Realita dan Eskapisme yang Terbelit dalam Sidéral (2021)
Perempuan itu tidak menunjukkan senyumannya. Perempuan itu seperti tak lagi punya semangat untuk memancarkan cahaya dalam dirinya. Rutinitas yang harus...
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A Ride To Nowhere (2022): Perempuan dalam Dominasi Maskulinitas Industri Kerja
Sebagai seorang perempuan, saya melihat pembicaraan mengenai perempuan seolah erat akan dua hal yang kontradiktif. Kekuatan dan sekaligus kerentanan. Konstruksi...
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L’eau à la bouche: From the Perspective of a Pedophile
A couple of days ago, I watched a German report about a couple that called themselves pedophiles. The report sought...
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“The Blanket” of ASEAN Migrants Irony
Many attempts have been made to protest on issues related to cross-country cooperation in ASEAN because many Southeast Asian countries...
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A Reflection on Racist Structures in Germany’s Public Authorities
A couple of months ago, I watched a theater play on the conditions set by the office of foreign affairs...
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Encountering Ghosts and Spirits
Growing up in Germany, I come from a culture in which there is no dominant belief in ghosts and spirits....
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Memaknai Ulang “Air” dalam Film Pendek The Chicken
Siang hari pada saat tulisan ini dibuat, saya sudah menghabiskan hampir seluruh es kopi susu yang agak saya sayangkan karena...
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The Chicken: A Short Film with Food for Thought
Based on the Japanese novel “An Afternoon on November 3rd” and beautifully shot in 16 mm, The Chicken is a...
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Bangun Dari Mimpi Membangun Budaya Sinema di Papua
Ada satu pengalaman yang cukup melekat di kepala saya ketika demonstrasi Omnibus Law di Jogja tahun 2020. Kala itu menjelang...
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Burnout (2021): A Visual Reflection on The Feeling of Burning Out
How does it feel to be burned out? And how to find a way out of this state? These questions...
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