{"id":8477,"date":"2020-08-06T08:12:35","date_gmt":"2020-08-06T08:12:35","guid":{"rendered":"https:\/\/minikino.org\/filmweek\/?page_id=8477"},"modified":"2020-08-21T08:54:51","modified_gmt":"2020-08-21T08:54:51","slug":"umah-nusa-dua","status":"publish","type":"page","link":"https:\/\/minikino.org\/filmweek\/mfw6\/umah-nusa-dua\/","title":{"rendered":"UMAH NUSA DUA"},"content":{"rendered":"<table width=\"100%\">\n<tbody>\n<tr>\n<td><img loading=\"lazy\" decoding=\"async\" style=\"float: left; margin: 0px 15px 15px 0px;\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2019\/08\/umahnusadua-logo.png\" width=\"150\" height=\"150\" \/><strong>UMAH NUSA DUA<\/strong><\/p>\n<p><a href=\"https:\/\/www.umahnusadua.com\" target=\"_blank\" rel=\"noopener noreferrer\">www.umahnusadua.com<\/a><\/p>\n<p>Jl.Gedongsari I no 10-12, Nusa Dua \/ map location: <a href=\"https:\/\/minikino.org\/umahnusadua\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/minikino.org\/umahnusadua<\/a><\/p>\n<p>Contact person: Ripta Paranoan \/ +62 811 389 9118<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h4><strong>SCHEDULE<\/strong><\/h4>\n<p><strong>SAB\/SAT 5 September 2020<\/strong><\/p>\n<div class=\"ap_toggle close\"><div class=\"ap_toggle_title\">16:00 | S-EXPRESS 2020 THAILAND | Duration: 64:13 | AGE RATING: 17+<\/div><div class=\"ap_toggle_content\"><h3><!-- SCHEDULE -->\n<strong>S-EXPRESS 2020 THAILAND<\/strong><\/h3>\n<table id=\"schedule\" border=\"0\" width=\"100%\">\n<tbody>\n<tr>\n<th rowspan=\"1\" width=\"25%\">DATE<\/th>\n<th width=\"10%\">SHOW TIME<\/th>\n<th width=\"35%\"><strong>VENUE<\/strong><\/th>\n<\/tr>\n<tr>\n<td rowspan=\"1\" width=\"25%\">SAB\/SAT 5<\/td>\n<td width=\"10%\">16:00<\/td>\n<td width=\"35%\"><a href=\"https:\/\/minikino.org\/filmweek\/mfw6\/umah-nusa-dua\/\">UMAH NUSA DUA<\/a><\/td>\n<\/tr>\n<tr>\n<td rowspan=\"1\" width=\"25%\">SEN\/MON 7<\/td>\n<td width=\"10%\">17:00<\/td>\n<td width=\"35%\"><a href=\"https:\/\/minikino.org\/filmweek\/mfw6\/rumah-sanur\/\">RUMAH SANUR CREATIVE HUB<\/a><\/td>\n<\/tr>\n<tr>\n<td align=\"right\"><strong>Note<\/strong>:<\/td>\n<td><em>WITA (+8 GMT)<\/em><\/td>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<table id=\"schedule\" border=\"0\" width=\"100%\">\n<tbody><!-- Film note --><\/p>\n<tr>\n<td colspan=\"2\"><strong>SX2020 THAILAND<\/strong> | Duration: 64:13 | AGE RATING: 17+<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-thumbnail wp-image-8509\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/08\/Thailand_Sanchai-Chotirosseranee-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/08\/Thailand_Sanchai-Chotirosseranee-150x150.jpg 150w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/08\/Thailand_Sanchai-Chotirosseranee.jpg 189w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/>Programmer: Sanchai Chotirosseranee is\none of the programmers for the Thai Short Film and Video Festival.<\/p>\n<p>The program is consisted of the awarded best Thai short films from the 23rd Thai Short Film and Video Festival. Payawan is a winning film by university students, while The Threshold 1969 is the best Animation and Friends with Benefits, Without Benefits is the best film by general filmmakers.<\/td>\n<\/tr>\n<p><!-- End Film note --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/image.jpg\" alt=\"\" width=\"500\" height=\"124\" \/><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8293\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/01-PAYAWAN-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/01-PAYAWAN-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/01-PAYAWAN.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>PAYAWAN<\/strong> (\u0e1e\u0e0d\u0e32\u0e27\u0e31\u0e19)<\/p>\n<p>Supamart Boonnil \/ Thailand \/ 2019 \/ 29:12<\/p>\n<p>In the morning of Songkran day, Chiangrai everyone in Pan\u2019s family was spending time together.<\/td>\n<\/tr>\n<p><!--end film --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/image.jpg\" alt=\"\" width=\"500\" height=\"124\" \/><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8294\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/02-THE-THRESHOLD-1969-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/02-THE-THRESHOLD-1969-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/02-THE-THRESHOLD-1969.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>THE THRESHOLD 1969<\/strong> (\u0e18\u0e23\u0e13\u0e35\u0e1b\u0e23\u0e30\u0e15\u0e39 1969)<\/p>\n<p>Twatpong Tangsajjapoj, Kraisit Bhokasawat, Chanon Treenet, Punya Pasukkovitsiri \/ Thailand \/ 2019 \/ 20:34<\/p>\n<p>Four stories about the impact of new technology within a transitional period of four generations by four directors.<\/td>\n<\/tr>\n<p><!--end film --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/image.jpg\" alt=\"\" width=\"500\" height=\"124\" \/><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8295\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/03-FRIENDS-WITH-BENEFITS-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/03-FRIENDS-WITH-BENEFITS-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/03-FRIENDS-WITH-BENEFITS.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>FRIENDS WITH BENEFITS, WITHOUT BENEFITS<\/strong> (\u0e40\u0e1e\u0e37\u0e48\u0e2d\u0e19\u0e40\u0e25\u0e48\u0e19 \u0e40\u0e25\u0e48\u0e19\u0e40\u0e1e\u0e37\u0e48\u0e2d\u0e19)<\/p>\n<p>Sorayos Prapapan \/ Thailand \/ 2018 \/ 14:27<\/p>\n<p>Nicky is an art school graduate. He requests Koi, one of his best friends, to be the model for his photo shoot in which she has to dress up in a mascot costume<\/td>\n<\/tr>\n<p><!--end film --><\/tbody>\n<\/table><\/div><\/div>\n<div class=\"ap_toggle close\"><div class=\"ap_toggle_title\">19:00 | S-EXPRESS 2020 INDONESIA | Duration: 83:52 | AGE RATING: 17+<\/div><div class=\"ap_toggle_content\"><h3><!-- SCHEDULE -->\n<strong>S-EXPRESS 2020 INDONESIA<\/strong><\/h3>\n<table id=\"schedule\" border=\"0\" width=\"100%\">\n<tbody>\n<tr>\n<th rowspan=\"1\" width=\"25%\">DATE<\/th>\n<th width=\"10%\">SHOW TIME<\/th>\n<th width=\"35%\"><strong>VENUE<\/strong><\/th>\n<\/tr>\n<tr>\n<td rowspan=\"1\" width=\"25%\">SAB\/SAT 5<\/td>\n<td width=\"10%\">17:00<\/td>\n<td width=\"35%\"><a href=\"https:\/\/minikino.org\/filmweek\/mfw6\/sang-karsa\/\">RUMAH FILM SANG KARSA<\/a><\/td>\n<\/tr>\n<tr>\n<td rowspan=\"1\" width=\"25%\">SAB\/SAT 5<\/td>\n<td width=\"10%\">19:00<\/td>\n<td width=\"35%\"><a href=\"https:\/\/minikino.org\/filmweek\/mfw6\/umah-nusa-dua\/\">UMAH NUSA DUA<\/a><\/td>\n<\/tr>\n<tr>\n<td rowspan=\"1\" width=\"25%\">SAB\/SAT 5<\/td>\n<td width=\"10%\">19:30<\/td>\n<td width=\"35%\"><a href=\"https:\/\/minikino.org\/filmweek\/mfw6\/2020-pop-up-cinemas\/\">POP-UP CINEMA DESA PEDAWA<\/a><\/td>\n<\/tr>\n<tr>\n<td rowspan=\"1\" width=\"25%\">SEN\/MON 7<\/td>\n<td width=\"10%\">13:30<\/td>\n<td width=\"35%\"><a href=\"https:\/\/minikino.org\/filmweek\/mfw6\/mash-denpasar\/\">MASH DENPASAR<\/a><\/td>\n<\/tr>\n<tr>\n<td rowspan=\"1\" width=\"25%\">SEN\/MON 7<\/td>\n<td width=\"10%\">19:30<\/td>\n<td width=\"35%\"><a href=\"https:\/\/minikino.org\/filmweek\/mfw6\/2020-pop-up-cinemas\/\">POP UP CINEMA TEGEH SARI DENPASAR<\/a><\/td>\n<\/tr>\n<tr>\n<td rowspan=\"1\" width=\"25%\"><\/td>\n<td width=\"10%\"><\/td>\n<td width=\"35%\"><\/td>\n<\/tr>\n<tr>\n<td rowspan=\"1\" width=\"25%\">SAB\/SAT 5<\/td>\n<td width=\"10%\">16:00<\/td>\n<td width=\"35%\"><a href=\"https:\/\/minikino.org\/filmweek\/mfw6\/irama-indah\/\">IRAMA INDAH, MINIHALL<\/a>\n<em>w\/ Audio Descriptive<\/em><\/td>\n<\/tr>\n<tr>\n<td rowspan=\"1\" width=\"25%\">MIN\/SUN 6<\/td>\n<td width=\"10%\">16:00<\/td>\n<td width=\"35%\"><a href=\"https:\/\/minikino.org\/filmweek\/mfw6\/rumah-sanur\/\">RUMAH SANUR CREATIVE HUB<\/a>\n<em>w\/ Audio Descriptive<\/em><\/td>\n<\/tr>\n<tr>\n<td rowspan=\"1\" width=\"25%\">KAM\/THU 10<\/td>\n<td width=\"10%\">18:00<\/td>\n<td width=\"35%\"><a href=\"https:\/\/minikino.org\/filmweek\/mfw6\/antida-sound-garden\/\">ANTIDA SOUND GARDEN<\/a>\n<em>w\/ Audio Descriptive<\/em><\/td>\n<\/tr>\n<tr>\n<td align=\"right\"><strong>Note<\/strong>:<\/td>\n<td><em>WITA (+8 GMT)<\/em><\/td>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<table id=\"schedule\" border=\"0\" width=\"100%\">\n<tbody><!-- Film note --><\/p>\n<tr>\n<td colspan=\"2\"><strong>SX2020 INDONESIA<\/strong> | Duration: 83:52 | AGE RATING: 17+<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-thumbnail wp-image-7562\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2019\/09\/cika-150x150.png\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2019\/09\/cika-150x150.png 150w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2019\/09\/cika-300x300.png 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2019\/09\/cika.png 363w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/>Programmer: Fransiska Prihadi\nProgram director of Minikino, based in Bali.<\/p>\n<p>There is a sense of subtle urgency to make these stories from Indonesia visible in 2020. We are glad to see it in the selected short films as we would hope it will open inspiring discussion.<\/td>\n<\/tr>\n<p><!-- End Film note --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/image.jpg\" alt=\"\" width=\"500\" height=\"124\" \/><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8277\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Sunyi-Still-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Sunyi-Still-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Sunyi-Still.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>SILENCE<\/strong> (Sunyi)<\/p>\n<p>Riani Singgih \/ Indonesia \/ 2018 \/ \/ 15:54<\/p>\n<p>With the increasing tension of political discussion about human rights violations, the risk is higher for an Indonesian street mime artist, Wanggi.<\/td>\n<\/tr>\n<p><!--end film --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/image.jpg\" alt=\"\" width=\"500\" height=\"124\" \/><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8275\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/JOKO-_-BOWO-READING-VOL.-1-STILL2-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/JOKO-_-BOWO-READING-VOL.