\/td>\n<td width=\"10%\">20:30<\/td>\n<td width=\"35%\"><a href=\"https:\/\/minikino.org\/filmweek\/mfw6\/omah-apik\/\">OMAH APIK PEJENG BALI<\/a><\/td>\n<\/tr>\n<tr>\n<td rowspan=\"1\" width=\"25%\"><span style=\"font-weight: 400;\">SEL\/TUE 8<\/span><\/td>\n<td width=\"10%\">17:00<\/td>\n<td width=\"35%\"><a href=\"https:\/\/minikino.org\/filmweek\/mfw6\/irama-indah\/\">IRAMA INDAH<\/a><\/td>\n<\/tr>\n<tr>\n<td align=\"right\"><strong>Note<\/strong>:<\/td>\n<td><em>WITA (+8 GMT)<\/em><\/td>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<table id=\"schedule\" border=\"0\" width=\"100%\">\n<tbody><!-- Film note --><\/p>\n<tr>\n<td colspan=\"2\">SX2020 VIETNAM | Duration: 57:27 | AGE RATING: 17+<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-thumbnail wp-image-8510\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/08\/Vietnam_Marcus-Manh-Cuong-Vu-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/08\/Vietnam_Marcus-Manh-Cuong-Vu-150x150.jpg 150w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/08\/Vietnam_Marcus-Manh-Cuong-Vu.jpg 189w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/>Programmer: Marcus Manh Cuong Vu is a filmmaker and programmer. Previously, he was the festival director of Yxine Film Fest (2010-2014).<\/p>\n<p>Love, lies and dreams. What drives us in this tough time of confusion and survival? Every year, S-Express Vietnam introduces new young filmmakers of the next generation from the country.<\/td>\n<\/tr>\n<p><!-- End Film note --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8296\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/01-PAPERLAND-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/01-PAPERLAND-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/01-PAPERLAND.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>PAPERLAND<\/strong> (\u0110\u1ea5t tr\u00ean gi\u1ea5y)<\/p>\n<p>Nguy\u1ec5n L\u00ea Trung H\u1ea3i \/ Vietnam \/ 2020 \/ Fiction\/ 18:19<\/p>\n<p>Phi dates older women who supposedly follow his advice to buy property in the countryside.<\/td>\n<\/tr>\n<p><!--end film --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8297\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/02-TAU-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/02-TAU-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/02-TAU.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>TAU!<\/strong> (Th\u1eb1ng T\u00e0u)<\/p>\n<p>Di\u1ec7p Chi Vi\u00ean Vi\u00ean \/ Vietnam \/ 2020 \/ Fiction\/17:47<\/p>\n<p>Young boy T\u00e0u does not accept the new lover of his father<\/td>\n<\/tr>\n<p><!--end film --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8298\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/03-THE-BIG-DAY-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/03-THE-BIG-DAY-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/03-THE-BIG-DAY.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>THE BIG DAY<\/strong> (Ng\u00e0y tr\u1ecdng \u0111\u1ea1i)<\/p>\n<p>L\u00ea Can Tr\u01b0\u1eddng \/ Vietnam \/ 2020 \/ Fiction\/8:30<\/p>\n<p>A young couple is waiting for a rain, while many Vietnamese are longing for a glorious victory of the national football team.<\/td>\n<\/tr>\n<p><!--end film --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8299\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/04-WHISPERING-GARDEN-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/04-WHISPERING-GARDEN-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/04-WHISPERING-GARDEN.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>WHISPERING GARDEN<\/strong> (V\u01b0\u1eddn r\u00ec r\u1ea7m)<\/p>\n<p>\u0110\u1eb7ng Th\u1ea3o Nguy\u00ean \/ Vietnam \/ 2020 \/ Fiction\/09:30<\/p>\n<p>A mother and her daughter hide a corpse. The garden where their secret is buried has its own way of being.<\/td>\n<\/tr>\n<p><!--end film --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8302\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/05-IM-NOT-THE-ONLY-ONE-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/05-IM-NOT-THE-ONLY-ONE-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/05-IM-NOT-THE-ONLY-ONE.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>I\u2019M NOT THE ONLY ONE<\/strong> (Em kh\u00f4ng l\u00e0 duy nh\u1ea5t)<\/p>\n<p>Ph\u1ea1m Nguy\u1ec5n Anh T\u00fa \/ Vietnam \/ 2020 \/ Experimental\/03:21<\/p>\n<p>Am I the rain or the sun, a boy or a girl, a dream or a reality, a film or myself?<\/td>\n<\/tr>\n<p><!--end film --><\/tbody>\n<\/table><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>S-EXPRESS 2020 The S-Express Short Film Program Exchange was initiated in 2002 by Yuni Hadi (Singapore), Amir Muhammad (Malaysia) and Chalida Uabumrungjit (Thailand). It is an annual event in the form of short film exchange programs conducted on a regional scale. Minikino joined S-Express networking in 2003, opening the doors of Indonesia\u2019s short program distribution [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":7679,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-8240","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>S-EXPRESS 2020 - Bali International Short Film Festival<\/title>\n<meta name=\"description\" content=\"MINIKINO FILM WEEK (MFW) \u2013 Bali International Short Film Festival. 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