MMSD March 2020: LOOKING GLASS SELF
Programmer: Kevin Setya
Supervisor: Fransiska Prihadi
Total duration 69 minutes
Programmer’s note:
Manusia menyalurkan emosi satu sama lain dan setiap individu dipandang sebagai cerminan lingkungan dalam konstruksi sosial. Kami membayangkan bagaimana kami tampil, menilai, dan mengembangkan identitas kami karena sosial, seperti melihat melalui kaca.
Human leak emotions to each other and each individuals seen as a reflection of social construction environment. We imagine how we appear, judge, and develop our identity because of the social, like looking through glass.
All Screenings are Free Entries – First Come First Seated
General info, please contact: monthly-screening@minikino.org
Screening schedules:
- JUMAT / FRIDAY, 13 MARCH 2020, 19:30 WITA
UMAH NUSA DUA (Nusa Dua, Bali – klik here for location map) - JUMAT / FRIDAY, 20 MARCH 2020, 18:00 WITA (canceled because of COVID-19 pandemic)
RUMAH SANUR CREATIVE HUB (Sanur, Denpasar, Bali- klik here for location map) - JUMAT / FRIDAY, 27 MARCH 2020, 19:00 WIB (canceled because of COVID-19 pandemic)
KAMPUS KOPI CP (Cirebon, Jawa Barat- klik here for location map) - JUMAT / FRIDAY, 27 MARCH 2020, 19:30 WITA (canceled because of COVID-19 pandemic)
MASH DENPASAR (Denpasar, Bali- klik here for location map) - MINGGU / SUNDAY, 29 MARCH 2020, 19:00 WIB (canceled because of COVID-19 pandemic)
RUMAH 360 (Semarang, Jawa Tengah- klik here for location map)
PANIC ATTACK
Eileen O’Meara/ USA / 2016/ animation, experimental/ 00:03:07
Animasi gambar tangan dari sudut pandang seorang wanita yang mengalami serangan panik. Saya ingin transisi antara kenyataan dan ketakutan imajinasinya menjadi mulus, jadi tidak ada suntingan – ini adalah gambar yang terus berubah.
A hand-drawn animation from the point of view of a woman having a panic attack. I wanted the transitions between reality and her imagined fears to be seamless, so there are no edits – it is one continually transforming drawing.
IDIOT
Dusan Davidov/ Slovakia/ 2018/ animation/ 00:18:30
“Si Pria Tersenyum” adalah seorang pegawai di kota kecil yang hidup 150 tahun setelah dari sang pangeran (pangeran Myshkin). Baginya, bekerja adalah segalanya, seperti bernafas. “Pria Tersenyum” menjadi budak mereka semua, tidak hanya di tempat kerja, tetapi juga di rumah; tanpa minta dibayar, tanpa penghargaan dari kolega atau keluarganya. Dia menjalani kehidupan yang dia anggap benar.
The “Smiling Man” is a small officer in a small town who lives 150 years later than the prince (the prince Myshkin). For him, work is everything, it is something like breathing. The “Smiling Man” slaves for all of them, not only at work, but also at home; without any claim to be paid, without any appreciation from his colleagues or family. He lives the life he considers correct.
OLEH-OLEH
Mohammad Reza Fahriyansyah/ Mohammad Reza Fahriyansyah/ Indonesia/ 2017/ fiction/ 00:17:39
Ibu Yati secara tidak langsung terbebani oleh perilaku salah satu budaya kelompok pengajian, sebelum pergi umroh. Satu-satunya anak perempuannya, Yati tidak setuju dengan budaya ini, karena sangat membebani ia dan ibunya, terutama mengganggu keinginan awalnya untuk melakukan Umroh.
Yati’s mother was indirectly burdened by the behavior of one of the prayer group’s cultures, before going on Umrah. Her only daughter, Yati, disagrees with this culture, because it is a burden for her and her mother, especially to interfere with her initial desire to go Umrah.
RP 20.000
Dennis Bagaskara/ Indonesia/ 2019/ fiction/ 00:14:14
Seorang pengangguran dan temannya yang ngawur, menempuh jalan nekat ketika menghadapi masalah keuangan yang semakin memuncak.
An unemployed graduate and her sleazy friend resort to desperate measure when faced with mounting financial problems.
HOT CHOCOLATE
Thu Vu Kim Nguyen/ USA/ 2016/ animation/ 00:03:17
Sebuah animasi singkat tentang seorang gadis yang baru saja pindah ke negara asing dan berusaha menyesuaikan diri dengan kehidupan barunya.
A short animated lm about a girl who had recently moved to a foreign country and was trying to adjust to her new life.
淹煙 (YEN YEN)
Chunni Lin/ Taiwan/ 2014/ experimental/ 00:11:35
Batas antara realitas subjektif dan objektif, meskipun berbeda (air selalu air dan udara selalu udara), berubah secara konstan. Yen Yen dimulai di sini – di permukaan yang bergulir antara mimpi dan kenyataan. Gagasan bahwa ini semua bisa menjadi mimpi muncul dari dalam mimpi itu sendiri.
The border between subjective and objective reality, though distinct (water is always water and the air is always air), changes constantly. Yen Yen begins here – on this rolling surface between dream and reality. The idea that this could all be a dream emerges from deep within the dream itself.
All Screenings are Free Entries – First Come First Seated
General info, please contact: monthly-screening@minikino.org
MMSD March 2020: LOOKING GLASS SELF
Thanks to
Tuhan YME
Pinanto
Erna K
Universitas Dian Nuswantoro
Fransiska Prihadi
Edo Wulia
Saffira Nusa Dewi
Inez Peringga
MASH Denpasar
Rumah Sanur Creative Hub
Umah Nusa Dua
Cinema Cirebon
Monoton Menonton
Rumah 360 Semarang