-1-STILL2-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/JOKO-_-BOWO-READING-VOL.-1-STILL2.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>JOKO &amp; BOWO READING VOL. 1 <\/strong><\/p>\n<p>I Kadek Jaya Wiguna \/ Indonesia \/ 2019 \/ \/ 14:30<\/p>\n<p>Two grandfathers act in a film as Joko and Bowo. The director and crew lose control when these actors unwittingly cloud of the script and reality.<\/td>\n<\/tr>\n<p><!--end film --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/image.jpg\" alt=\"\" width=\"500\" height=\"124\" \/><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8276\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Omah-Njero-MFW9281-1-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Omah-Njero-MFW9281-1-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Omah-Njero-MFW9281-1.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>THE LOST ROOM<\/strong> (Omah Njero)<\/p>\n<p>Gelora Yudhaswara \/ Indonesia \/ 2019 \/ \/ 24:59<\/p>\n<p>Today, the Omah Njero living room will witness more than a brother-sister quarrel.<\/td>\n<\/tr>\n<p><!--end film --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/image.jpg\" alt=\"\" width=\"500\" height=\"124\" \/><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8274\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Golden-Frames-in-the-Closet-MF620F0021-1-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Golden-Frames-in-the-Closet-MF620F0021-1-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Golden-Frames-in-the-Closet-MF620F0021-1.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>GOLDEN FRAMES IN THE CLOSET<\/strong> (Jemari Yang Menari di Atas Luka-Luka)<\/p>\n<p>Putri Sarah Amelia \/ Indonesia \/ 2019 \/ \/ 16:22<\/p>\n<p>A mortuary cosmetologist has to face a dilemma when she receives a call from a mother who had lost her child in an accident.<\/td>\n<\/tr>\n<p><!--end film --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/image.jpg\" alt=\"\" width=\"500\" height=\"124\" \/><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8273\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/BURA-MF620F0035-1-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/BURA-MF620F0035-1-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/BURA-MF620F0035-1.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>BURA<\/strong><\/p>\n<p>Eden Junjung \/ Indonesia \/ 2019 \/ \/ 12:07<\/p>\n<p>A guard leaves his post despite rumours of ninjas terrorising the town at night, to meet with his lover.<\/td>\n<\/tr>\n<p><!--end film --><\/tbody>\n<\/table><\/div><\/div>\n<p>&nbsp;<\/p>\n<p><strong>MIN\/SUN 6 September 2020<\/strong><\/p>\n<div class=\"ap_toggle close\"><div class=\"ap_toggle_title\">16:00 | ARTISAN | Duration: 84:39 | AGE RATING: 13+<\/div><div class=\"ap_toggle_content\"><table id=\"schedule\" border=\"0\" width=\"100%\">\n<tbody>\n<tr>\n<th rowspan=\"1\" width=\"25%\">DATE<\/th>\n<th width=\"10%\">SHOW TIME<\/th>\n<th width=\"35%\"><strong>VENUE<\/strong><\/th>\n<\/tr>\n<tr>\n<td rowspan=\"1\" width=\"25%\">SAB\/SAT 5<\/td>\n<td width=\"10%\">15:30<\/td>\n<td width=\"35%\"><a href=\"https:\/\/minikino.org\/filmweek\/mfw6\/rumah-sanur\/\">RUMAH SANUR CREATIVE HUB<\/a><\/td>\n<\/tr>\n<tr>\n<td rowspan=\"1\" width=\"25%\">MIN\/SUN 6<\/td>\n<td width=\"10%\">16:00<\/td>\n<td width=\"35%\"><a href=\"https:\/\/minikino.org\/filmweek\/mfw6\/umah-nusa-dua\/\">UMAH NUSA DUA<\/a><\/td>\n<\/tr>\n<tr>\n<td align=\"right\"><strong>Note<\/strong>:<\/td>\n<td><em>WITA (+8 GMT)<\/em><\/td>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h4>List Of Film<\/h4>\n<table id=\"schedule\" border=\"0\" width=\"100%\">\n<tbody><!-- Film note --><\/p>\n<tr>\n<td colspan=\"2\">ARTISAN | Duration: 84:39 | AGE RATING: 13+<\/p>\n<p>Be inspired by their high touch work, pouring all their passion and love into their art.<\/td>\n<\/tr>\n<p><!-- End Film note --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8045\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/The-Bowl-MFW9185-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/The-Bowl-MFW9185-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/The-Bowl-MFW9185.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>THE BOWL<\/strong><\/p>\n<p>Ingrid Guldenaar \/ Netherlands \/ 2019 \/ Documentary \/ 10:04<\/p>\n<p>A Dutch artist takes a closer look at her Asian roots. Does her work give enough answers or does she have to broaden her horizon?<\/p>\n<p><em>Awards\/Screenings: CinemAsia Film Festival 2019 &#8211; screening \/ Short Film Factory 2020 &#8211; Award Winner<\/em><\/td>\n<\/tr>\n<p><!--end film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8047\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/THE-VOICE-OF-BETAWI-Irama-Betawi-MFW9310-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/THE-VOICE-OF-BETAWI-Irama-Betawi-MFW9310-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/THE-VOICE-OF-BETAWI-Irama-Betawi-MFW9310.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>THE VOICE OF BETAWI<\/strong> (Irama Betawi)<\/p>\n<p>Ibrahim Hanif \/ Indonesia \/ 2019 \/ Documentary \/ 16:38<\/p>\n<p>Irama Betawi group goes around the city performing the iconic ondel-ondel art performance, despite harsh conditions on the streets.<\/p>\n<p><em>Awards\/Screenings: Festival Film Dokumenter 2019 &#8211; Nominee Short Documentary \/ Out Of Competition UCIFEST 11 (UMN &#8211; Animation and Film Festival 2020)<\/em><\/td>\n<\/tr>\n<p><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8046\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/The-Sixth-String-MF620A0010-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/The-Sixth-String-MF620A0010-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/The-Sixth-String-MF620A0010.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>THE SIXTH STRING<\/strong> (\u0645\u064a\u0633 \u0645\u0634\u0634)<\/p>\n<p>Bahram Azimi \/ Iran \/ 2019 \/ Animation \/ 14:33<\/p>\n<p>In 1926 in Tehran, a tar player is inspired by the mechanism of the early automobile which was imported to Iran those days.<\/td>\n<\/tr>\n<p><!--end film --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8043\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Forgotten-People-MFW9479-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Forgotten-People-MFW9479-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Forgotten-People-MFW9479.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>FORGOTTEN PEOPLE<\/strong><\/p>\n<p>Kenji Hayasaki \/ United States \/ 2019 \/ Documentary \/ 19:15<\/p>\n<p>An intimate look at how Navajos from different generations strive to pass their traditional values on to the future.<\/td>\n<\/tr>\n<p><!--end film --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8048\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Urban-Sphinx-Esfinge-urbana-MF620A0027-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Urban-Sphinx-Esfinge-urbana-MF620A0027-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Urban-Sphinx-Esfinge-urbana-MF620A0027.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>URBAN SPHINX<\/strong><\/p>\n<p>Mar\u00eda Lorenzo \/ Spain \/ 2020 \/ Animation, Experimental \/ 04:53<\/p>\n<p>In URBAN SPHINX are animated these pieces of ephemeral art, connecting each image in continuity like the frames of a film.<\/p>\n<p><em>Awards\/Screenings: Annecy, France Anifilm, Czech Republic<\/em><\/td>\n<\/tr>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8044\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Like-a-movie-MF620D0046-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Like-a-movie-MF620D0046-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Like-a-movie-MF620D0046.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>LIKE A MOVIE<\/strong> (Comme dans un film)<\/p>\n<p>Fanny Laure Bovet \/ Switzerland \/ 2019 \/ Documentary, Experimental \/ 19:16<\/p>\n<p>A young filmmaker documents an external and an internal journey in her family, trying to go behind words.<\/p>\n<p><em>Awards\/Screenings: WORLD PREMIERE at MFW6<\/em><\/td>\n<\/tr>\n<p><!--end film --><\/tbody>\n<\/table>\n<p><!-- SCHEDULE --><\/p><\/div><\/div>\n<div class=\"ap_toggle close\"><div class=\"ap_toggle_title\">19:00 | BITTER SWEET | Duration: 71:43 | AGE RATING: 13+<\/div><div class=\"ap_toggle_content\"><table id=\"schedule\" border=\"0\" width=\"100%\">\n<tbody>\n<tr>\n<th rowspan=\"1\" width=\"25%\">DATE<\/th>\n<th width=\"10%\">SHOW TIME<\/th>\n<th width=\"35%\"><strong>VENUE<\/strong><\/th>\n<\/tr>\n<tr>\n<td rowspan=\"1\" width=\"25%\">MIN\/SUN 6<\/td>\n<td width=\"10%\">19:00<\/td>\n<td width=\"35%\"><a href=\"https:\/\/minikino.org\/filmweek\/mfw6\/umah-nusa-dua\/\">UMAH NUSA DUA<\/a><\/td>\n<\/tr>\n<tr>\n<td rowspan=\"1\" width=\"25%\">SEL\/TUE 8<\/td>\n<td width=\"10%\">10:30<\/td>\n<td width=\"35%\"><a href=\"https:\/\/minikino.org\/filmweek\/mfw6\/mash-denpasar\/\">MASH DENPASAR<\/a><\/td>\n<\/tr>\n<tr>\n<td align=\"right\"><strong>Note<\/strong>:<\/td>\n<td><em>WITA (+8 GMT)<\/em><\/td>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h4>List Of Film<\/h4>\n<table id=\"schedule\" border=\"0\" width=\"100%\">\n<tbody><!-- Film note --><\/p>\n<tr>\n<td colspan=\"2\">BITTER SWEET | Duration: 71:43 | AGE RATING: 13+<\/p>\n<p>Stay positive with our hopes and dreams, life sometimes bitter but short and sweet indeed.<\/td>\n<\/tr>\n<p><!-- End Film note --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-7994\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Age-of-Bryce-MFW9496-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Age-of-Bryce-MFW9496-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Age-of-Bryce-MFW9496.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>AGE OF BRYCE<\/strong><\/p>\n<p>David Feagan, Brian Elliott \/ United States \/ 2019 \/ Fiction \/ 09:50<\/p>\n<p>Smothered by an adoring, over-protective mom, 12-year old Bryce Yancy Paul (Bip) is pushed to the brink of pubescent revolution.<\/p>\n<p><em>Awards\/Screenings: Best Comedy Short \u2013 Garden State Film Festival \/ Special Jury Prize \u2013 Oxford Film Festival<\/em><\/td>\n<\/tr>\n<p><!--end film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-7996\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Rain-Snorkel-Green-Beans-MFW9423-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Rain-Snorkel-Green-Beans-MFW9423-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Rain-Snorkel-Green-Beans-MFW9423.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>RAIN, SNORKEL &amp; GREEN BEANS<\/strong><\/p>\n<p>Yavuz Aky\u0131ld\u0131z \/ Turkey \/ 2020 \/ \/ 19:10<\/p>\n<p>There are highly valid reasons for being where everyone is in life &#8230; probably!<\/p>\n<p><em>Awards\/Screenings: KFYD Short Film Festival (Turkey, Top Shorts) \/ El Ojo cojo Film Festival (Spain)<\/em><\/td>\n<\/tr>\n<p><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-7998\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Ties-07-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Ties-07-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Ties-07.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>TIES <\/strong><\/p>\n<p>Dina Velikovskaya \/ Germany &amp; Russia \/ 2019 \/ Animation \/ 07:35<\/p>\n<p>A young woman leaves the parental home to see the world. By leaving, she puts it at risk.<\/p>\n<p><em>Awards\/Screenings: Dok Leipzig 2019 &#8211; Mephisto 97.6 audience award (Best animation film in the Official selection)I nterfilm &#8211; Best Film<\/em><\/td>\n<\/tr>\n<p><!--end film --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-7995\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Kemanten-INTO-THE-HAPPINESS-MFW9470-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Kemanten-INTO-THE-HAPPINESS-MFW9470-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Kemanten-INTO-THE-HAPPINESS-MFW9470.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>KEMANTEN<\/strong> (Into The Happiness)<\/p>\n<p>Imam Syafii \/ Indonesia \/ 2019 \/ Fiction \/ 15:08<\/p>\n<p>Losing is painful, but loss is normal in life. then what if the loss is present when the figure of Lilis must be happy.<\/td>\n<\/tr>\n<p><!--end film --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-7997\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Teen-horses-MF620F0112-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Teen-horses-MF620F0112-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Teen-horses-MF620F0112.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>TEEN HORSES<\/strong><\/p>\n<p>Val\u00e9rie Leroy \/ France \/ 2019 \/ Fiction \/ 20:00<\/p>\n<p>After her parent\u2019s divorce, Tania, 14 years old, starts a new life when she arrives during the year in a new French middle school.<\/td>\n<\/tr>\n<p><!--end film --><\/tbody>\n<\/table>\n<p><!-- SCHEDULE --><\/p><\/div><\/div>\n<p>&nbsp;<\/p>\n<p><strong>SEN\/MON 7 September 2020<\/strong><\/p>\n<div class=\"ap_toggle close\"><div class=\"ap_toggle_title\">17:30 | LINGER | Duration: 84:17 | AGE RATING: 17+<\/div><div class=\"ap_toggle_content\"><table id=\"schedule\" border=\"0\" width=\"100%\">\n<tbody>\n<tr>\n<th rowspan=\"1\" width=\"25%\">DATE<\/th>\n<th width=\"10%\">SHOW TIME<\/th>\n<th width=\"35%\"><strong>VENUE<\/strong><\/th>\n<\/tr>\n<tr>\n<td rowspan=\"1\" width=\"25%\">SAB\/SAT 5<\/td>\n<td width=\"10%\">19:00<\/td>\n<td width=\"35%\"><a href=\"https:\/\/minikino.org\/filmweek\/mfw6\/mash-denpasar\/\">MASH DENPASAR<\/a><\/td>\n<\/tr>\n<tr>\n<td rowspan=\"1\" width=\"25%\">SEN\/MON 7<\/td>\n<td width=\"10%\">17:30<\/td>\n<td width=\"35%\"><a href=\"https:\/\/minikino.org\/filmweek\/mfw6\/umah-nusa-dua\/\">UMAH NUSA DUA<\/a><\/td>\n<\/tr>\n<tr>\n<td align=\"right\"><strong>Note<\/strong>:<\/td>\n<td><em>WITA (+8 GMT)<\/em><\/td>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h4>List Of Film<\/h4>\n<table id=\"schedule\" border=\"0\" width=\"100%\">\n<tbody><!-- Film note --><\/p>\n<tr>\n<td colspan=\"2\">LINGER | Duration: 84:17 | AGE RATING: 17+<\/p>\n<p>Let\u2019s taste the mood lingers in our mind Instead of wondering why they don\u2019t get it right.<\/td>\n<\/tr>\n<p><!-- End Film note --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8146\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/The-Son-MF620F0042-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/The-Son-MF620F0042-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/The-Son-MF620F0042.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>THE SON<\/strong> (\u5152\u5b50)<\/p>\n<p>Cheong Chi Wai \/ China, Macau \/ 2019 \/ Fiction \/ 11:26<\/p>\n<p>She is young. She has a son. She falls in love with a married man. Between family and love, there is no way to go.<\/p>\n<p><em>Awards\/Screenings: FIRST International Film Festival<\/em><\/td>\n<\/tr>\n<p><!--end film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8147\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/When-You-Grow-Up-MFW9038-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/When-You-Grow-Up-MFW9038-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/When-You-Grow-Up-MFW9038.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>WHEN YOU GROW UP<\/strong> (Als Je Later Groot Bent)<\/p>\n<p>Max Baggermann \/ Netherlands \/ 2019 \/ Documentary \/ 21:14<\/p>\n<p>Ann absurd portrait of a working day, that makes you wonder what it means to be human in a work-driven society.<\/td>\n<\/tr>\n<p><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8144\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/GUARD-DOG-MF620F0047-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/GUARD-DOG-MF620F0047-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/GUARD-DOG-MF620F0047.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>GUARD DOG<\/strong> (Chien De Garde)<\/p>\n<p>Sarah Angelini \/ France \/ 2019 \/ Fiction \/ 15:59<\/p>\n<p>Louise, 14, keeps a look-out while her sister is having a relationship with a married man.<\/p>\n<p><em>Awards\/Screenings: WORLD PREMIERE at MFW6<\/em><\/td>\n<\/tr>\n<p><!--end film --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8145\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Selkinchek-The-Swing-MFW9134-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Selkinchek-The-Swing-MFW9134-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Selkinchek-The-Swing-MFW9134.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>SELKINCHEK<\/strong> (The Swing)<\/p>\n<p>Samara Sagynbaeva \/ Kyrgyzstan \/ 2019 \/ Fiction \/ 20:38<\/p>\n<p>Winter in Kyrgyzstan: not only the school must be heated, at home the granddaughter is cold.<\/td>\n<\/tr>\n<p><!--end film --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8143\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/A-Thousand-Sails-MFW9517-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/A-Thousand-Sails-MFW9517-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/A-Thousand-Sails-MFW9517.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>A THOUSAND SAILS<\/strong> (\u6728\u5df2\u6210\u821f)<\/p>\n<p>TSANG Hing Weng Eric \/ Hong Kong \/ 2019 \/ Fiction \/ 15:00<\/p>\n<p>Solitary old lady REN is asked by a disabled neighbour to send some gifts to his son in the city and brought a secret of him back.<\/p>\n<p><em> Awards\/Screenings: Sundance Film Festival 2020 \/ The 37th Busan International Short Film Festival<\/em><\/td>\n<\/tr>\n<p><!--end film --><\/tbody>\n<\/table>\n<p><!-- SCHEDULE --><\/p><\/div><\/div>\n<div class=\"ap_toggle close\"><div class=\"ap_toggle_title\">20:00 | THE RAINBOW | Duration: 90:43 | AGE RATING: 17+<\/div><div class=\"ap_toggle_content\"><table id=\"schedule\" border=\"0\" width=\"100%\">\n<tbody>\n<tr>\n<th rowspan=\"1\" width=\"25%\">DATE<\/th>\n<th width=\"10%\">SHOW TIME<\/th>\n<th width=\"35%\"><strong>VENUE<\/strong><\/th>\n<\/tr>\n<tr>\n<td rowspan=\"1\" width=\"25%\">SEN\/MON 7<\/td>\n<td width=\"10%\">20:00<\/td>\n<td width=\"35%\"><a href=\"https:\/\/minikino.org\/filmweek\/mfw6\/umah-nusa-dua\/\">UMAH NUSA DUA<\/a><\/td>\n<\/tr>\n<tr>\n<td rowspan=\"1\" width=\"25%\">JUM\/FRI 11<\/td>\n<td width=\"10%\">19:00<\/td>\n<td width=\"35%\"><a href=\"https:\/\/minikino.org\/filmweek\/mfw6\/mash-denpasar\/\">MASH DENPASAR<\/a><\/td>\n<\/tr>\n<tr>\n<td align=\"right\"><strong>Note<\/strong>:<\/td>\n<td><em>WITA (+8 GMT)<\/em><\/td>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h4>List Of Film<\/h4>\n<table id=\"schedule\" border=\"0\" width=\"100%\">\n<tbody><!-- Film note --><\/p>\n<tr>\n<td colspan=\"2\">THE RAINBOW | Duration: 90:43 | AGE RATING: 17+<\/p>\n<p>Love in a spectrum of colors regardless of society control.<\/td>\n<\/tr>\n<p><!-- End Film note --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-7990\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/CALIFORNIA-DREAMING-MFW9197-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/CALIFORNIA-DREAMING-MFW9197-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/CALIFORNIA-DREAMING-MFW9197.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>CALIFORNIA DREAMING<\/strong> (Soben California)<\/p>\n<p>Sreylin Meas \/ Cambodia \/ 2019 \/ Fiction \/ 16:00<\/p>\n<p>Two women from different backgrounds encounter one another at an oceanfront resort and discover a hidden bond.<\/p>\n<p><em> Awards\/Screenings: Special Mention; Singapore International Film Festival 2019 (Singapore) \/ Tampere Film Festival 2020 (Finland)<\/em><\/td>\n<\/tr>\n<p><!--end film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-7988\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/A-Cohabitation-MF620F0070-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/A-Cohabitation-MF620F0070-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/A-Cohabitation-MF620F0070.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>A COHABITATION<\/strong> (\u65b0\u5c45\u5165\u4f19)<\/p>\n<p>Tung Wei Ye \/ Taiwan \/ 2019 \/ Fiction \/ 18:15<\/p>\n<p>In 2013 Taipei, a gay couple are forced to separate because one of them who is a Malaysian has HIV and is forced to be deported.<\/p>\n<p><em>Awards\/Screenings: Queer-Streifen Regensburg World Aids Programme \/ 11th KASHISH Mumbai International Queer Film Festival Student Film Competition Official Selection<\/em><\/td>\n<\/tr>\n<p><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-7989\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/BALTRINGUE-Freed-MF620F0075-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/BALTRINGUE-Freed-MF620F0075-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/BALTRINGUE-Freed-MF620F0075.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>BALTRINGUE<\/strong><\/p>\n<p>Josza Anjembe \/ France \/ 2019 \/ Fiction \/ 20:00<\/p>\n<p>After two years in jail, Issa is about to get out when he mets Ga\u00ebtan, a young inmate who has not served his sentence yet.<\/p>\n<p><em>Awards\/Screenings: France T\u00e9l\u00e9visions 2020 Award \/ European Film festival 2020, Lille <\/em><\/td>\n<\/tr>\n<p><!--end film --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-7992\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Tomorrow-island-MFW9148-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Tomorrow-island-MFW9148-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Tomorrow-island-MFW9148.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>TOMORROW ISLAND<\/strong><\/p>\n<p>Gwenn Joyaux \/ Estonia \/ 2018 \/ \/ 16:28<\/p>\n<p>Love defies borders<\/p>\n<p><em>Awards\/Screenings: 1st prize, Best Short Film, Pr\u00e9mio Sophia Estudante, Portugal (2018) &amp; Winner GOLD Best Short \u2013 Love is Love, Queenpalm International Film Festival (2019)<\/em><\/td>\n<\/tr>\n<p><!--end film --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-7991\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Madrid-Estocolmo-MF620F0074-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Madrid-Estocolmo-MF620F0074-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Madrid-Estocolmo-MF620F0074.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>MADRID &#8211; ESTOCOLMO<\/strong> (Madrid \u2013 Stockholm)<\/p>\n<p>Antonio Ledesma Vila, Carmen Kaltchev Soto \/ Spain \/ 2019 \/ Fiction \/ 19:45<\/p>\n<p>Night falls in Madrid, Eva and Mar\u00eda\u2019s eyes cross paths.<\/p>\n<p><em>Awards\/Screenings: Festival de cine de Madrid PNR \/ Roze FilmDagen Amsterdam LGBTQ Film Festival 2020<\/em><\/td>\n<\/tr>\n<p><!--end film --><\/tbody>\n<\/table>\n<p><!-- SCHEDULE --><\/p><\/div><\/div>\n<p>&nbsp;<\/p>\n<p><strong>SEL\/TUE 8 September 2020<\/strong><\/p>\n<div class=\"ap_toggle close\"><div class=\"ap_toggle_title\">17:30 | S-EXPRESS 2020 MYANMAR | Duration: 60:17 | AGE RATING: 17+<\/div><div class=\"ap_toggle_content\"><h3><!-- SCHEDULE -->\n<strong>S-EXPRESS 2020 MYANMAR<\/strong><\/h3>\n<table id=\"schedule\" border=\"0\" width=\"100%\">\n<tbody>\n<tr>\n<th rowspan=\"1\" width=\"25%\">DATE<\/th>\n<th width=\"10%\">SHOW TIME<\/th>\n<th width=\"35%\"><strong>VENUE<\/strong><\/th>\n<\/tr>\n<tr>\n<td rowspan=\"1\" width=\"25%\">SEL\/TUE 8<\/td>\n<td width=\"10%\">13:00<\/td>\n<td width=\"35%\"><a href=\"https:\/\/minikino.org\/filmweek\/mfw6\/irama-indah\/\">IRAMA INDAH, MINIHALL<\/a><\/td>\n<\/tr>\n<tr>\n<td rowspan=\"1\" width=\"25%\">SEL\/TUE 8<\/td>\n<td width=\"10%\">17:30<\/td>\n<td width=\"35%\"><a href=\"https:\/\/minikino.org\/filmweek\/mfw6\/umah-nusa-dua\/\">UMAH NUSA DUA<\/a><\/td>\n<\/tr>\n<tr>\n<td align=\"right\"><strong>Note<\/strong>:<\/td>\n<td><em>WITA (+8 GMT)<\/em><\/td>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<table id=\"schedule\" border=\"0\" width=\"100%\">\n<tbody><!-- Film note --><\/p>\n<tr>\n<td colspan=\"2\">SX2020 MYANMAR | Duration: 60:17 | AGE RATING: 17+<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-thumbnail wp-image-8506\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/08\/Myanmar_Thaiddhi-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/08\/Myanmar_Thaiddhi-150x150.jpg 150w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/08\/Myanmar_Thaiddhi.jpg 189w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/>Programmer: Thaiddhi\nFilmmaker and Program Director for\nWathann Film Festival, Myanmar. Focus\non Film Education and Independent film\ndevelopment in Myanmar.<\/p>\n<p>This program focus on Young and independet filmmakers from Myanmar and Winning films of Wathann Film Festival 2019<\/td>\n<\/tr>\n<p><!-- End Film note --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/image.jpg\" alt=\"\" width=\"500\" height=\"124\" \/><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8283\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/02-ACCEPTANCE-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/02-ACCEPTANCE-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/02-ACCEPTANCE.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>ACCEPTANCE<\/strong> (Eait Tan Pyan Nghat)<\/p>\n<p>Nyi Zaw Htway \/ Myanmar \/ 2019 \/ \/ 16:48<\/p>\n<p>An aging woman reconsiders her role in the family in the wake of an incident with her daughter-in-law.<\/td>\n<\/tr>\n<p><!--end film --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/image.jpg\" alt=\"\" width=\"500\" height=\"124\" \/><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8285\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/04-BETWEEN-JAR-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/04-BETWEEN-JAR-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/04-BETWEEN-JAR.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>BETWEEN<\/strong> (Jar)<\/p>\n<p>Than Lwin Oo \/ Myanmar \/ 2019 \/ \/ 07:37<\/p>\n<p>A backyard street. A boy and a girl. A life.<\/td>\n<\/tr>\n<p><!--end film --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/image.jpg\" alt=\"\" width=\"500\" height=\"124\" \/><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8282\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/01-WHISPERS-OF-SILENCE-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/01-WHISPERS-OF-SILENCE-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/01-WHISPERS-OF-SILENCE.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>WHISPERS OF SILENCE<\/strong> (Kaw Than Toe Tate)<\/p>\n<p>Zaw Bo Bo Hein, Mg Bhone \/ Myanmar \/ 2018 \/ 18:22<\/p>\n<p>During Thingyan Festival, a woman has to struggle between her attachment to her husband and empathy for his loneliness<\/td>\n<\/tr>\n<p><!--end film --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/image.jpg\" alt=\"\" width=\"500\" height=\"124\" \/><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8284\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/03-WASTED-SATE-HTI-KHITE-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/03-WASTED-SATE-HTI-KHITE-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/03-WASTED-SATE-HTI-KHITE.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>1\/4 WASTED<\/strong> (Sate Hti Khite)<\/p>\n<p>Myo Thar Khin \/ Myanmar \/ 2019 \/ 17:30<\/p>\n<p>Story of a yound man who no longer wants to know about existing things in the non-existence, and his return to native home<\/td>\n<\/tr>\n<p><!--end film --><\/tbody>\n<\/table><\/div><\/div>\n<div class=\"ap_toggle close\"><div class=\"ap_toggle_title\">20:00 | MUSE | Duration: 78:57 | AGE RATING: 17+<\/div><div class=\"ap_toggle_content\"><table id=\"schedule\" border=\"0\" width=\"100%\">\n<tbody>\n<tr>\n<th rowspan=\"1\" width=\"25%\">DATE<\/th>\n<th width=\"10%\">SHOW TIME<\/th>\n<th width=\"35%\"><strong>VENUE<\/strong><\/th>\n<\/tr>\n<tr>\n<td rowspan=\"1\" width=\"25%\">SEN\/MON 7<\/td>\n<td width=\"10%\">19:30<\/td>\n<td width=\"35%\"><a href=\"https:\/\/minikino.org\/filmweek\/mfw6\/mash-denpasar\/\">MASH DENPASAR<\/a><\/td>\n<\/tr>\n<tr>\n<td rowspan=\"1\" width=\"25%\">SEL\/TUE 8<\/td>\n<td width=\"10%\">20:00<\/td>\n<td width=\"35%\"><a href=\"https:\/\/minikino.org\/filmweek\/mfw6\/umah-nusa-dua\/\">UMAH NUSA DUA<\/a><\/td>\n<\/tr>\n<tr>\n<td align=\"right\"><strong>Note<\/strong>:<\/td>\n<td><em>WITA (+8 GMT)<\/em><\/td>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h4>List Of Film<\/h4>\n<table id=\"schedule\" border=\"0\" width=\"100%\">\n<tbody><!-- Film note --><\/p>\n<tr>\n<td colspan=\"2\">MUSE | Duration: 78:57 | AGE RATING: 17+<\/p>\n<p>Stories that tug our hearts, souls and minds.<\/td>\n<\/tr>\n<p><!-- End Film note --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-7982\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/The-Golden-Age-MFW9180-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/The-Golden-Age-MFW9180-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/The-Golden-Age-MFW9180.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>THE GOLDEN AGE<\/strong> (L\u2019\u00c2ge d\u2019Or )<\/p>\n<p>Eric Minh Cuong Castaing \/ France \/ 2018 \/ Documentary, Experimental \/ 19:46<\/p>\n<p>Children with motor disabilities experiment with various dance techniques and virtual reality glasses to see what dancers see.<\/p>\n<p><em>Awards\/Screenings: &#8211; Festival International du Film sur l\u2019Art (Montr\u00e9al, Canada ; Aesthetica Short Film Festival 2019 (York, Royaume-Uni), Nov. 2019<\/em><\/td>\n<\/tr>\n<p><!--end film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-7985\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/When-Light-Fades-MFW9519-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/When-Light-Fades-MFW9519-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/When-Light-Fades-MFW9519.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>WHEN LIGHT FADES<\/strong><\/p>\n<p>Daan Groot \/ Netherlands \/ 2020 \/ Fiction \/ 11:03<\/p>\n<p>As a boy spirals into isolation, it\u2019s getting harder for him to resist the visions of an offered escape.<\/td>\n<\/tr>\n<p><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-7981\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Land-of-destricts-MF620D0011-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Land-of-destricts-MF620D0011-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Land-of-destricts-MF620D0011.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>LAND OF DESTRICTS<\/strong> (Land der Gegenden)<\/p>\n<p>Andreas Gruetzner \/ Germany \/ 2019 \/ Experimental \/ 04:36<\/p>\n<p>Footage from 1973, shot in an Institution in Germany, where back then people lived, who were judged to be mentally sick.<\/p>\n<p><em>Awards\/Screenings: Best political shorfilm at the Shorfilmweek Regendburg \/ GermanyAward for a particularly valuable film &#8211; FBW Germany<\/em><\/td>\n<\/tr>\n<p><!--end film --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-7986\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/When-You-Lost-And-Lose-MFW9221-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/When-You-Lost-And-Lose-MFW9221-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/When-You-Lost-And-Lose-MFW9221.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>WHEN YOU LOST AND LOSE<\/strong><\/p>\n<p>Daniel Victory \/ Indonesia \/ 2019 \/ Experimental \/ 05:12<\/p>\n<p>Mawar missed her husband who was kidnapped in 1998. For 21 years, she never realized that he always been with her in another form.<\/p>\n<p><em>Awards\/Screenings: Anugerah Angsa Emas UI Film Festival \/ In Competition 15th Indonesia Film Festival 2020<\/em><\/td>\n<\/tr>\n<p><!--end film --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-7980\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Afterlife-MFW9251-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Afterlife-MFW9251-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Afterlife-MFW9251.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>AFTERLIFE<\/strong><\/p>\n<p>Pavel Ruzyak \/ Russian Federation \/ 2019 \/ Documentary \/ 09:00<\/p>\n<p>How we treat others during our lifetime is how they will treat our memory when we are no longer alive.<\/p>\n<p><em>Awards\/Screenings: Kustendorf Int. Film Festival, Belgrade, Serbia, 2020 Film Selected.<\/em><\/td>\n<\/tr>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-7983\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/The-Tent-MF620F0111-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/The-Tent-MF620F0111-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/The-Tent-MF620F0111.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>THE TENT<\/strong> (Teltet)<\/p>\n<p>Rebecca Figenschau \/ Norway \/ 2019 \/ Fiction \/ 16:50<\/p>\n<p>A shocking secret is forced to the surface as a dysfunctional family are struggling to put up a tent.<\/p>\n<p><em>Awards\/Screenings: Encounters short film festival, Bristol, UK. Encounters Grand Prix Award 2019. Kortfilmfestival Leuven, Belgium, International competition Award, 2019<\/em><\/td>\n<\/tr>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-7984\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/TO-THE-DUSTY-SEA-A-la-mer-poussiere-MF620A0041-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/TO-THE-DUSTY-SEA-A-la-mer-poussiere-MF620A0041-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/TO-THE-DUSTY-SEA-A-la-mer-poussiere-MF620A0041.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>TO THE DUSTY SEA<\/strong> (\u00c0 La Mer Poussi\u00e8re)<\/p>\n<p>H\u00e9lo\u00efse Ferlay \/ France \/ 2020 \/ Animation \/ 12:30<\/p>\n<p>Left alone in the deepest of the summer, Malo and Zoe are trying their best to catch their mother\u2019s elusive eye.<\/p>\n<p><em>Awards\/Screenings: screening in the Annecy International Animation Festival<strong>.<\/strong><\/em><\/td>\n<\/tr>\n<p><!--end film --><\/tbody>\n<\/table>\n<p><!-- SCHEDULE --><\/p><\/div><\/div>\n<p>&nbsp;<\/p>\n<p><strong>RAB\/WED 9 September 2020<\/strong><\/p>\n<div class=\"ap_toggle close\"><div class=\"ap_toggle_title\">17:30 | <strong>BEGADANG 2020 SHOWCASE SCREENING | <\/strong>Duration: 56:34 | AGE RATING: 13+<\/div><div class=\"ap_toggle_content\"><p>Begadang Filmmaking Competition 2020, the Official Selected and Nominated Films Screening<\/p>\n<p>BEGADANG FILMMAKING COMPETITION is a National competition, its participants are the holders of Indonesian KTP or Passport.<\/p>\n<p>The Competition challenge participants to produce a short fiction film project within 34 hours. Furthermore, they are required to respond to some cinematic elements to be used in production. This year&#8217;s elements are;<\/p>\n<ul>\n<li>Maximum of 3 shots allowed in the final film<\/li>\n<li>No musical instruments allowed to be used in the score<\/li>\n<li>A Scene that showing something is falling down and making a noise\/sound<\/li>\n<li>A Scene that shows the activity of turning on a light source<\/li>\n<\/ul>\n<p>The \u201cBEGADANG FILMMAKING COMPETITION 2020\u201d takes place on\u00a0Saturday 25 July 2020, 8:00 WITA\u00a0and the final film must be submitted\u00a0before 26 July 2020, 18:00 WITA.<\/p>\n<p>Schedule:<\/p>\n<table id=\"schedule\" border=\"0\" width=\"100%\">\n<tbody>\n<tr>\n<th rowspan=\"1\" width=\"25%\">DATE<\/th>\n<th width=\"10%\">SHOW TIME<\/th>\n<th width=\"35%\"><strong>VENUE<\/strong><\/th>\n<\/tr>\n<tr>\n<td rowspan=\"1\" width=\"25%\">SAB\/SAT 5<\/td>\n<td width=\"10%\">19:30<\/td>\n<td width=\"35%\"><a href=\"https:\/\/minikino.org\/filmweek\/mfw6\/sang-karsa\/\">RUMAH FILM SANG KARSA<\/a><\/td>\n<\/tr>\n<tr>\n<td rowspan=\"1\" width=\"25%\">RAB\/WED 9<\/td>\n<td width=\"10%\">17:30<\/td>\n<td width=\"35%\"><a href=\"https:\/\/minikino.org\/filmweek\/mfw6\/umah-nusa-dua\/\">UMAH NUSA DUA<\/a><\/td>\n<\/tr>\n<tr>\n<td rowspan=\"1\" width=\"25%\">JUM\/FRI 11<\/td>\n<td width=\"10%\">14:00<\/td>\n<td width=\"35%\"><a href=\"https:\/\/minikino.org\/filmweek\/mfw6\/mash-denpasar\/\">MASH DENPASAR<\/a><\/td>\n<\/tr>\n<tr>\n<td align=\"right\"><strong>Note<\/strong>:<\/td>\n<td><em>WITA (+8 GMT)<\/em><\/td>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h4><strong>\u00a0List Of Film<\/strong><\/h4>\n<hr \/>\n<table width=\"100%\">\n<tbody>\n<tr>\n<td><strong><img decoding=\"async\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/08\/pot-ninetysix.jpg\" width=\"100%\" \/><\/strong><\/p>\n<p><strong>POT<\/strong>\nGandhi Bramayusa \/ Indonesia \/ 2020 \/ 03:54<\/p>\n<p>Sebuah kisah tentang pot yang mempertemukan seorang laki-laki dan perempuan\n<em>A story about a vase that brings a man and a woman together<\/em>\n&#8211;\n<strong>Awards\/Screenings: Nominated<\/strong><\/td>\n<\/tr>\n<tr>\n<td><strong><img decoding=\"async\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/08\/merokok-membunuhmu.jpg\" width=\"100%\" \/><\/strong><\/p>\n<p><strong>MEROKOK MEMBUNUHMU<\/strong>\nHare Kurniawan \/ Indonesia \/ 2020 \/ 05:16<\/p>\n<p>Mama ingin berkumpul dengan anak-anaknya sebelum ia menghirup rokok terakhirnya.\n<em>Mama wants to hang out with her children before she breathes in her last cigarette.<\/em><\/td>\n<\/tr>\n<tr>\n<td><strong><img decoding=\"async\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/08\/midnight-glitch-still.jpg\" width=\"100%\" \/><\/strong><\/p>\n<p><strong>MIDNIGHT GLITCH<\/strong>\nAzalia Muchransyah \/ Indonesia \/ 2020 \/ 03:00<\/p>\n<p>Ada sedikit error dalam system. Dan terjadi malam hari.\n<em>There is a glitch in the system. And it happens at midnight.<\/em>\n&#8211;\n<strong>Awards\/Screenings: Nominated<\/strong><\/td>\n<\/tr>\n<tr>\n<td><strong><img decoding=\"async\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/08\/dompet.jpg\" width=\"100%\" \/><\/strong><\/p>\n<p><strong>DOMPET? DOMPET! DOMPET.<\/strong>\nSteven Vicky Sumbodo \/ Indonesia \/ 2020 \/ 04:24<\/p>\n<p>Seorang pemuda yang melihat sebuah dompet jatuh dan berniat mencurinya.\n<em>A young man who saw a wallet fell and intends to steal it.<\/em>\n&#8211;\n<strong>Awards\/Screenings: Nominated<\/strong><\/td>\n<\/tr>\n<tr>\n<td><strong><img decoding=\"async\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/08\/kursi_menjanganproduction.jpg\" width=\"100%\" \/><\/strong><\/p>\n<p><strong>KURSI<\/strong>\nKinan Ghifari Ramayulis \/ Indonesia \/ 2020 \/ 02:02<\/p>\n<p>Seorang figur misogini, yang sedang menyekap seorang wanita menggunakan sebuah kursi.\n<em>A misogyny is tied up a woman in a chair.<\/em><\/td>\n<\/tr>\n<tr>\n<td><strong><img decoding=\"async\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/08\/hey-guys-kembali-lagi.jpg\" width=\"100%\" \/><\/strong><\/p>\n<p><strong>HAI GUYS BALIK LAGI SAMA GUE, TUHAN!<\/strong>\nWinner Wijaya \/ Indonesia \/ 2020 \/ 04:30<\/p>\n<p>Bagaimana jika netizen adalah Tuhan?\n<em>What if netizens are God?<\/em>\n&#8211;\n<strong>Awards\/Screenings: Nominated<\/strong><\/td>\n<\/tr>\n<tr>\n<td><strong><img decoding=\"async\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/08\/hostage.jpg\" width=\"100%\" \/><\/strong><\/p>\n<p><strong>HOSTAGE<\/strong>\nRobby Saputra \/ Indonesia \/ 2020 \/ 05:00<\/p>\n<p>Penyanderaan ahli virologi muda oleh agen mercenary untuk mendapatkan vaksin dengan tujuan bisnis.\n<em>Hostage of young virologists by mercenary agents to get vaccines for business purposes.<\/em><\/td>\n<\/tr>\n<tr>\n<td><strong><img decoding=\"async\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/08\/bipolar-still.jpg\" width=\"100%\" \/><\/strong><\/p>\n<p><strong>BIPOLAR<\/strong>\nPutri Sri Aryana \/ Indonesia \/ 2020 \/ 05:35<\/p>\n<p>Galih didiagnosa memiliki gangguan afektif bipolar. Sejak itu, ia selalu mencari bagian lain dirinya.\n<em>Galih was diagnosed as bipolar affective disorder. He has always been looking for other parts of himself.<\/em><\/td>\n<\/tr>\n<tr>\n<td><strong><img decoding=\"async\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/08\/ngitung-dina.jpg\" width=\"100%\" \/><\/strong><\/p>\n<p><strong>NGITUNG DINA<\/strong>\nDaku Aditya \/ Indonesia \/ 2020 \/ 05:17<\/p>\n<p>Beberapa warga mencari solusi dari pasangan muda yang ingin menikah namun terhalang dengan perhitungan weton\n<em>A community sought solutions from young couples who wanted to get married, but were burdened by a Weton calculation<\/em><\/td>\n<\/tr>\n<tr>\n<td><strong><img decoding=\"async\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/08\/shit-happens.jpg\" width=\"100%\" \/><\/strong><\/p>\n<p><strong>SHIT HAPPENS<\/strong>\nConrad Pamungkas \/ Indonesia \/ 2020 \/ 05:15<\/p>\n<p>Seorang ayah berusaha membeli televisi baru untuk putrinya yang masih kecil\n<em>A father wants to get a new television for his young daughter<\/em><\/td>\n<\/tr>\n<tr>\n<td><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-8428\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/08\/fridaynightshift-1.jpg\" alt=\"\" width=\"763\" height=\"189\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/08\/fridaynightshift-1.jpg 763w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/08\/fridaynightshift-1-300x74.jpg 300w\" sizes=\"auto, (max-width: 763px) 100vw, 763px\" \/><\/p>\n<p><strong>FRIDAY NIGHT SHIFT<\/strong>\nAgung Aksara Putra \/ Indonesia \/ 2020 \/ 03:48<\/p>\n<p>Seorang karyawan datang ke kantornya untuk bekerja di shift malam. Dirinya mungkin tidak sendirian.\n<em>An employee work on the night shift. He might not be alone.<\/em><\/td>\n<\/tr>\n<tr>\n<td><strong><img decoding=\"async\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/08\/ikan-ikan-masa-lalu.jpg\" width=\"100%\" \/><\/strong><\/p>\n<p><strong>IKAN-IKAN MASA LALU<\/strong>\nWayan Martino \/ Indonesia \/ 2020 \/ 04:57<\/p>\n<p>Percakapan Seorang pemancing dan Seseorang Pemuda yang berkeluh kesah tentang masa lalu pembantaian 65.\n<em>Conversation of a fishermen and a young man who complained about the 65 massacre.<\/em><\/td>\n<\/tr>\n<tr>\n<td><strong><img decoding=\"async\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/08\/momo-still.jpg\" width=\"100%\" \/><\/strong><\/p>\n<p><strong>MOMO<\/strong>\nAngelico Dominic, Qiu Mattane Lao \/ Indonesia \/ 2020 \/ 03:36<\/p>\n<p>Momo, seekor anjing yang mendambakan kebebasan\n<em>Momo, a dog that cry out for freedom<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div><\/div>\n<div class=\"ap_toggle close\"><div class=\"ap_toggle_title\">20:00 | ALL THAT SHE WANTS | Duration: 89:43 | AGE RATING: 17+<\/div><div class=\"ap_toggle_content\"><table id=\"schedule\" border=\"0\" width=\"100%\">\n<tbody>\n<tr>\n<th rowspan=\"1\" width=\"25%\">DATE<\/th>\n<th width=\"10%\">SHOW TIME<\/th>\n<th width=\"35%\"><strong>VENUE<\/strong><\/th>\n<\/tr>\n<tr>\n<td rowspan=\"1\" width=\"25%\">SAB\/SAT 5<\/td>\n<td width=\"10%\">21:15<\/td>\n<td width=\"35%\"><a href=\"https:\/\/minikino.org\/filmweek\/mfw6\/mash-denpasar\/\">MASH DENPASAR<\/a><\/td>\n<\/tr>\n<tr>\n<td rowspan=\"1\" width=\"25%\">RAB\/WED 9<\/td>\n<td width=\"10%\">20:00<\/td>\n<td width=\"35%\"><a href=\"https:\/\/minikino.org\/filmweek\/mfw6\/umah-nusa-dua\/\">UMAH NUSA DUA<\/a><\/td>\n<\/tr>\n<tr>\n<td align=\"right\"><strong>Note<\/strong>:<\/td>\n<td><em>WITA (+8 GMT)<\/em><\/td>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h4>List Of Film<\/h4>\n<table id=\"schedule\" border=\"0\" width=\"100%\">\n<tbody><!-- Film note --><\/p>\n<tr>\n<td colspan=\"2\">ALL THAT SHE WANTS | Duration: 89:43 | AGE RATING: 17+<\/p>\n<p>A subtle yearning to embrace life, love and relationship.<\/td>\n<\/tr>\n<p><!-- End Film note --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8099\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/HER-MIRRORS-MFW9023-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/HER-MIRRORS-MFW9023-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/HER-MIRRORS-MFW9023.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>HER MIRRORS<\/strong><\/p>\n<p>Moe Myat May Zarchi \/ Myanmar \/ 2019 \/ Experimental \/ 14:38<\/p>\n<p>An impressionistic state-of-mind piece of a decay of young woman enclosed in a dollhouse, because of her vanity.<\/p>\n<p><em>Awards\/Screenings: WORLD PREMIERE at MFW6<\/em><\/td>\n<\/tr>\n<p><!--end film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8098\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Ertidad-MFW9354-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Ertidad-MFW9354-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Ertidad-MFW9354.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>ERTIDAD<\/strong> (GOIN SOUTH) (Ertidad \u062f\u0627\u062f\u062a\u0631\u0625)<\/p>\n<p>Mohammed Alhamoud \/ Saudi Arabia \/ 2019 \/ \/ 14:00<\/p>\n<p>A newlywed couple find themselves outside their comfort zones goin\u2019 south.<\/p>\n<p><em>Awards\/Screenings: Clermont-Ferrand International Short Film Festival \/ Cleveland International Film Festival<\/em><\/td>\n<\/tr>\n<p><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8101\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/tryphoon-pharalde-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/tryphoon-pharalde-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/tryphoon-pharalde.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>TRYPHON &amp; PHARA\u00cfLDE<\/strong> (Doe &amp; Deer)<\/p>\n<p>Casimir VERSTRAETE, Edgar VERSTRAETE \/ France \/ 2019 \/ Fiction \/ 18:16<\/p>\n<p>Between Tryphon and Phara\u00eflde things are not easy. In a forest looking for a stagg, an unexpected event changes everything.<\/p>\n<p><em>Awards\/Screenings: Public Price at the Festival des Courts en Hiver de Porto-Vecchio (France\/ Corsica)<\/em><\/td>\n<\/tr>\n<p><!--end film --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8097\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Bottleneck-MFW9225-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Bottleneck-MFW9225-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Bottleneck-MFW9225.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>BOTTLENECK<\/strong><\/p>\n<p>M\u00e5ns Berthas \/ Sweden \/ 2019 \/ Fiction \/ 08:00<\/p>\n<p>Three women are gathered for an act of vengeance. They spin a bottle to determine who should perform the deed.<\/p>\n<p><em>Awards\/Screenings: El Gouna Film Festival 2019, Egypt \/ World Premiere DC Shorts Film Festival 2019, USA<\/em><\/td>\n<\/tr>\n<p><!--end film --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8102\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Watermelon-Baby-MF620F0013-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Watermelon-Baby-MF620F0013-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Watermelon-Baby-MF620F0013.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>WATERMELON BABY<\/strong><\/p>\n<p>Liao Jiekai \/ Japan \/ 2019 \/ Fiction \/ 14:49<\/p>\n<p>High school-er Tamaki grows a watermelon in her body as she waits for boyfriend Sui to return home from Canada.<\/p>\n<p><em>Awards\/Screenings: Singapore International Film Festival<\/em><\/td>\n<\/tr>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8100\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Six-hours-20-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Six-hours-20-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Six-hours-20.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>SIX HOURS<\/strong> (6 \u0447\u0430\u0441\u043e\u0432)<\/p>\n<p>Yana Chernukha \/ Russia \/ 2020 \/ Fiction \/ 20:00<\/p>\n<p>A young woman is going to spend six hours, buried in the ground. She asks her younger sister to dig her in.<\/p>\n<p><em>Awards\/Screenings: WORLD PREMIERE at MFW6 <\/em><\/td>\n<\/tr>\n<p><!--end film --><\/tbody>\n<\/table>\n<p><!-- SCHEDULE --><\/p><\/div><\/div>\n<p>&nbsp;<\/p>\n<p><strong>KAM\/THU 10 September 2020<\/strong><\/p>\n<div class=\"ap_toggle close\"><div class=\"ap_toggle_title\">17:30 | S-EXPRESS 2020 SINGAPORE | Duration: 59:23 | AGE RATING: 17+<\/div><div class=\"ap_toggle_content\"><h3><!-- SCHEDULE -->\n<strong>S-EXPRESS 2020 SINGAPORE<\/strong><\/h3>\n<table id=\"schedule\" border=\"0\" width=\"100%\">\n<tbody>\n<tr>\n<th rowspan=\"1\" width=\"25%\">DATE<\/th>\n<th width=\"10%\">SHOW TIME<\/th>\n<th width=\"35%\"><strong>VENUE<\/strong><\/th>\n<\/tr>\n<tr>\n<td rowspan=\"1\" width=\"25%\">SEN\/MON 7<\/td>\n<td width=\"10%\">17:00<\/td>\n<td width=\"35%\"><a href=\"https:\/\/minikino.org\/filmweek\/mfw6\/sang-karsa\/\">RUMAH FILM SANG KARSA<\/a><\/td>\n<\/tr>\n<tr>\n<td rowspan=\"1\" width=\"25%\">KAM\/THU 10<\/td>\n<td width=\"10%\">17:30<\/td>\n<td width=\"35%\"><a href=\"https:\/\/minikino.org\/filmweek\/mfw6\/umah-nusa-dua\/\">UMAH NUSA DUA<\/a><\/td>\n<\/tr>\n<tr>\n<td align=\"right\"><strong>Note<\/strong>:<\/td>\n<td><em>WITA (+8 GMT)<\/em><\/td>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<table id=\"schedule\" border=\"0\" width=\"100%\">\n<tbody><!-- Film note --><\/p>\n<tr>\n<td colspan=\"2\"><strong>SX2020 SINGAPORE<\/strong> | Duration: 59:23 | AGE RATING: 17+<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-thumbnail wp-image-8508\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/08\/SingaporeLeong-Pui-Yee-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/08\/SingaporeLeong-Pui-Yee-150x150.jpg 150w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/08\/SingaporeLeong-Pui-Yee.jpg 189w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/>Programmer:Leong Puiyee is a film\nprogrammer and manager based in Singapore.<\/p>\n<p>Experience the essence of nature, complex human\u00a0 relationships and the bizarreness of life in these short films<\/td>\n<\/tr>\n<p><!-- End Film note --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/image.jpg\" alt=\"\" width=\"500\" height=\"124\" \/><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8289\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/01-ESCAPE-VELOCITY-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/01-ESCAPE-VELOCITY-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/01-ESCAPE-VELOCITY.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>ESCAPE VELOCITY II <\/strong><\/p>\n<p>Zai Tang \/ Singapore \/ 2018 \/ 09:45<\/p>\n<p>Escape Velocity II is a synaesthetic experiment in bringing the ethereal voices of the Singaporean wild to life through animation and sound visualisation<\/td>\n<\/tr>\n<p><!--end film --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/image.jpg\" alt=\"\" width=\"500\" height=\"124\" \/><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8102\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Watermelon-Baby-MF620F0013-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Watermelon-Baby-MF620F0013-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/Watermelon-Baby-MF620F0013.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>WATERMELON BABY<\/strong><\/p>\n<p>Liao Jiekai \/ Singapore \/ 2019 \/ \/ 15:00<\/p>\n<p>While Tamaki\u2019s partner Sui was away for the summer, she consumed a watermelon seed and began growing a watermelon in her body.<\/td>\n<\/tr>\n<p><!--end film --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/image.jpg\" alt=\"\" width=\"500\" height=\"124\" \/><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8291\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/03-SIBLINGS-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/03-SIBLINGS-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/03-SIBLINGS.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>SIBLINGS<\/strong> (\u540e\u6765)<\/p>\n<p>Tang Kang Sheng \/ Singapore \/ 2019 \/18:38<\/p>\n<p>After their father is hospitalized, Jun and Ling return home to settle some of his affairs. Amidst it all, they are forced to interact with one another.<\/td>\n<\/tr>\n<p><!--end film --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/image.jpg\" alt=\"\" width=\"500\" height=\"124\" \/><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8292\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/04-HELLO-AHMA-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/04-HELLO-AHMA-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/04-HELLO-AHMA.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>HELLO AHMA<\/strong><\/p>\n<p>Tan Siyou \/ Singapore \/ 2019 \/ 16:00<\/p>\n<p>Unable to return home to attend Grandma\u2019s funeral because of immigration bureaucracy, a young Singaporean girl new to America searches for Grandma\u2019s reincarnation.<\/td>\n<\/tr>\n<p><!--end film --><\/tbody>\n<\/table><\/div><\/div>\n<div class=\"ap_toggle close\"><div class=\"ap_toggle_title\">19:30 | S-EXPRESS 2020 VIETNAM | Duration: 57:27 | AGE RATING: 17+<\/div><div class=\"ap_toggle_content\"><h3><!-- SCHEDULE -->\n<strong>S-EXPRESS 2020 VIETNAM<\/strong><\/h3>\n<table id=\"schedule\" border=\"0\" width=\"100%\">\n<tbody>\n<tr>\n<th rowspan=\"1\" width=\"25%\">DATE<\/th>\n<th width=\"10%\">SHOW TIME<\/th>\n<th width=\"35%\"><strong>VENUE<\/strong><\/th>\n<\/tr>\n<tr>\n<td rowspan=\"1\" width=\"25%\">SAB\/SAT 5<\/td>\n<td width=\"10%\">20:30<\/td>\n<td width=\"35%\"><a href=\"https:\/\/minikino.org\/filmweek\/mfw6\/omah-apik\/\">OMAH APIK PEJENG BALI<\/a><\/td>\n<\/tr>\n<tr>\n<td rowspan=\"1\" width=\"25%\">KAM\/THU 10<\/td>\n<td width=\"10%\">19:30<\/td>\n<td width=\"35%\"><a href=\"https:\/\/minikino.org\/filmweek\/mfw6\/umah-nusa-dua\/\">UMAH NUSA DUA<\/a><\/td>\n<\/tr>\n<tr>\n<td align=\"right\"><strong>Note<\/strong>:<\/td>\n<td><em>WITA (+8 GMT)<\/em><\/td>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<table id=\"schedule\" border=\"0\" width=\"100%\">\n<tbody><!-- Film note --><\/p>\n<tr>\n<td colspan=\"2\">SX2020 VIETNAM | Duration: 57:27 | AGE RATING: 17+<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-thumbnail wp-image-8510\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/08\/Vietnam_Marcus-Manh-Cuong-Vu-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/08\/Vietnam_Marcus-Manh-Cuong-Vu-150x150.jpg 150w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/08\/Vietnam_Marcus-Manh-Cuong-Vu.jpg 189w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/>Programmer: Marcus Manh Cuong Vu is a filmmaker and programmer. Previously, he was the festival director of Yxine Film Fest (2010-2014).<\/p>\n<p>Love, lies and dreams. What drives us in this tough time of confusion and survival? Every year, S-Express Vietnam introduces new young filmmakers of the next generation from the country.<\/td>\n<\/tr>\n<p><!-- End Film note --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/image.jpg\" alt=\"\" width=\"500\" height=\"124\" \/><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8296\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/01-PAPERLAND-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/01-PAPERLAND-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/01-PAPERLAND.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>PAPERLAND<\/strong> (\u0110\u1ea5t tr\u00ean gi\u1ea5y)<\/p>\n<p>Nguy\u1ec5n L\u00ea Trung H\u1ea3i \/ Vietnam \/ 2020 \/ \/ 18:19<\/p>\n<p>Phi dates older women who supposedly follow his advice to buy property in the countryside.<\/td>\n<\/tr>\n<p><!--end film --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/image.jpg\" alt=\"\" width=\"500\" height=\"124\" \/><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8297\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/02-TAU-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/02-TAU-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/02-TAU.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>TAU!<\/strong> (Th\u1eb1ng T\u00e0u)<\/p>\n<p>Di\u1ec7p Chi Vi\u00ean Vi\u00ean \/ Vietnam \/ 2020 \/ 17:47<\/p>\n<p>Young boy T\u00e0u does not accept the new lover of his father<\/td>\n<\/tr>\n<p><!--end film --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/image.jpg\" alt=\"\" width=\"500\" height=\"124\" \/><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8298\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/03-THE-BIG-DAY-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/03-THE-BIG-DAY-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/03-THE-BIG-DAY.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>THE BIG DAY<\/strong> (Ng\u00e0y tr\u1ecdng \u0111\u1ea1i)<\/p>\n<p>L\u00ea Can Tr\u01b0\u1eddng \/ Vietnam \/ 2020 \/ 8:30<\/p>\n<p>A young couple is waiting for a rain, while many Vietnamese are longing for a glorious victory of the national football team.<\/td>\n<\/tr>\n<p><!--end film --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/image.jpg\" alt=\"\" width=\"500\" height=\"124\" \/><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8299\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/04-WHISPERING-GARDEN-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/04-WHISPERING-GARDEN-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/04-WHISPERING-GARDEN.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>WHISPERING GARDEN<\/strong> (V\u01b0\u1eddn r\u00ec r\u1ea7m)<\/p>\n<p>\u0110\u1eb7ng Th\u1ea3o Nguy\u00ean \/ Vietnam \/ 2020 \/ 09:30<\/p>\n<p>A mother and her daughter hide a corpse. The garden where their secret is buried has its own way of being.<\/td>\n<\/tr>\n<p><!--end film --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/image.jpg\" alt=\"\" width=\"500\" height=\"124\" \/><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8302\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/05-IM-NOT-THE-ONLY-ONE-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/05-IM-NOT-THE-ONLY-ONE-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/05-IM-NOT-THE-ONLY-ONE.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>I\u2019M NOT THE ONLY ONE<\/strong> (Em kh\u00f4ng l\u00e0 duy nh\u1ea5t)<\/p>\n<p>Ph\u1ea1m Nguy\u1ec5n Anh T\u00fa \/ Vietnam \/ 2020 \/ 03:21<\/p>\n<p>Am I the rain or the sun, a boy or a girl, a dream or a reality, a film or myself?<\/td>\n<\/tr>\n<p><!--end film --><\/tbody>\n<\/table><\/div><\/div>\n<p>&nbsp;<\/p>\n<p><strong>JUM\/FRI 11 September 2020<\/strong><\/p>\n<div class=\"ap_toggle close\"><div class=\"ap_toggle_title\">17:30 | S-EXPRESS 2020 MALAYSIA | Duration: 61:14 | AGE RATING: 17+<\/div><div class=\"ap_toggle_content\"><h3><strong>S-EXPRESS 2020 MALAYSIA<\/strong><\/h3>\n<table id=\"schedule\" border=\"0\" width=\"100%\">\n<tbody>\n<tr>\n<th rowspan=\"1\" width=\"25%\">DATE<\/th>\n<th width=\"10%\">SHOW TIME<\/th>\n<th width=\"35%\"><strong>VENUE<\/strong><\/th>\n<\/tr>\n<tr>\n<td rowspan=\"1\" width=\"25%\">SEN\/MON 7<\/td>\n<td width=\"10%\">13:00<\/td>\n<td width=\"35%\"><a href=\"https:\/\/minikino.org\/filmweek\/mfw6\/rumah-sanur\/\">RUMAH SANUR CREATIVE HUB<\/a><\/td>\n<\/tr>\n<tr>\n<td rowspan=\"1\" width=\"25%\">JUM\/FRI 11<\/td>\n<td width=\"10%\">17:30<\/td>\n<td width=\"35%\"><a href=\"https:\/\/minikino.org\/filmweek\/mfw6\/umah-nusa-dua\/\">UMAH NUSA DUA<\/a><\/td>\n<\/tr>\n<tr>\n<td align=\"right\"><strong>Note<\/strong>:<\/td>\n<td><em>WITA (+8 GMT)<\/em><\/td>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<table id=\"schedule\" border=\"0\" width=\"100%\">\n<tbody><!-- Film note --><\/p>\n<tr>\n<td colspan=\"2\"><strong>SX2020 MALAYSIA<\/strong> | Duration: 61:14 | AGE RATING: 17+<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-thumbnail wp-image-8511\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/08\/Malaysia_Yow-Chong-Lee-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/08\/Malaysia_Yow-Chong-Lee-150x150.jpg 150w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/08\/Malaysia_Yow-Chong-Lee.jpg 189w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/>Programmer: Yow Chong Lee\nApart from programming for Mini Film Festival, ChongLee is also a film lecturer who makes documentary and picked up scuba diving recently.<\/p>\n<p>Exploring the possibility of cinematic space and time in questioning who we are (and aren\u2019t), these films veer between foreign and local; past, present and future; then back to the most naive, raw and honest adventure of all in rendering what constitute Malaysians seen from the perspective of these young and vibrant filmmakers.<\/td>\n<\/tr>\n<p><!-- End Film note --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/image.jpg\" alt=\"\" width=\"500\" height=\"124\" \/><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8278\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/1-rasa-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/1-rasa-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/1-rasa.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>RASA<\/strong><\/p>\n<p>Wei Jie, Lim \/ USA \/ 2020 \/ \/ 17:27<\/p>\n<p>\u2018Rasa\u2019 is a portrait of a Malaysian restaurant in Manhattan, where kitchen workers reminisce about the past they left behind.<\/td>\n<\/tr>\n<p><!--end film --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/image.jpg\" alt=\"\" width=\"500\" height=\"124\" \/><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8279\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/2-peon-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/2-peon-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/2-peon.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>PEON<\/strong><\/p>\n<p>Shaiful Yahya, Syaz Zainal &amp; June Wong \/ Malaysia \/ 2019 \/ \/ 14:50<\/p>\n<p>Based on a true story, Peon is told through a delivery rider\u2019s phone screen. Ding! An order comes in to deliver passports<\/td>\n<\/tr>\n<p><!--end film --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/image.jpg\" alt=\"\" width=\"500\" height=\"124\" \/><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8280\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/3-the-masseuse-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/3-the-masseuse-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/3-the-masseuse.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>THE MASSEUSE<\/strong> (\u6309\u6469\u5e08)<\/p>\n<p>Tan Ce Ding \/ Malaysia \/ 2018 \/ \/ 20:00<\/p>\n<p>In a world where cutting edge robots are coveted, a fledgling human technician is torn between pursuing his feelings towards an outdated android and placating his abusive, android-aversive father.<\/td>\n<\/tr>\n<p><!--end film --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/image.jpg\" alt=\"\" width=\"500\" height=\"124\" \/><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8281\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/4-pace-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/4-pace-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/4-pace.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>PACE <\/strong><\/p>\n<p>Ekin Kee Charles \/ Malaysia \/ 2019 \/ \/ 08:57<\/p>\n<p>Yaya and her friends were on their everyday mischievous adventures. As the evening went by, Yaya discover something in her that she longed for.<\/td>\n<\/tr>\n<p><!--end film --><\/tbody>\n<\/table><\/div><\/div>\n<div class=\"ap_toggle close\"><div class=\"ap_toggle_title\">19:00 | S-EXPRESS 2020 CAMBODIA | Duration: 41:36 | AGE RATING: 17+<\/div><div class=\"ap_toggle_content\"><h3><!-- SCHEDULE -->\n<strong>S-EXPRESS 2020 CAMBODIA<\/strong><\/h3>\n<table id=\"schedule\" border=\"0\" width=\"100%\">\n<tbody>\n<tr>\n<th rowspan=\"1\" width=\"25%\">DATE<\/th>\n<th width=\"10%\">SHOW TIME<\/th>\n<th width=\"35%\"><strong>VENUE<\/strong><\/th>\n<\/tr>\n<tr>\n<td rowspan=\"1\" width=\"25%\">MIN\/SUN 6<\/td>\n<td width=\"10%\">14:00<\/td>\n<td width=\"35%\"><a href=\"https:\/\/minikino.org\/filmweek\/mfw6\/rumah-sanur\/\">RUMAH SANUR CREATIVE HUB<\/a><\/td>\n<\/tr>\n<tr>\n<td rowspan=\"1\" width=\"25%\">JUM\/FRI 11<\/td>\n<td width=\"10%\">19:00<\/td>\n<td width=\"35%\"><a href=\"https:\/\/minikino.org\/filmweek\/mfw6\/umah-nusa-dua\/\">UMAH NUSA DUA<\/a><\/td>\n<\/tr>\n<tr>\n<td align=\"right\"><strong>Note<\/strong>:<\/td>\n<td><em>WITA (+8 GMT)<\/em><\/td>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<table id=\"schedule\" border=\"0\" width=\"100%\">\n<tbody><!-- Film note --><\/p>\n<tr>\n<td colspan=\"2\"><strong>SX2020 CAMBODIA<\/strong> | Duration: 41:36 | AGE RATING: 17+<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-thumbnail wp-image-8505\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/08\/Cambodia_Park-Sungho-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/08\/Cambodia_Park-Sungho-150x150.jpg 150w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/08\/Cambodia_Park-Sungho.jpg 189w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/>Programmer: A festival programmer and\nFilm producer based in Phnom Penh, Cambodia.<\/p>\n<p>Women\u2019s voices are emerging in recent Cambodian short films, which has to be noted and praised.<\/td>\n<\/tr>\n<p><!-- End Film note --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/image.jpg\" alt=\"\" width=\"500\" height=\"124\" \/><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8271\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/01-SOBEN-CALIFORNIA-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/01-SOBEN-CALIFORNIA-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/01-SOBEN-CALIFORNIA.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>CALIFORNIA DREAMING<\/strong><\/p>\n<p>Sreylin Meas \/ Cambodia \/ 2020 \/ 16:00<\/p>\n<p>Two women from different backgrounds encounter one another at an oceanfront resort.<\/td>\n<\/tr>\n<p><!--end film --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/image.jpg\" alt=\"\" width=\"500\" height=\"124\" \/><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8272\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/02-BITTER-MELONS-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/02-BITTER-MELONS-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/02-BITTER-MELONS.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>BITTER MELONS<\/strong><\/p>\n<p>Thavary Krouch \/ USA \/ 2020 \/ 25:36<\/p>\n<p>Sophia, a female line cook is tasked with delivering bitter melons to her estranged father<\/td>\n<\/tr>\n<p><!--end film --><\/tbody>\n<\/table><\/div><\/div>\n<div class=\"ap_toggle close\"><div class=\"ap_toggle_title\">20:30 | S-EXPRESS 2020 PHILIPPINES | Duration: 56:05 | AGE RATING: 17+<\/div><div class=\"ap_toggle_content\"><h3><!-- SCHEDULE -->\n<strong>S-EXPRESS 2020 PHILIPPINES<\/strong><\/h3>\n<table id=\"schedule\" border=\"0\" width=\"100%\">\n<tbody>\n<tr>\n<th rowspan=\"1\" width=\"25%\">DATE<\/th>\n<th width=\"10%\">SHOW TIME<\/th>\n<th width=\"35%\"><strong>VENUE<\/strong><\/th>\n<\/tr>\n<tr>\n<td rowspan=\"1\" width=\"25%\">SEN\/MON 7<\/td>\n<td width=\"10%\">18:30<\/td>\n<td width=\"35%\"><a href=\"https:\/\/minikino.org\/filmweek\/mfw6\/uma-seminyak\/\">UMA SEMINYAK<\/a><\/td>\n<\/tr>\n<tr>\n<td rowspan=\"1\" width=\"25%\">JUM\/FRI 11<\/td>\n<td width=\"10%\">20:30<\/td>\n<td width=\"35%\"><a href=\"https:\/\/minikino.org\/filmweek\/mfw6\/umah-nusa-dua\/\">UMAH NUSA DUA<\/a><\/td>\n<\/tr>\n<tr>\n<td align=\"right\"><strong>Note<\/strong>:<\/td>\n<td><em>WITA (+8 GMT)<\/em><\/td>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<table id=\"schedule\" border=\"0\" width=\"100%\">\n<tbody><!-- Film note --><\/p>\n<tr>\n<td colspan=\"2\"><strong>SX2020 PHILIPPINES<\/strong> | Duration: 56:05 | AGE RATING: 17+<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-thumbnail wp-image-8507\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/08\/Philippines_Francis-Joseph-Cruz-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/08\/Philippines_Francis-Joseph-Cruz-150x150.jpg 150w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/08\/Philippines_Francis-Joseph-Cruz.jpg 189w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/>Francis Oggs Cruz has served as member\nand jury alike at local and international film festivals. He also writes about cinema for various publications.<\/p>\n<p>Three Filipino films that tackle very real societal issues through exhilerating, dramatic, sometimes comedic, and always absurd situations.<\/td>\n<\/tr>\n<p><!-- End Film note --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/image.jpg\" alt=\"\" width=\"500\" height=\"124\" \/><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8286\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/01-BABYLON-with-director-photo-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/01-BABYLON-with-director-photo-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/01-BABYLON-with-director-photo.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>BABYLON<\/strong><\/p>\n<p>Keith Deligero \/ Philippines \/ 2019 \/ 20:22<\/p>\n<p>In a time before mobile phones, postmodern Erinyes come to Barangay Babylonia in order to kill a local dictator<\/td>\n<\/tr>\n<p><!--end film --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/image.jpg\" alt=\"\" width=\"500\" height=\"124\" \/><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8287\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/02-TOKWIFI-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/02-TOKWIFI-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/02-TOKWIFI.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>TOKWIFI <\/strong><\/p>\n<p>Carla Pulido Ocampo \/ Philippines \/ 2019 \/ 20:00<\/p>\n<p>As Limmayug carries firewood back to his home village, something falls from the sky: a 1950s television, with a hysterical showbiz star trapped inside it.<\/td>\n<\/tr>\n<p><!--end film --><!-- film --><\/p>\n<tr>\n<td width=\"30%\" height=\"81\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/image.jpg\" alt=\"\" width=\"500\" height=\"124\" \/><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8288\" src=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/03-EXCUSE-ME-MISS-MISS-MISS-300x74.jpg\" alt=\"\" width=\"300\" height=\"74\" srcset=\"https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/03-EXCUSE-ME-MISS-MISS-MISS-300x74.jpg 300w, https:\/\/minikino.org\/filmweek\/wp-content\/uploads\/sites\/4\/2020\/07\/03-EXCUSE-ME-MISS-MISS-MISS.jpg 763w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td width=\"70%\"><strong>EXCUSE ME MISS MISS MISS<\/strong><\/p>\n<p>Sonny Calvento \/ Philippines \/ 2019 \/ 15:43<\/p>\n<p>Excuse Me, Miss, Miss, Miss is a social satire on the plight of contractual workers in the Philippines.<\/td>\n<\/tr>\n<p><!--end film --><\/tbody>\n<\/table><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>UMAH NUSA DUA www.umahnusadua.com Jl.Gedongsari I no 10-12, Nusa Dua \/ map location: https:\/\/minikino.org\/umahnusadua Contact person: Ripta Paranoan \/ +62 811 389 9118 SCHEDULE SAB\/SAT 5 September 2020 &nbsp; MIN\/SUN 6 September 2020 &nbsp; SEN\/MON 7 September 2020 &nbsp; SEL\/TUE 8 September 2020 &nbsp; RAB\/WED 9 September 2020 &nbsp; KAM\/THU 10 September 2020 &nbsp; JUM\/FRI [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":6669,"parent":7679,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-8477","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>UMAH NUSA DUA - Bali International Short Film Festival<\/title>\n<meta name=\"description\" content=\"MINIKINO FILM WEEK (MFW) \u2013 Bali International Short Film Festival. 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